Ozhivudivasathe Kali

Ozhivudivasathe Kali is the film which places the viewer inside the movie as just as a"viewer". Here every spectator was glued to the lens of the camera. For the first 15 to 20 minutes there is long range shot which is merely audible what the characters are saying. The whole frame is blurred coz of the branches and leaves. I was disturbed with that in first place. Eventually it is understandable that the director wanted us to be like that. We met a complete bunch of strangers, a group of 5 boozing in a bush near to the road. Sanal didn't followed the conventional methods by introducing the characters with a voice over or their conversations. When the movie eventually goes forward we get to know the characteristics of each person. It shows the sheer brilliance of the director. The performances of lead actors are realistic in such a way that we get lost whether we are in a movie or not. The only woman Geetha is representing the today's women who is oppressed by the male dominated society. The last scene of Geetha and the anger she showed by hitting the slippers in the ground represents the frustration of every women in the society. The journey of 5 budding friends to the arguments and fights which brings out the true colours of the conventional society. At last the game white sounds childish turns into the mishap which shows how power centered politics of our great democracy deals with oppressed in our society . It shows the hypocrisy of every human when they tore their masks of common man. Then the woman alone is just piece of flesh only differs whether we should seduce her or rape her. Then the black guy in the group is supposed to be a laughing stock for their racist jokes. Sanal also put the lights on how the judicial system bend the rules and how it deals with the different sects of people. Sanal deserves a standing ovation in the end . The technical side was so perfect even I didn't noticed that the second half of the movie is mostly shot in a single shot. The river shown in between every incidents, which really feels like it's a mirror he put towards us to understand what are we and what we've done. End note: There is no films in recent history of Malayalam cinema which had made an impact on me than ozhivudivasathe kali. its haunting and fascinating at the same time. Sanal Kumar sasidharan is the best invention in recent times of Malayalam industry.

This is the movie that I watched in the theater with no expectations.

It's about 5 friends who are enjoying election day in a farmhouse.

At a peak time, the inside criminalization of everyone will come out.

The movie is talking about politics which is everyone keeps in their minds.

Viewers will feel little Lag, but it's a must-watch movie.

It took me more than six months to find a source and watch this highly acclaimed social drama. And once I finished watching it, I understood why people use so many adjectives to define it.

On an election day in the Indian state of Kerala, a group of five adult friends decide to spend an entire day in a dilapidated building few kilometers away from the city hustle-bustle. Their aim is to engage in incessant boozing and revisit the good old times. However, once they begin and reach a point where debauchery (albeit without sex and other drugs) sounds like an understatement, things start to go south. The members of the group, in their own idiosyncratic inebriated ways, begin to share their opinions. Heated discussions ensue as the nature joins them, lashing out its unparalleled powers through a downpour. One thing leads to another and things get rocky, but eventually they calm down, only to next play a silly game. A game they used to play when they were in school. A game which they don't know is not as innocuous as it seems to be.

The first thing that viewers are going to notice in the film is the terrible cinematography. All excuses of it being intentional goes down the drain because you cannot see anything. A bunch of people are conversing - that's all you will understand in the first 20 minutes. What they are talking about? Or who is presently talking? Nope. You will see leaves and barks in place of human faces.

In the first 20 minutes, you will perceive it as five adults fooling around on an off-day just because they can. Ogling at that lady who is preparing tapioca and chicken curry for them or forcing the helper guy to consume uncontrolled amounts of alcohol is what they essentially do. Then they begin to talk about politics, the society, the concepts of rape and hypocrisy - and that's when the bitterness sweeps in. It's like the thunderous downpour brings a wave into the room where these people are sitting, igniting their selves to speak up and engage in debates.

A lot of topics such as racism and caste discrimination are sampled here before the film crescendos to its final juncture where the subject shifts to that of "corruption in a democracy". The game they play is one that most of us have played at least once. But, the metaphoric perception the writers bring with it is remarkable. Unni R's story shines light into the natural state of a constitution and how corruption breeds in it due to the people and their outlooks. Sasidharan uses raw footage to convey the story and succeeds to some extent. He tries to embarrass the audience by showing them their own mirror images in the five protagonists as they set out.

You cannot call the film entertainment because it has no qualities of being any. This is serious cinema and should be perceived as a strong message to the people at large who do not mind consuming chicken, but repulse at the thought of killing a hen. It's a film that is going to haunt you for at least a day. After that, you will forget about it because that's how we all are. Like dust in the wind which moves on and on.

It is evidently made on a shoestring budget with heavy usage of improvisation. The dialogues and actions were allegedly spontaneous as Wikipedia tells me, and it may be true. The final long shot of more than 50 minutes is amazing to watch, along with the heart-rending climax.

BOTTOM LINE: Sanal Saidharan's "Ozhivudivasathe Kali" is a disturbing film which speaks truth and nothing but the truth. Watch it today on Reelmonk!

Can be watched with a typical Indian family? NO

It is just a normal movie with five friends going out on a holiday for partying. But as the story progresses, the character's inner social prejudices are shown. The movie shows different types of preconceptions in the society like: religious prejudice (Thirumeni), gender prejudice (against Geetha), cultural prejudice (by Ashokan against Geetha, tribal woman), sexism (against Geetha by Dharman), classism (against Vinayan), appearance prejudice ( against Dasan), racial Prejudice (against Dasan), bribing and many more...

I usually love movies that have little or no camera movment, like Nanpakal Nerathu Mayakkam. This one too, by Sanal Kumar Sasidharan, makes us audience; sit with the characters. The continuous shots surely help to get attached with the situation.

I am so amazed with the actors performing continuous for such long shots. Should appreciate the crew... Since most of them are single shots, the audio quality is a bit low. But this doesn't affect the overall impact of the film. Actually feels more like an orginal, mediocre footage taken by a surveillance camera.

Even the way every person is given their lot was admirable, also their character names. How they treat each other over social norms over personality... Great, underrated film 👍

On a rain-drenched polling day, five friends travel to an idyllic spot for a boozing session. After getting inebriated, their deep rooted prejudices start surfacing. And finally they play a game in which the players draw lots to be designated as King, Minister, Cop and Thief. The Cop identifies himself and then has to guess the Thief from among the other three. Saying anything more about the plot will amount to a spoiler. Suffice to say that the climax is chilling and deeply disturbing.

But the film is not a statement against rampant alcoholism in Kerala, as some people thought during the post-screening discussion. Alcohol is a mere lubricant to bring the bigotries and duplicities out of the closet. It is a deeply layered film with metaphors strewn all over, perhaps demanding multiple viewing to understand them all. The film often cuts to a lovely pond after intense sequences; the director is apparently holding up a mirror to our face. Are we any different from those characters? Brilliantly done, I think.

The film is based on a short story, but only loosely scripted according to the director. The characters are not played by professional actors and the dialogues reportedly evolved during shooting. This gives a life-like hue to the film. The camera becomes an observer, even an accomplice during the disturbing climax. Television news about the election provides much of the background score; music appears only towards the finale.

Ozhivu Divasathe Kali is a brilliantly nuanced film, which makes for compelling viewing. It will haunt you for a long time.