L'impero delle ombre

This film has strong commercial potential because of its suspenseful narrative structure; the bravado cinematography and editing; the strong acting; the powerfully evocative production design; and the effective musical score. Loved the entire look of the film. Love the sepia tone, the 1920s period costumes and sets, the compelling storyline, and the circularity of the narrative structure. To me, the strongest storytellers working today in cinema are from Asia, and that makes me so very happy as Asian cinema has lost a lot of its standing in World Cinema without the post-War (II) Japanese masters.

Score Grid (out of 4)

Script/Story: 4

Cinematography/Visual Effect: 4+

Editing: 4

Sound/Musical Score: 4

Production Design: 4+

Acting/Performance: 4

Recommend the film? Absolutely. This foreign film has the appeal of today's Hollywood products: the action, suspense, music, etc. The operatic concluding scene -- underscored by Ravel's Bolero -- owes so much to both Scorsese and FFCoppola. Also to Andrze Wajda really in look and feel; wonder if Kim Jee-woon is familiar with the Polish master's work?

Thumbs way up!

* This was South Korea's official submission for the Best Foreign Language Oscar of 2016. There were four, notable SK movies released in 2016 and this movie was the one officials felt was the best to submit....boy were they wrong. Both "The Handmaiden" and "The Wailing" are simply superior in just about every reguard.

* The movie is not bad by any measure, it's technical merits (cinematography, acting, production design, etc) are all great. The movie has a great stoic, 1920s feeling to it. And Song Kang-ho is outstanding (no surprise here). This was clearly well planned and organized by top workers in SK. It just didn't have a strong story behind all the great acting and camera-work.

* It's the story that feels just a tad underwhelming. It ends up going exactly where you expect it to (with a few MINOR surprises along the way). But right from the get go, you know where this one is heading. And it's this predictability and makes the 2 hours and 15 minutes feel a bit long.

* When all's said and done, this is a good movie from South Korea, but not great. It's not among the all time greats (and boy there are a lot), and it's not even the best movie from South Korea in 2016. But if you are a fan of period dramas (this one is light on action), then this is something you should check out.

Based on the real story that happened during the time that Japan ruled the Korea, The Age of Shadow is very successful history-based movie. It is a fine mixture of Korean characteristics and Western characteristics. Until these days, many Korean movies have sought for ways to put Korean-exclusive stories into the frame of Western film-making. The result has been somewhat successful but also somewhat disappointing. It fulfilled Korean people's wishes to watch Hollywood-ish Korean movies. However, it couldn't convince foreign people of the reason to watch Korean movies instead of Hollywood movies. I mean, no matter how hard Korean movies try, the budget is lower than Hollywood, and spectacles are also lesser.

However, this movie, The Age of Shadow, is different. This one is unique. I'm not going to praise action scenes, or comedy scenes because they were not that outstanding. What I want to praise is atmosphere in this movie that keeps suspense alive throughout the whole running time. Well, for better understanding I could use Quentin Tarantino as an example. Even though he is famous for violence in his movie, many people who watch his movies for the first time find them very non-blockbuster like but still quite amusing. The Age of Shadow is quite similar. This movie's acting, dialogue and visuals give this movie a special atmosphere that keep audiences' focus. I'm not saying that this movie is Tarantino-like though. Kim Jee-Woon and Tarantino are similar in a way that they use special atmosphere throughout the movie but their atmospheres are different. Kim Jee-Woon has the ability to form a Korean-exclusive atmosphere that is based on Korean culture. I'm not sure how to name it but it is something that can move Korean people's heart without stating it in a specific way. And I believe this movie will be quite amusing and also exotic experience for you if you are not Korean. This movie is not like other Korean movies, but also the most Korean-like movie. I recommend it.

Well, that was a lot of fun. The Age of Shadows is a spy thriller that is basically a ticking bomb and once things go wrong, it just gets brutal and chaotic. The set up for these characters and their plot is well put together enough to be engrossing. And the set pieces are just excitingly executed. The film is unafraid of showing something terrible from their consequences. Though there is one point at the third act where I wished the film had ended. It gets to feel a little too long as it goes on, but man, the train sequence alone is one hell of an exercise for suspense. The production is also too impressive and the acting is quite engaging. Overall, it's a dark and brutal, yet quite an edge of your seat cinematic thrill ride.

A period drama pierced with elements of action & thriller that's polished in all filmmaking aspects and manages to be a tense, riveting ride for the majority of its runtime, The Age of Shadows maintains its gripping aura for the first two acts with its cleverly constructed & palpably tense cat-n-mouse premise but falters during the final act that feels a tad too drawn out & melodramatic. Worth a shot for the impressive set pieces it has in store.