VALUTAZIONE IMDb
6,0/10
1433
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAnna is a 16-year old in a village where women are accused of witchcraft. It's based on the witch hunts on Åland, Finland in the 1600s.Anna is a 16-year old in a village where women are accused of witchcraft. It's based on the witch hunts on Åland, Finland in the 1600s.Anna is a 16-year old in a village where women are accused of witchcraft. It's based on the witch hunts on Åland, Finland in the 1600s.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Clas-Ove Bruun
- Pyöveli
- (as Claes Owe Bruun)
Recensioni in evidenza
I kept putting off watching this movie because of some of the negative reviews. I'm not sure what's so polarizing about this film that makes it deserve such quotes as "quite possibly the worst movie in the history of cinema". I'm glad I finally watched it despite them; as usual, I found the exaggeratedly negative reviews totally off the mark of how I experienced this film.
Devil's Bride starts off slow, peaceful. It follows a teenage girl named Anna as she carelessly lusts after a married man in youthful ignorance. Don't let that fool you: this movie is not YA fare and it oftentimes shows a wider perspective of the village and its other inhabitants. One might feel at ease in the first half hour or so of this film, for the ignorance of the townspeople when it comes to the impending religious massacre is well-developed to set the scene. As Anna crosses the line with this married man and pieces for a witch hunt are set in motion in the village, however, the innocent exterior of this community is peeled away to reveal common abuse of women (sexual, physical) and the ultimate consequences that fall upon victims rather than perpetrators. Fingers are pointed, men accuse their victims to essentially quiet their voices, and heads start rolling.
True to history, this is a depressing and heart-breaking affair. There is no justice for these women who have no means of defending themselves against idiotic religious "witch tests" of the time (such as cutting open a woman's scar to see if it hurts, and if it doesn't, she's a witch, of course). All at once, this movie made me angry, upset, and ever-so-grateful to be a woman in modern times. Unlike another reviewer who stated Anna "deserved" her fate (which was concocted out of self-sacrifice by Anna for her wrongdoings, something not many adults would have the guts to do if it meant death in this day and age), Devil's Bride is so emotionally effective it made me feel for these flawed characters who were murdered simply FOR their flaws. In modern times, teenagers make stupid mistakes, and if they get punished at all it involves getting yelled at or their things taken away. In the times of witch hunts, the mistakes of youth have far more dire consequences. Such mistakes didn't make Anna horrible, in my opinion; they made her human, believable, and oh-so-tragic. I greatly enjoyed seeing this period from the perspective of a bumbling teenager; often we are led to believe evil people were the only ones pointing fingers at "witches", so it's easy to overlook the fact that there were likely many caught up in the hysteria who weren't evil, only misguided and ignorant.
One flaw some reviewers have called out about the movie are its gaps in story/relationship development, so I kept my eye out for this when watching and found it to be untrue. As for the fisherman's "disappearance" from the movie, this is explained by his leaving on another fishing trip at the 1 hour 22 minute mark during his wife's trial. Other friendships and relationships "dissolve" because many of the women are executed. A lot of the so-called inconsistencies can also be explained by the mentalities of different times. The fisherman (like other men) are shown to have qualms with the system and questions when it comes to the guiltiness of these women, but they are ultimately powerless (this internal struggle is seen the most with Karl's character). After all, when the established system is killing through so many people, it takes an outlandishly courageous person to even question it at the risk of your own life or livelihood. Is it any wonder this chaos lasted as long as it did?
Overall, I really enjoyed this movie and would recommend it to anyone interested in history's darkest and most ghastly times. The subject of witch hunts seem ever more relevant in the modern cancel culture; as always, we can avoid so much pain and sorrow if we learn from history.
Devil's Bride starts off slow, peaceful. It follows a teenage girl named Anna as she carelessly lusts after a married man in youthful ignorance. Don't let that fool you: this movie is not YA fare and it oftentimes shows a wider perspective of the village and its other inhabitants. One might feel at ease in the first half hour or so of this film, for the ignorance of the townspeople when it comes to the impending religious massacre is well-developed to set the scene. As Anna crosses the line with this married man and pieces for a witch hunt are set in motion in the village, however, the innocent exterior of this community is peeled away to reveal common abuse of women (sexual, physical) and the ultimate consequences that fall upon victims rather than perpetrators. Fingers are pointed, men accuse their victims to essentially quiet their voices, and heads start rolling.
True to history, this is a depressing and heart-breaking affair. There is no justice for these women who have no means of defending themselves against idiotic religious "witch tests" of the time (such as cutting open a woman's scar to see if it hurts, and if it doesn't, she's a witch, of course). All at once, this movie made me angry, upset, and ever-so-grateful to be a woman in modern times. Unlike another reviewer who stated Anna "deserved" her fate (which was concocted out of self-sacrifice by Anna for her wrongdoings, something not many adults would have the guts to do if it meant death in this day and age), Devil's Bride is so emotionally effective it made me feel for these flawed characters who were murdered simply FOR their flaws. In modern times, teenagers make stupid mistakes, and if they get punished at all it involves getting yelled at or their things taken away. In the times of witch hunts, the mistakes of youth have far more dire consequences. Such mistakes didn't make Anna horrible, in my opinion; they made her human, believable, and oh-so-tragic. I greatly enjoyed seeing this period from the perspective of a bumbling teenager; often we are led to believe evil people were the only ones pointing fingers at "witches", so it's easy to overlook the fact that there were likely many caught up in the hysteria who weren't evil, only misguided and ignorant.
