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This is a fast moving Lifetime movie thriller about a teenage girl who gets kidnapped by human traffickers. The police seem unable or unwilling to help effectively so Mom and a woman helping fight human trafficking set about to rescue her.

The climax and rescue are quite good and not too unrealistic.

Olivia d'Abo is unrecognizable as head villain. Cynthia Watros is quite good as Mom.

Worth a watch. Warning for girls obey Mommy and don't get too close to these older guys.

Here we go again, cliche' after cliche' and again I ask myself, "Why do they keep making these HT films. This one, is really done with a Z grade style, whuch I actually admire, if that makes any sense. The disjointed and sloppy film, which has some implausible and such pathetic moments, spells amateur. Again, this is one HT film, you'll be rolling your eyes with. Hot teen, hotter when, almost buff, Sweeny is tricked, fooled by a nice looking youth (cliche) who happens to be an asthmatic, who costs her her freedom, when she's kidnapped, by heartless, sex slavers. Sweeney's girlfriend, also hottie material-aren't they all, also falls prey, coaxed into a relationship by an older guy, not boy (Can you add up the dots so far). Then there's the particular evil burnt out madam (an unrecognizable D'abo) who must of gone to the same place as Daryl Hannah, for face libosuction. Her words are cruel and curt, to her new caged, fresh stable of pretties (cliche). Apart from a familar Drew Carey show face as Sweeney's mother, D'abo is the best actor in this. Suburbs is a particularly nasty, if repellent HT film, especially up towards it's end. A few things are wrong here, like In the photo still scene, where the girls are all brought out, tied to each other (good thinking 99, and an impressive tactic) if for one girl, untied, making a failing attempt to run for it, and guess who.... but back to the things out of place, why would they have one girl, hugely overweight in their stable, and with a few other HT films, it's one question, I've always asked myself. Amateur moment. Also shaming the Pink Motel, in this dredgy fiction, using it as trick pad- would traffickers get away with it, at this iconic motel? A rescuing scene here-cliche. Now the buggest hiccup which really angered me in this potential trash, was the scene with Sweeney's mum, and that young pretty woman advocate, who had a horrofying story, herself as once a victim. What she was saying, when at the computer with the mother (cliche) about the cop's attitudes, and statistics, I couldn't swallow, as I did, other stuff in the movie. And why was D'abo, an ex human trafficking victim herself, so fascinatingly evil, Entertaining and nastily shocking, this movie is. Excellent, well acted, forget it.

This was bad. Bad enough to make me create an account and write my first review on here. The story line was interesting enough to get me to watch it but the scripting and acting is just bad. Some of the lines are just so lazy and cheesy. The facts Anna is giving sound very inaccurate and a lot of the female actresses look too alike. Anna and Katherine look like sisters and the bad lady looks like she could be their cousin. This movie was missing "color" and real emotion. I really don't understand the great reviews on here.

Another Sunday.

Another Lifetime woman-in-jeopardy film.

But this one is two steps above your average Lifetime thriller.

The hot button subject matter is sex trafficking but writer/director Alex Wright tells a compelling story without falling into exploitation on one side and preaching on the other side.

The primarily female cast is good. Sydney Sweeney, a grizzled veteran ingénue, is compelling as the daughter. Brooke Nevin is suitably driven as the investigator.

Cynthia Watros has done light comedy well (Drew Carey Show), performed melodrama (Lost) as well as any actor could follow that plot, and can now add thriller lead to her list of actress skills. Her character was intense and fearless as the mother.

Olivia d'Abo having sparred with Inspector Goren on many an episode of "Law and Order: Criminal Intent" gives a different, more chilling, level of evil as the bad guy. As close to full-blown Alan Rickman as you are going to get in a Lifetime thriller.

Give us more like this.

For a tv movie on lifetime this turned out to be half decent. It reminds me of a film from the eighties or nineties although by now the audience would probably be expecting a lot more from this type of movie. Still, the fact it's made for the tv somehow saves it. Tv movies tend to have a lower expectation in my view, if I was to make a comparison off the top of my head I would say, it's a story that closely resembles Taken. However, Taken has a lot bigger budget and could undoubtedly produce way better action with Liam Neeson tumbling enemies to the ground.

Yet, with a smaller budget often comes a more believable approach. This isn't to say Stolen from the Suburbs is without flaws. The story is intriguing enough and the situation the girls are put in means I can't help but root for them, yet it's the vacant roles that leave me somewhat astonished. Where is Courtney's (Tetona Jackson) parents or family? I can excuse some of the girls that have been captured a while as their family might've given up hope sometime ago, but seriously Courtney was taken in practically the same time as Emma (Sydney Sweeney). What I do like about this narrative is it explores very real life dangerous circumstances that can arise, existing in our world today and it highlights the need for young girls to be careful.

As far as acting goes it's the early signs that Sydney Sweeney has everything in her repertoire to become a good actress as the young lady convey distress well and a little feisty naivety early on. Another standout is the antagonist (Olivia d' Abo) as Milena, the viewer really gets a taste of the ruthless money grabbing cold hearted emotionless bitch she really is. I couldn't help but detest her every action, as well as admire the performance to have me respond in such a way in the first place. (Cynthia Watros) as Katherine and (Brooke Nevin) as Anna had a scene together in the car that could've had way more empathy from Cynthia as well as being the definitive moment yet it just felt flat and lacking emotion. Anna explains how she got into investigating sex trafficking as well as her background story, how she felt about helping the girls and why she was doing it. This moment lacked the intensity and didn't create the bond between the two woman I felt it set out to do. After this Anna was practically nowhere to be seen leaving Emma to pull the trigger in the climax amongst some cruel torturous scenes prior to this.

The acting from the villains throughout gave the film more interesting dramatic elements, it was almost as if all the men were under Milena's spell. I felt the humiliation for the young student girls left without dignity, without food and half naked. Overall the story was good and the lack of support from the police seemed feasible considering the vast amount that were going missing it often seemed like the police wouldn't bother leaving it to be the norm.