Un padre e una figlia lottano per la sopravvivenza nello spazio profondo in cui vivono in isolamento.Un padre e una figlia lottano per la sopravvivenza nello spazio profondo in cui vivono in isolamento.Un padre e una figlia lottano per la sopravvivenza nello spazio profondo in cui vivono in isolamento.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 22 candidature totali
André 3000
- Tcherny
- (as André Benjamin)
Recensioni in evidenza
I won't bother re-iterating what other people have said about the movie, the plot (or lack thereof) and the pointless one-dimensional characters. I will say there is a certain creepy vibe to the movie that is appealing but it never really pays off. It's just kind of an atmosphere more than anything. And that got reminding me of how Solaris (both of them) had the same tone and feeling but had a great story to it - without being all contrived like this empty plot and a few random scenes of soft-core sex that seemed to be shoe-horned in.
Worth a watch I suppose, but barely. A highly acclaimed director/writer and a highly praised film by many critics. However I thought it was mostly just boring and stupid. It wants so bad to be a thought provoking Bergman or Kubrick type of film, but just ends up feeling like another over done Von Trier pile of garbage. 5/10
I've heard of Claire Denis but shamefully have never seen any of her work. I liked the trailer for this film. It seemed like a high concept space thriller, which as you know is something that is in my wheelhouse. I also have faith in everything A24 produces so I had to see this as soon as it came out. Having watched it the film is certainly visually arresting and quite disturbing. I'm not sure it fully meets what I was hoping for but Denis's film is thought provoking and asks questions of what humans in loneliness would do when on the brink of madness.
The film is about a space crew consisting of criminals and their mission of going towards a black hole to find a new energy source. The space crew soon realize that the doctor on the ship has some alternative ideas that include invasive sexual procedures meant to create life. I'm still not exactly certain on the solidity of that plot but this is the general gist. Robert Pattinson and Juliette Binoche lead with supporting performances from Andre 3000 and the always lovely Mia Goth.
There's talent on display in High Life. Pattinson is a very solid actor as could be seen from his other A24 feature, Good Time. The film looks like an authentic look into a space ship and I thought the film possessed some brilliant cinematography and camera handling. I especially liked the look of the black hole and the actions that occurred when approaching the black hole. I like when science fiction films (space ones namely) maintain the integrity of science and that seemed to be the case here.
The film borders on being very out there almost drifting off in plot like the bodies in space. What we see though is a fairly disturbing sexually charged mission in space with characters descending into utter madness and chaos. The film is definitely reminiscent of other space films before it but Denis strives to set it apart. I think its an impressively made film though it doesn't always work for me. It may require another watch to fully grasp and comprehend what Denis tried to go for.
6.5/10
The film is about a space crew consisting of criminals and their mission of going towards a black hole to find a new energy source. The space crew soon realize that the doctor on the ship has some alternative ideas that include invasive sexual procedures meant to create life. I'm still not exactly certain on the solidity of that plot but this is the general gist. Robert Pattinson and Juliette Binoche lead with supporting performances from Andre 3000 and the always lovely Mia Goth.
There's talent on display in High Life. Pattinson is a very solid actor as could be seen from his other A24 feature, Good Time. The film looks like an authentic look into a space ship and I thought the film possessed some brilliant cinematography and camera handling. I especially liked the look of the black hole and the actions that occurred when approaching the black hole. I like when science fiction films (space ones namely) maintain the integrity of science and that seemed to be the case here.
The film borders on being very out there almost drifting off in plot like the bodies in space. What we see though is a fairly disturbing sexually charged mission in space with characters descending into utter madness and chaos. The film is definitely reminiscent of other space films before it but Denis strives to set it apart. I think its an impressively made film though it doesn't always work for me. It may require another watch to fully grasp and comprehend what Denis tried to go for.
6.5/10
"High Life" is obsessed with sex in space, or the lack thereof. A bunch of convicts find themselves in a new sort of prison in a spaceship far from Earth. A mother and wife who murdered her family becomes a mad doctor obsessed with procreation and mating with another man. Actually, nobody has consensual sex, which seems to be banned for whatever reason, aboard the craft. Instead, they masturbate a lot, including for the doctor's collection of sperm in her ongoing in vitro fertilization experiments. Otherwise, there's celibacy and rape. There's a room onboard specifically designated for onanism, with one scene featuring the doctor straddling a dildo chair.
Images of space stand in as symbolic of a womb. There's a focus on fluids--semen, blood, water and such. Plus, there's the fertility of the garden. The picture begins with the reminder of the result of sex by way of scenes of an infant and her father. The backstory is filled in non-linearly later on, including that the rocketship is accelerating towards a black hole. There's no need to explain what the metaphor of that is. Hardly a need for the movie in general, either, which doesn't seem as interesting to me as it apparently does to some critics. The slow pacing and emptiness of space here merely seems to suggest a lack of anything compelling to move towards or to fill it with.
And the seemingly-random images transmitted from Earth remain baffling to me, including the early clip from "In the Land of the Head Hunters" (1914), although I don't recall any horses being in that film, which is why I first thought it was from some Thomas H. Ince silent Western. Regardless, at least, that offered some brief, as they say, "mental masturbation."
Images of space stand in as symbolic of a womb. There's a focus on fluids--semen, blood, water and such. Plus, there's the fertility of the garden. The picture begins with the reminder of the result of sex by way of scenes of an infant and her father. The backstory is filled in non-linearly later on, including that the rocketship is accelerating towards a black hole. There's no need to explain what the metaphor of that is. Hardly a need for the movie in general, either, which doesn't seem as interesting to me as it apparently does to some critics. The slow pacing and emptiness of space here merely seems to suggest a lack of anything compelling to move towards or to fill it with.
And the seemingly-random images transmitted from Earth remain baffling to me, including the early clip from "In the Land of the Head Hunters" (1914), although I don't recall any horses being in that film, which is why I first thought it was from some Thomas H. Ince silent Western. Regardless, at least, that offered some brief, as they say, "mental masturbation."
Grab your specimen jar and a bag of popcorn, because you're in for one heck of a ride. Does it make sense? Well, no. Is it slow moving and tedious. Yeah, but it.has it's moments. Would I recommend it. Sure knock yourself out! It's like a one night stand that you'll live to regret, but seemed a good idea at the time. There may be some hidden messages, so try to stay awake! Is there hidden esoteric messaging? Or is it just a cautionary tale about blue balls? Well, you're just going to have to muster up the courage to take a leap of faith right into.a black hole. It'll be well worth the two hours you'll never get back. Thank me later <3.
Lo sapevi?
- QuizRobert Pattinson already knew 13-month-old Scarlett Lindsey, who plays his baby daughter Willow: She is the daughter of his longtime friend, musician Sam Bradley, whom he knows since their school days together in London. Identical twin girls were initially cast, but as late as two days before filming was about to start, Pattinson couldn't bond with them, as they wouldn't stop crying as soon as he picked them up and got upset every time they were without their mother. He and Claire Denis felt not ready to shoot with them because the final film would have ended up entirely different. The night before filming began, Pattinson had the idea to ask his friend the last minute and so they flew in from London the next morning. She actually took her first steps ever infront of the camera while filming.
- BlooperEarly in the movie Pattinson dumps bodies into space, and they fall downwards. This is consistent with the principle expressed in the beginning that the ship accelerates at a constant rate of 1 G, creating artificial gravity and thus making things appear to "fall" due to inertia. The same goes for the scene where Monte drops the wrench over the side of the ship.
- Citazioni
Tcherny: "I'd rather sink into the Earth after I've lost you than to sit around and grieve once you've gone off into your destiny."
Monte: What are you talking' about?
Tcherny: It's what my wife told me. I told her I was doing all this for her and our son, to turn our shame into some type of glory, you know? She says that this mission was like burying her twice and that my idea of glory was bullshit.
- Curiosità sui creditiThe title appears almost 18 minutes into the movie.
- ConnessioniFeatured in WatchMojo: Top 10 Best Movies of 2019 (So Far) (2019)
- Colonne sonoreWillow
Written by Stuart Staples and Dan McKinna
Sung by Robert Pattinson
Performed by Tindersticks
Published by BMG Rights Management (UK) Ltd
2018 Lucky Dog Inc.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- На висоті
- Luoghi delle riprese
- Colonia, Germania(Medienparks NRW Studios)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.000.000 € (previsto)
- Lordo Stati Uniti e Canada
- 1.225.852 USD
- Fine settimana di apertura Stati Uniti e Canada
- 99.341 USD
- 7 apr 2019
- Lordo in tutto il mondo
- 2.133.033 USD
- Tempo di esecuzione1 ora 53 minuti
- Colore
- Proporzioni
- 1.66 : 1
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