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Voir du pays

  • 2016
  • 1h 42min
VALUTAZIONE IMDb
6,2/10
891
LA TUA VALUTAZIONE
Voir du pays (2016)
Trailer for The Stopover
Riproduci trailer1: 36
1 video
8 foto
Drama

Aggiungi una trama nella tua linguaTwo young French soldiers take a three-day leave in Cyprus after finishing their tour of duty in Afghanistan.Two young French soldiers take a three-day leave in Cyprus after finishing their tour of duty in Afghanistan.Two young French soldiers take a three-day leave in Cyprus after finishing their tour of duty in Afghanistan.

  • Regia
    • Delphine Coulin
    • Muriel Coulin
  • Sceneggiatura
    • Delphine Coulin
    • Muriel Coulin
  • Star
    • Soko
    • Ariane Labed
    • Ginger Romàn
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,2/10
    891
    LA TUA VALUTAZIONE
    • Regia
      • Delphine Coulin
      • Muriel Coulin
    • Sceneggiatura
      • Delphine Coulin
      • Muriel Coulin
    • Star
      • Soko
      • Ariane Labed
      • Ginger Romàn
    • 3Recensioni degli utenti
    • 44Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 2 candidature totali

    Video1

    The Stopover
    Trailer 1:36
    The Stopover

    Foto7

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali25

    Modifica
    Soko
    Soko
    • Marine
    Ariane Labed
    Ariane Labed
    • Aurore
    Ginger Romàn
    Ginger Romàn
    • Fanny
    Karim Leklou
    Karim Leklou
    • Max
    Andreas Konstantinou
    Andreas Konstantinou
    • Chrystos
    Makis Papadimitriou
    Makis Papadimitriou
    • Harry
    Alexis Manenti
    Alexis Manenti
    • Jonathan
    Robin Barde
    Robin Barde
    • Toni
    Sylvain Loreau
    Sylvain Loreau
    • Momo
    Jérémie Laheurte
    Jérémie Laheurte
    • Ness
    Damien Bonnard
    Damien Bonnard
    • Le lieutenant
    Jean-Yves Jouannais
    Jean-Yves Jouannais
    • Le lieutenant-colonel
    Pierre Devérines
    • Le psychologue
    Kevin Delta
    Kevin Delta
    • Soldat
    Yves Francillette
    • Soldat
    Aurélien Roger
    • Soldat
    Christophe Saulnier
    • Soldat
    Manolis Chirakis
    • Le danseur de Zeibekiko
    • Regia
      • Delphine Coulin
      • Muriel Coulin
    • Sceneggiatura
      • Delphine Coulin
      • Muriel Coulin
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti3

    6,2891
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    10

    Recensioni in evidenza

    searchanddestroy-1

    Not bad

    That's a film about post war traumatic disorders among young female soldiers who fought for the French army in Afghanistan. You deal here with a rather good character study, but that seems to hesitate about the lead to follow. That's a movie that should have been far better in that field. It remains interesting, supported by convincing actors and actresses. I think it lacked ambition. We can see it as a sort of documentary on just discharged soldiers, male or female, the period during which they prepare to get back into the real world, the civilization. Good try. I don't think this kind of topic has already been talked about in the French movie industry; or the period just after, once the former soldiers have returned home, and not the "in between". And let's not forget that now, In France, just after the terrible killings of Paris and Nice, the French army advertises to recruit many young folks. So, this film topic seems very in the mood, or not...
    8Two_Journeys

    Horrors of war

    Two young women are part of a French army unit returning from Afghanistan. The unit stops over in Cyprus for debriefing and relaxation. A disturbing attack happened as their convoy was traveling through the mountains and as becomes clear, each soldier has a different view on that event. Some are greatly affected by the memories whereas others appear to be in denial. The movie builds up considerable tension as the viewer starts to realize that most of these individuals aren't fit to return to society. The actual battle is only shown through a crude VR software used in the debriefings, but the action and horror of the combat is omnipresent in the faces, actions and immature decisions of the soldiers. They seem to be stuck between childhood and innocence, and overwhelming experience. Great acting, sound camera work and a backdrop (a beautiful island and holiday resort) that together emphasize the homelessness and disorientation of the characters.
    7JvH48

    Commendable attempt to show how PTSS can haunt soldiers afterwards, but failed halfway by changing the dramatic line to things happening with men and women anywhere

    This movie intends to give us some insight in the problems faced by soldiers when returning from the battle field, augmented with the modern trend to use virtual reality to support healing from PTSS and related aftermath. The first half of the movie did a good job in this respect, by demonstrating that decisions on the battle field that were deemed good or at least optimal given the circumstances, can conversely be considered bad by others, for good reasons in hindsight. Of course, one can argue whether the group therapy setup works well. We see and hear several of them keeping up appearances. Other issues crept in, like venting that women are not suitable in any battle situation.

    The second half of the film, a road trip outside the hotel, was triggered by an invitation towards the two main woman protagonists, originally intended to visit the neighboring village and take part in some festivities there. We were shown an obvious cliff hanger when we saw a rifle covered under a blanket in the car trunk of the two men who initiated the excursion. A second cliff hanger was visiting a border crossing point and telling about the dangers on the other side. From this point on, the story could go anywhere. But nothing along those lines happened. Finally, they reached the village and mingled more or less with the locals, thereby consuming lots of alcohol. What happened during and after the village festivities deviates from the central theme. It's a pity. All of it could happen everywhere and anytime when man and women get drunk and have differences in expectations how the trip should end. I consider it a missed chance, and would have preferred to keep focused on PTSS and other army related issues.

    All in all, I'm left with mixed feelings about this movie. The message it tries to bring is commendable. Most of the soldiers we saw are believable and sufficiently diverse in character and background. In other words, the collection we encounter seems a realistic cross section. The fact that some of them did not have another life outside the army, seeing no other job prospects in the near future, may be deemed worrisome but seems realistic too. A problem in the plot line arises by continuously hinting that a dramatic, or even deadly, ending is bound to follow. Alas, it never worked out to turn into a real fatal drama, by eventually confining itself to a "normal" men versus women difference in expectations, something that could happen in conclusion of an evening out anywhere, inside or outside the army. Yet, not all is lost, due to the first half of the movie, that shows us how PTSS may come about, and how reliving past events on the battle field can become a burden lasting for many years thereafter.

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    Dettagli

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    • Data di uscita
      • 7 settembre 2016 (Francia)
    • Paesi di origine
      • Francia
      • Grecia
    • Lingue
      • Francese
      • Greco
    • Celebre anche come
      • The Stopover
    • Luoghi delle riprese
      • Grecia
    • Aziende produttrici
      • Archipel 35
      • Blonde Audiovisual Productions
      • Arte France Cinéma
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo in tutto il mondo
      • 147.307 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 42 minuti
    • Colore
      • Color
    • Proporzioni
      • 2.35 : 1

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