One flaw some reviewers have called out about the movie are its gaps in story/relationship development, so I kept my eye out for this when watching and found it to be untrue. As for the fisherman's "disappearance" from the movie, this is explained by his leaving on another fishing trip at the 1 hour 22 minute mark during his wife's trial. Other friendships and relationships "dissolve" because many of the women are executed. A lot of the so-called inconsistencies can also be explained by the mentalities of different times. The fisherman (like other men) are shown to have qualms with the system and questions when it comes to the guiltiness of these women, but they are ultimately powerless (this internal struggle is seen the most with Karl's character). After all, when the established system is killing through so many people, it takes an outlandishly courageous person to even question it at the risk of your own life or livelihood. Is it any wonder this chaos lasted as long as it did?
Overall, I really enjoyed this movie and would recommend it to anyone interested in history's darkest and most ghastly times. The subject of witch hunts seem ever more relevant in the modern cancel culture; as always, we can avoid so much pain and sorrow if we learn from history.
Devil's Bride, or Tulen morsian in Finnish, is based on the witch hunts that took place on the Åland Islands in the 17th century. A young woman named Anna Eriksdotter is an apprentice to a local herb woman. Things start to unravel when she falls for a handsome fisherman, who just happens to be married. And at the same time a new judge is sent to town to bring the wrath and fear of God into the countryfolk. And he almost immediately starts lashing against the old pagan habits followed by many. Including those of Valpuri, the aforementioned herb woman and Anna's adoptive mother.
Tulen morsian shines as a movie because of its commitment to the source material and its willingness to stick to real events. All the judged girls are named after real women, whose names can be found in the church records. The ending is also quite bleak, though handled with care and given a twist that makes it a bit more bearable, while in no way ruining it. The technical aspects also work rather well and it's a beautiful period drama, especially given the relatively modest budget.
Unfortunately, there are some flaws. Some of the actors are not quite as good as you'd hope, but that is to be expected, given that Finland and Sweden don't have that large of a pool to draw from. The bigger problem is the story, half of which seems to have ended up on the cutting room floor. There are more than a few story lines that are started but which are never finished. The relationship between Anna and the judge, for example. Goes absolutely nowhere.
Still, I'd recommend seeing this if the source material and the general idea interest you. It's well-made and kept together reasonably well, plus the main characters are very good.
Tulen morsian shines as a movie because of its commitment to the source material and its willingness to stick to real events. All the judged girls are named after real women, whose names can be found in the church records. The ending is also quite bleak, though handled with care and given a twist that makes it a bit more bearable, while in no way ruining it. The technical aspects also work rather well and it's a beautiful period drama, especially given the relatively modest budget.
Unfortunately, there are some flaws. Some of the actors are not quite as good as you'd hope, but that is to be expected, given that Finland and Sweden don't have that large of a pool to draw from. The bigger problem is the story, half of which seems to have ended up on the cutting room floor. There are more than a few story lines that are started but which are never finished. The relationship between Anna and the judge, for example. Goes absolutely nowhere.
Still, I'd recommend seeing this if the source material and the general idea interest you. It's well-made and kept together reasonably well, plus the main characters are very good.
This is a historical recreation regarding lives lost to the accusations of witchcraft.
The setting, costumes and acting were all well done but for me the problems lay in the dramatic story surrounding the historical realities. I just thought it was a bit weak. If you are looking for a historical drama on witchcraft, this is a nce pick but the side drama is a bit less than enough to make it spectacular.
The setting, costumes and acting were all well done but for me the problems lay in the dramatic story surrounding the historical realities. I just thought it was a bit weak. If you are looking for a historical drama on witchcraft, this is a nce pick but the side drama is a bit less than enough to make it spectacular.
What is certain is sonly one thing that the review by moxmich is the worst movie review in the hisrory of cinema. Who is he a new prophet and new evangelist in the movie industry? It is not his feelings and procincial tastes what someone expects of a review, but an objective analysis of the movie. It is his crooked viewpoint that prevails in that poisonous review. I'm neither Scandinavian nor American so know that noone goes to the movies with a scratch pad to delete according to my taste those things I don't like of a movie. The worst movie my colleagues and I had watched in a long time was, 2015 Secret in their Eyes, portraying black African with more power than D Trump trying to avoid the seduction of two aging matrons, the soporific multiple facial lifts of the petrified masks of Julia Roberts and Nicole Kidman. Those are the type of movies moxmich salivate for. Give us a break.
Watched this on Spanish (Latin American language) Netflix, the linguistics of the translation was very good using a standard Mexican Spanish with a sophisticated vocabulary.
It is interesting to hear the folk song in pentameter which links up Hungarian with Finnish music.
The story itself is not ground-breaking but is interesting for information about Scandinavian history with well-done costumes. Worth watching if you are a history buff or interested in Scandinavia/Finland/Estonia.
Would like to see more from Finnish cinema.
It is interesting to hear the folk song in pentameter which links up Hungarian with Finnish music.
The story itself is not ground-breaking but is interesting for information about Scandinavian history with well-done costumes. Worth watching if you are a history buff or interested in Scandinavia/Finland/Estonia.
Would like to see more from Finnish cinema.
Lo sapevi?
- QuizAccording to Swedish law, execution method for those convicted of witchcraft was breaking wheel for men and decapitation and burning for women. Atleast 50% of those convicted of witchcraft in Finland (part of Sweden at the time) were men.
- BlooperÅland has been monolingual Swedish-speaking area at least since the Middle ages, so it's obviously an error that there are so many Finnish-speakers in the story set in the 17th century Åland.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
Botteghino
- Budget
- 2.800.000 € (previsto)
- Lordo in tutto il mondo
- 267.931 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti