The Path

Meyerism is a new age movement founded by Dr. Stephen Meyer back in the 70's viewed by the outside world as a cult. Its main concept is to climb a ladder to the top to receive the universal truth. Cal Roberts (Hugh Dancy) is an ambitious leader of the movement. Sarah (Michelle Monaghan) is a committed Meyerist married to doubting Eddie Lane (Aaron Paul). Their teen son Hawk (Kyle Allen) struggles to find his place. Mary Cox (Emma Greenwell) is saved by the Meyerists after a tornado and becomes infatuated with Cal. There are old guards, seeds of doubt, suspicion, and deceit as the movement faces challenges from outside and within. Rockmond Dunbar is an undercover FBI agent in the first two seasons and the show is cancelled after three seasons.

The first season promises some interesting intrigue within a secret society. The leading trio are all terrific actors and the characters are fascinating. It starts a little rocky. There are narrative issues but the great actors are always compelling. The second season adds its own issues. I really dislike the water plot device. I appreciate the purpose of it but I don't like the side road it takes the show onto. This is a show of intriguing potential and good actors. It does struggle to maintain the narrative at times. The triad leads probably diffuses the protagonist intensity. The rocky flow keeps it from being a great must watch.

I binge-watched this from beginning to end (s02 e13). I was fascinated at the beginning, learning the story of this particular "movement". The entire first season developed well, was entertaining, suspenseful, and I looked forward to each new episode. Things were revealed and the actors portrayed the characters well. It was a pleasure to see Aaron Paul again; this even seemed like an adult version of Jesse Pinkman. His Eddie has a mysterious past and some of his emotional reactions reminded me of his former character. It was believable and things were moving along well.

Then came season 2. As it progressed, problems with the story and actors emerged. Cal was the worst, and I thought his portrayal unraveled when I noticed that he reacted the same way to every situation. A scene opens, Cal sees or learns something, and we see panic and a brain moving almost out of control. Even when he states a fact he seems to lie. I don't understand how these people could trust & follow him. All his head and eye movements screamed DECEPTION, in every scene and situation. It would have been more authentic if the actor had added some variety to his character; even just a wee bit of development would have been applauded. But man, he could have seamlessly stepped from the pilot episode to the season 2 finale in the same workday. You could wind him up like a toy robot and there he would go, head jerking about, eyes avoiding & searching, stammering, etc. It got real old.

Ditto for Eddie. At first, I understood his character and how he played him. Season 2, though, it seemed that he had the same facial reactions in just about every situation. Good news, bad news, nice conversation, threatening conversion, and we got the same thing. Opens his mouth a little, rolls his tongue into his lower cheek, turns his head, looks down, looks up, then utters some disappointing line. Episode after episode of this. You could turn it into a drinking game. Will he look up or down after sticking his tongue in his cheek and turning his head?

After interesting developments in season one, season two started telling us circular stories. All the main characters went through some stressing event or situation; they changed, the story turned, then somehow they're right back in their original "configuration". Sarah was the worst. Her motivations & feelings would change almost from scene to scene. She trusts Eddie, she hates him. She trusts Cal, she can't believe what he did, trusts him again, turns to Eddie, back to Cal, etc. Some scenes I couldn't understand why she was frowning instead of smiling. I'm not spoiling anything here. It gets difficult to follow because it appears that the characters, their motivations, their subsequent actions, are almost random. Did the script writers draw all these things blindly out of a bowl? I had to consult a TV script service to make sense of certain scenes. Why, why, why? Hawks feelings toward Eddie lack logic and are on a merry-go-round. You never know what you'll get.

Lastly, if this is a movement based on truth, transparency, and The Light, why are people cussing so profusely? Are they members of a faith movement or drunks in a pool hall? There are so many lies among these people you'd think they were double-agents involved in counter- espionage. Why would any "believer" fall for their numb explanations of odd events? And it didn't get better. When the loopy lunacy mercifully ended with episode 13, I was relieved. Not because anything plot-wise was resolved or satisfied, but because I need at least a year's break before considering watching a subsequent episode.

With Actors Lke Aaron Paul & Hugh Dancy The Path builds one hell of a foundation for seasons to come. It demonstrates the potential to grow deeper and more rewarding as it matures, like any drama Katims has been associated with. The Path begins with Eddie already suspicious of his faith, following an encounter with a defector and his own personal revelations about the group's leadership following a trip to a healing center in Peru. In the episodes that follow, a great deal of the dialogue centers on his uncertainty in relation to whether or not to defect himself. It's a big decision, to be sure, but the writing offers little in the way of nuance or original ideas each time Eddie is volleyed back and forth between the spiritual and philosophical certainty of Meyerism and the depressing yet liberating instability of "the real world." The Path is unfortunately content to focus on a variety of rote melodramatic byways that give little insight into the fight between faith and personal desire, or the psychological relief and societal bliss that believers expect from their chosen religions.

Pretty entertaining. There were no scientologist harmed during the making of The Path.

The Path is an excellent rendering of a contemporary cult and the machinations, lies, delusions and outright corruption engaged upon to ensure its survival. If one studies cults and how they lure in followers, and how they manipulate them into buying into their ideas and eventually losing touch with their own sense of reality, self determinism and free-will, the Path brings all of that out into the open. Sometimes it is actually painful to watch if you have ever known someone, especially someone close to you, who has been caught in the maws of a cult. Moreover, the producers did a great job of showing just how such a cult as The Path, can hide behind the mantle of religiosity, and using peer pressure, and more importantly, peer-mentality, cover up all manner of abuses, violations of human rights and corruption. Although the characters, in some cases, appear to be extreme, it can only be said that until one has experienced the reality of life inside the inner sanctum of a cult, that it is hard to believe that people can become, literally, another person altogether once they have turned over their loyalty to the cult. Normal people become abnormal. Kids disconnect from their families and loved ones. And social personalities become toxic - all in the name of the pursuit of spirituality. The contradictions are well played in this series. Definitely worth watching.