Little Men

"Little Men" (2016 release; 92 min.) brings the story of two young men, Jake and Tony. Jake is a 13 yr. old only child and after his grandfather passes away, his dad inherits the Brooklyn building. It's not long before mom Kathy, dad Brian and Jake move in (more room than their cramped Manhattan place). At the ground level of the building there is a small store (a tailor/clothing store) rented out to Leonor, a Latina woman who has a 13 yr. old son Tony. As it happens, Jake and Tony immediately hit it off and become fast (and inseparable) friends. All seems well, until one day Jake's parents need to confront Leonor over the sweetheart (and below market) lease deal which Brain's dad had given to Leonor... At this point we're 15-20 min, into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the latest movie from writer-director Ira Sachs, best known for the unexpected modestly successful indie movie "Love Is Strange" a few years back. Here he goes a very different tact, examining how 13 yr. olds deal with their parents getting into a business dispute. The first 15-20 min, of the movie, when everyone gets along with everyone, cleverly set you up for some unexpected but very real life issues: money is tight for everyone, and you like all the major characters, yet some (or perhaps all?) will get hurt down the road. The movie is helped immensely by top notch acting performances, starting with the two boys (played by newcomers). Greg Kinnear brings an eye-opening performance as the struggling actor/dad/Brian. I can't recall Kinnear displaying such a conflicted state of mind as in this one. Also mega-kudos to Chilean actress Pauline Garcia, who delighted us a few years ago with her performance in "Gloria" (and which should have garnered an Oscar nomination, frankly). The role she plays here couldn't be further from "Gloria", but it is an equally stunning performance.

"Little Men" opened with positive buzz at the Sundance Film Festival earlier this year, and it finally opened this past weekend at my local art-house theater here in Cincinnati. The Wednesday early evening screening where I saw this at turned out to be a private screening: I was literally the only person in the theater. That is a darn shame, as this movie truly deserves to be seen. In fact, I'll just state it: this movie is one of the five best movies I've seen this year (and I see a lot of them). If you are in the mood for a top-notch family/neighbors relationship drama with loads of top acting performances, you cannot go wrong with this, be it in the theater, on Amazon Instant Video, or eventually on DVD/Blu-ray. "Little Men" is HIGHLY RECOMMENDED!

I feel like this film was kind of marketed as a comedy, and perhaps that's why the seriousness of the situation at the core of the film really surprised me. It's not that the film is a tragedy, but instead it takes an honest and very real look at these kinds of situations. It's a very carefully and deliberately paced film, and the director has a great handle of the film's tone and atmosphere and is able to really bring the dramatic beats of the story to life. The ensemble cast also seems to have a great handle on the material, never overplaying or underplaying the situation to become unbelievable or become a melodrama. I definitely recommend this and I think it really gives a fascinating portrayal of family and the bonds that exist and how real life can get in the middle of that.

So, when I saw the trailer, I think I may have been mislead about what the movie is really about. They used the star power of actor, Greg Kinnear to sell the movie, and even though he's a big (very big) part of the movie, his story is not the focus.

The heart of the movie is the instant bond that happens between the two young boys in this movie (From the trailer, I thought the title Little Men came from the fact that Kinnear was a man-child, which was not the case).

The kid that played the character Tony was the absolutely best. Watching him in the scenes interacting with all the characters was fantastic. He was not the main boy among the two boys, but he was steeling the show without trying.

Other than this kid, the movie does not grab me at all. The main plot of the two boys bond being tested by their parents disagreement over prime real estate in Brooklyn felt really superficial in it's attempts to get everyone on broad, and although every actor is talented, the delivery of the whole film is too bland.

So the kid Tony was the best part of the film that was overall too dry for my taste.

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Greetings again from the darkness. There is a lot going on in this latest from writer/director Ira Sachs, and every bit of it provides some commentary on the basic everyday life struggles faced by normal folks. There is also a continuation of the ongoing NYC vs Brooklyn "friendly competition", as well a reminder of the downside of gentrification.

Mr. Sachs and his frequent collaborator and co-writer Mauricio Zacharias kick off the story with Greg Kinnear's Brian awkwardly exchanging greetings with Paulina Garcia' s (so terrific in Gloria, 2013) Leonor while the son's of these two share an equally awkward meeting. Leonor is the long-time tenant in the dress shop located below the apartment where Brian's recently deceased father resided.

Jake (Theo Tapitz) is an aspiring artist who doesn't easily make friends. Tony (Michael Barbieri) is a brash, fast-talking kid who is a bit more street wise and outgoing. The two boys quickly bond … while at the same time, the parents begin a quiet battle. Brian's sister (played by Talia Balsam) demands her fair share of their father's estate through higher rent on Leonor's dress shop. It turns out their dad never raised the rent despite the number of years and the developing neighborhood. Kinnear's wife Kathy (the underrated Jennifer Ehle) tries to play peace-keeping negotiator so that the boys' friendship is not affected. As is often the case, the kids handle the situation better than the adults.

The film's best scenes feature the two young boys … a blossoming childhood friendship that is all too rare on the big screen. If the boys weren't so severely impacted, the adult interactions could almost be white noise. Themes of money vs love, greed vs emotion, as well as recurring and various instances of rejection, all play a part in this multi-faceted story. Examples of rejection include a girl rejecting a boy, Brian's rejection as an actor, and the multiple rejections in the negotiations for the shop. Mr. Sachs has a real knack for putting real people in real situations that result in difficult decisions.

All of the acting is top notch, including Alfred Molina in a small role as Leonor's attorney and adviser. But it's the boys – Tapitz and especially Barbieri – that elevate the film. Watching the boys grow closer despite the all-too-close conflicts reminds a bit of the friendships in Rob Reiner's classic Stand By Me. Young Mr. Tapitz already has a few short films under his belt as a director, and Mr. Barbieri is certain to get many more opportunities to flash his on screen talent.

"Little Men" is a film I just saw at a film festival. While I have nothing against the movie, I did find that it left me feeling a bit flat...like the film just didn't quite hit the mark. The ending certainly contributes to this feeling.

When the film begins, a family moves to Brooklyn from their home in Manhatten. This is because the grandfather has died and they've decided to move into Grandpa's home. The son, Jake, is a loner who loves to draw and you assume this move will be tough on him. However, their downstairs renter has a son, Tony and the boys soon become best buddies. But when a rent dispute occurs between Jake and Tony's family the story comes unraveled and just ends.

The picture has some nice things going for it...such as Michael Barbieri's nice performance as Tony. But the ending left me and some others in the audience a bit disappointed as the resolution just seemed flat.