L'amore oltre la guerra

I'm giving this an "8" simply for the fine acting and commanding presence of Christopher Plummer (I keep wanting to say "Sir Christopher Plummer") as the aged but sprightly and opinionated Kaiser Wilhelm II. I'm torn between calling this the most enjoyable silly film, or the silliest enjoyable film, I've seen in a while, but I found it captivating, even though it's almost certainly sheer fiction regarding any historical accuracy. Although I relished the early and frequent appearance of nudity and rampant sex, what I really wanted more of was extra screen time for the Kaiser's extensive wardrobe of military and imperial uniforms. Notable acting props also to Janet McTeer as the Kaiser's consort, and to Eddie Marsan as a glum, coldly business-like Heinrich Himmler.

The film is a typical euro meager budget co-production with a nice little plot and the substance of an eclair, but the delight here is viewing Christopher Plummer showcasing his pure love of acting. He has reached legendary dimensions in his ability and he joyously devours each part he gets these days regardless of the material. He has become in many ways someone he played: John Barrymore. Same love of tricks and hypnotic magnetism. But what a joy to behold. If you want a master class in the study of a near 90 year old acting magician see this!

The Exception works a good premise into a rollicking spy-romance that, once it hits its stride, delivers on both the suspense and the action. In that sense, it's an old-fashioned movie - one that hooks you in, stays just a step ahead and doesn't out-stay its welcome. Christopher Plummer gives a bravura performance as the former Kaiser. Janet McTeer is typically excellent as his wife. And the two young leads are attractive, in and out of their clothes, if no threat to Streep and DeNiro. Okay, so the story doesn't entirely accord with historical fact. Yes, Wilhelm never quite gave up on a restoration of the monarchy. Yes, Hermine actively petitioned the Nazi's on his behalf. But that's about where it ends. In truth, Wilhelm was as much an anti-semite as the Nazis. And the Nazis thought him an old fool, not worth bothering with. Still, it's worth the suspension of disbelief for the duration of the movie.

Christopher Plummer is in his old age one of the finest actors the silver screen has ever known. Here he play Kaiser Wilhelm, German emperor in exile in Holland at the onset of World War II. As the suspenseful plot unfolds, his performance draws us into the plight of Germans, including the Kaiser's wife, who began to recognize the evil intentions of the Nazi regime. Reviewers need to remember that this is a movie, the characters are invented, but the point of view is clear and beats the ridiculous premise of films like Inglorious Basterds. Yes folks there were thousands of people who resisted, Germans among them.

The Exception (2016) was directed by David Leveaux. The movie was produced in Belgium, but the dialog is in English.

The film is not meant to be a documentary, so we can't take it at face value. However, the basic outline of the story is true. Kaiser Wilhelm II was forced to relinquish his throne after World War I. He spent his remaining years at a secluded mansion in Holland. When Holland was invaded and conquered by the Germans, Wilhelm came under the direct authority of Germany.

In the movie, a previously wounded German army captain (Stefan Brandt, portrayed by Jai Courtney) is sent to be the commanding officer of the Kaiser's guard. Brandt is a loyal officer, but he is disgusted by the SS atrocities. He falls in love with one of the maids, Mieke de Jong, portrayed by the beautiful Lily James. She is Jewish, but Brandt isn't anti-Semitic, so he pursues his romance with Mieke.

Historically, Heinrich Himmler, the Reichsführer of the SS, did, indeed, visit the Kaiser in Holland. That visit is the lynchpin to the plot. (If the visit had been invented for plot purposes, we wouldn't believe it. However, Himmler really did visit.)

The key role in the film is that of Kaiser Wilhelm II, played brilliantly by Christopher Plummer. Plummer is a consummate actor, and he makes the role come alive.

I think that the manner in which the Kaiser is portrayed takes the movie the furthest away from historical reality. In the film he's shown as a more-or-less kindly old man who loves to feed his ducks. According to Wikipedia, he remained a harsh, haughty aristocrat. However, the movie will only work if we believe that the Kaiser also has a softer side, so that's what we see.

I want to alert IMDb readers to watch for the work of Janet McTeer, who portrays the Kaiser's wife, Princess Hermine. She has no great love for the Nazis, but she is willing to go to any lengths to see that her husband returns to Germany and is restored to his monarchy. She is a German Lady Macbeth--cold, calculating, and decisive.

We saw this film at the wonderful Little Theatre in Rochester, NY. It will work well on the small screen. The movie carries an anemic 6.8 IMDb rating. It's much, much better than that. The plot is interesting, the acting is outstanding, and the direction is excellent. Don't be fooled by the low rating--this is a movie that I highly recommend.