Lady Dynamite

It's a bummer when reviewers bring down the overall rating for a show because it isn't their cup of tea or doesn't work for them stylistically. I have a feeling the negative reviewers here were not familiar with Maria Bamford before watching Lady Dynamite. This is all her, this is her brand of comedy, and she's f'ing hilarious. Clearly many in the comedy community feel the same way, given the number of amazing people she's brought in to be on the show--another major highlight of the show for me.

Comedic sensibility is very personal and certainly this show isn't for everybody, but that does not make it garbage, as I believe one reviewer called it. In terms of the kind of show and style of comedy it's going for, Lady Dynamite is knocking it out of the park! It just might not be your park; good thing there are plenty of other TV shows out there.

Lady Dynamite is so zany and out there that it was a little difficult to get a grasp on when I first watched it. Ironically, my difficulty with the material wasn't because there's nothing like it on TV but because I saw traces of nearly everything else on TV: The cutaways of 30 Rock, the awkward attempts at social justice statements from Master of None, the use of a comedic veneer to mask trauma that's shown on Unbreakable Kimmy Schmidt, the 4th wall randomness of Man Seeking Woman or Family Guy, and the feminist celebration of woman as proudly dysfunctional adult from Broad City. That's not even bringing up the long list of shows that feature a comedic actor playing exaggerated versions of themselves pursuing showbiz start-up that starts with the Larry Sanders Show and goes all the way up to Comedians, Difficult People and Garfunkel and Oates (all relatively stale editions of the genre because all the good plots in this genre have been used up).

Welcome to Peak TV: Where the overabundance of innovative voices on TV makes it harder to stick out and a comic voice as original as Maria Bamford is penalized for not coming out five years ago.

What's good news is that a lot of these complaints are less valid after a scattershot pilot that's loaded with every gimmick imaginable. After that, the show starts to even out and one can see some of the better creative decisions behind the show. It helps to separate the show from other entries in the "comedians playing themselves" genre in that Bamford isn't trying to advance her show business career at all. At times, she seems blissfully ignorant of exactly how well she's doing (her faux sister Susan is alarmed at how much she makes at a studio session). In another episode, she turns down Judd Apatow because in that particular episode, her new focus on life is about doing as little as possible in life. After a few episodes, one can better make the argument that this even if it's a clichéd genre, Bamford's work is the ultimate personal statement: Maria Bamford is simply figuring out her life and way of expressing it on screen as she goes along.

The show is a bit hit-or-miss on the strength of its plots but it helps that the 2nd and 3rd episodes-- dating a bisexual guy, trying to form a family band, and awkwardly attempting to be politically correct-- are winners.

I happened to love this show and have rewatched several episodes and I laugh every time. Maria is truly a complex individual. She's got absurdist humor with a touch of black comedy so if you don't appreciate that, please don't bother watching. She doesn't seem to try to sell any kind of wokism as some reviewers indicated, she just wants to be a decent person to the characters she encounters. The theme song refrain is "I don't know what I'm doing, more than half of the time". Maria struggles with mental illness but it isn't the defining characteristic of her personality. She simply understands that there is really no RIGHT way to deal with this messed up world. Personally, I find her social commentary on the show absolutely BRILLIANT.

For those advising others not to watch: just because you don't get it doesn't mean "IT" isn't there.

I love comedy, especially stand-up. Louis, Chapelle, Hedberg, Burr, are who I consider Legends. I've seen Maria's stand-up in the past and I didn't quite get her or laugh at her comedy. Her name stuck though so I gave this show a chance. This show flings Maria at the world unapologetically. And I get her now! I see her unique talent. You can see that she has that incredible wit, that only comes with decades in the game. I'm really happy for Maria that this show is so great.

You work hard, and you just never know when your time is, well Maria's time is now it appears. She's very brave for sharing her depression, anxiety, mental illness with everyone-- Her humour overcomes it all in the end.

I saw Maria Bamford's stand-up special for Comedy Central years ago and loved it, she explains a little about herself in it and so I had a slight background knowledge of her, but didn't know anything about the show. The first episode was a little hard to follow, but it's supposed to be that way. As you keep watching, you get what she's going for and it's awesome. I think it's too awesome and too deep for some people, hence the stupid reviews like: "it's a failure"-to that I say "you're a failure, butt-face, just because you're not smart enough to get the joke doesn't mean it's not funny." Anyway, it's like she/they-(the cast is amazing and so talented, the fact that she got so many well-known people in the show tells you that she's genius, it takes a great comedian to make other comedians laugh)-zoom in and out on life stuff. Some of it is like big-picture, meaning-of-life stuff, some of it is about things a lot of average people struggle with, like doing too much or not being able to say no, and some is really specific issues that everybody may not relate to-like what do you do when someone you're dating dies and you have to be a part of their funeral but you really don't know them well? What do you do when you realize you thought you were dating someone and they had a totally different goal/idea of the relationship? And Maria takes those topics and comments on them in her unique and hilarious way. And she works in stuff about mental illness as well, which is honest and brave and ground-breaking, and also hilarious. It's hard to explain, but really this show is about everything and nothing all at once and it's a work of art.

Side note: Some people might feel uncomfortable about the frank discussion of mental health issues, psychologists, psychiatrists, and medications, but I think those are things a lot of people deal with in real life and real life things can be the basis for the funniest jokes. She is of course exaggerating about some things in the show, so don't think she's like a total nutcase in real life, sometimes art imitates life and sometimes art is just a total work of the imagination. It seems to me she is incredibly ordinary in the way she does her life, she just deals with different issues than some people, and she's also incredibly amazing in how she is brave enough to discuss those things openly, and she must be very emotionally intelligent and wise to have done the treatments she has and to avoid hiding her issues, because what it takes for a person to be successful in anything is self-awareness, honesty, and a willingness to ask and accept help when they need it. Athletes don't make it to the Olympics on sheer talent alone, and people with illness-physical or mental, short-term or chronic, don't make it to a place of wellness and balance without self-awareness, honesty and help. But that is a very hard-learned lesson and it takes time to get to a point of clarity about this, Maria has obviously done this with her life and she's sharing her wisdom with this show. I appreciate it, and I get it. And no, I'm not mentally ill-not that there's anything wrong with that ;)