Personal Shopper

Those going into Personal Shopper expecting some type of straightforward narrative of an as per-usual glum Kristen Stewart going around trying on clothes and living the high living lifestyle will surely be disappointed by Olivier Assayas latest film, as this supernatural tinged thriller mystery is an anything but straightforward experience.

Winning the Best Director award at last year's Cannes Film Festival for this effort, Personal Shopper sees Assayas re-team with Stewart after their successful collaboration on Clouds of Sils Maria and the two artists have seemingly in the space of two films developed quite the artistic connection as Assayas assured hand behind the camera works seamlessly with Stewart, as her inwardly haunted Maureen Cartwright tries desperately to connect with her recently deceased twin brother Lewis, only to find herself in a potentially dangerous and possibly otherworldly situation.

Personal Shopper is almost unclassifiable and can't be pigeonholed into a specific genre as Assayas comfortably enters into horror/thriller territory as easily as he does drama/mystery as Maureen's experience with the world beyond our own makes itself more apparent and her dealings with an unknown "messenger" take hold of her increasingly complicated world.

Talking to much about Assayas's layered narrative would undo many of the films surprise's as we're constantly taken into routes we don't expect and it's highly plausible that Assayas's finale will be one of those cinematic endings that creates more than its fair share of heated online discussions and theories.

In saying this, Personal Shopper isn't an easily accessible film, its slowly paced and features a bunch of rather unlikeable characters but Assayas's ability to create mood and atmosphere can't be questioned while Stewart delivers one of her best turns as an adult lead as Maureen.

As if Twilight was but a sparkling distant memory, Stewart's brave and committed turn as the tormented Maureen holds the film together through some of its rougher patches and some of the scenarios/situations Assayas has asked his leading lady to be a part of could've easily gotten the better of lesser performers.

It might not be a turn that manifest's the haters into followers but there's little questioning Stewart's ability to play these certain roles she's become attributed to isn't amongst the best in the business today.

Final Say –

A truly original piece of filmmaking that isn't made for mass appeal and a work of art that doesn't always hit the high notes it intended to, Personal Shopper is a film like we've never seen before and an unnerving experience that will likely stay with you after the credits have rolled; if you happen to be one of the few that had been transfixed by Maureen's experiences with the forces we have yet to understand.

3 ½ dropped glasses out of 5

First it seems like a haunted house trope, but no, then a ghost hunt, nope, then some kind of mystery thriller, but neither... It´s ultimately a grief film that drags on and on, relying exclusively on Kristen Stewart to sustain everything. It´s so subtle is almost not even there. To people who might make it to the end here´s a fine minimalistic drama that holds back from many clichés, a serious story, too serious maybe. There are a couple of great moments but it isn´t really rewarding. It just disguises a realistic drama as a ghost story, which is not the best idea cause it calls for an audience bound to be disappointed. I´m trying to like it but it´s just not good enough, it seems to add slightly relevant events just to fill the runtime. And it is confirmed, Kristen Stewart can´t smile. She tries at one point and it was like watching Wednesday Addams all over again.

I normally like when arthouse touches on horror but this piece of crap didn't do anything for me. Neither as a drama nor a genrefilm.

And the 30 minute scene of Kirsten Stewart texting is by far the most laughable non-cinematic experience I've ever had. The director needs o go back to film school.

I saw this movie a few days ago and have been haunted by it ever since. I am writing this review more to clarify my own thoughts and feelings rather than to try and influence anyone to see (or not see) it. I have always believed the sexiest/most compelling thing about a woman is her confidence, and, for me, Personal Shopper is the cinematic equivalent of that belief. I cannot remember ever seeing a movie so supremely confident in itself, which kept my eyes glued to the screen wanting to know more. Director Olivier Assayas managed to create a film that is so sure of itself it defies all genres, conventions, and expectations. He found a perfect balance between not caring what the audience thinks about his movie without alienating or insulting his audience with how much he doesn't care. No emotional manipulation or trying to cater to/please the widest possible audience here, which is so very refreshing. This is what he has to say. Take it or leave it. Love it or hate it. So, while it is not the best movie I have ever seen and has it's flaws, I am still giving it a very high rating for daring to be different. On a side note, taste in movies is extremely subjective, so I can understand and respect the reasons why other reviewers gave this movie such low ratings. However, I do not agree with the common practice of putting down other reviewers/calling them idiots for having different opinions. In a perfect world, I wish we could all just agree to disagree without being hateful/hurtful. Peace.

Personal Shopper is pretty straightforward and the ending concretizes it: Kristen Stewart projects her malevolent existence outward and it manifests as ghostly images, sounds, moving objects, and texts which draw out her insecurities. There are secondary plot elements that are less important and some thematic touches on how technology creates isolation, but they are thin and stats quo for today. The movie draws you along until the end reveal and then you realize it was pretty empty like the message it conveyed.