Yeonpyeong haejeon

This is a realistic tragic story of an attack on a South Korean ship by the North. It's not a heroic battle type war movie. It's actually a massacre at sea which is unusual to see on screen. There is a rather slow part showing the background of the characters. During the attack it's hard to distinguish who is who sometimes. Bad directing. Still the story is quite moving because of the tragic loss of life for such a frustrating conflict.

Northern Limit Line is a portrayal of the 2002 "Second Battle of Yeonpyeong" (the first having been a somewhat similar encounter a few years earlier) in which North Korean warships attacked two South Korean patrol boats in disputed waters on the west coast of Korea. (The title refers to the maritime boundary that (in the US and ROK view) was established in the 1953 armistice, but which is not accepted by the DPRK.) Some of the external reviews complain that the film is bifurcated -- the first part establishing the personalities and interactions of the crew, and the second part dealing with the battle itself. This, while accurate, seems to miss the point: The message of the film is that a nation's battles are not fought by either flawless heroes or by oppressed victims. Rather the film presents a ship's crew that is both a proud and disciplined unit controlled by a hierarchical order of command and a group of individuals with their own ambitions, dreams, fears, friendships, and dislikes. When a unauthorized party or watching a soccer game on an unauthorized link is interrupted by a general stations drill, the sailors show they are displeased, but they go to their stations. In fact, my sense was that, in contrast to the reviewers' opinion it is the first part of the film, not the second to which non-Koreans and those of us who have never served in the military should pay most attention. The concept of showing the character of relationships in a military unit is pretty much a standard war movie device, but what makes this special is that the relationships are distinctively Asian. True, there are resemblances to how any collection of young men (and int the film, also a young female officer) in a military unit move between the highly structured military role and being typical late adolescents. But in a way that is hard to define, but comes across clearly, there is a special Asian (and presumably particularly Korean) character to the interrelationships -- the way they talk, the things they seek, what annoys them, the way they trick the system in which they nonetheless take pride. In my view, without that establishment of context, the second part --the battle itself - would be just another action sequence and much less involving for the viewer -- especially, one suspects, for a Korean audience. We come to care deeply about what happens to these kids when the North Korean ship turns a routine encounter at sea into a pitched battle. The combat scenes are presented with a candor and explicitness about what war is really like-- the chaos, the terror, the determination, the failures and bitter costs -- that few if any American war flicks would risk. In particular, I have seldom seen a film that is as uncompromisingly honest about what battle wounds look like-- would an American film show, as Northern Limit Line does --the severed arm of one of the central characters lying next to the hemorrhaging stump? Certainly, the film takes a unequivocally pro-South Korea perspective -- it is quite explicitly a tribute to the skill and dedication of the nation's navy. But it is both brutally honest about what war means and, in a rather more low key way, critical of the civilian population who are cheering at a big soccer match while the battle goes on. That the civilian don't know about the battle and pay due honor to their nation's soldiers afterward makes their innocent detachment from the sacrifices of the sailors who are fighting all the more poignant.

Most people in the West probably haven't heard of the Second Battle of Yeonpyeong, a maritime incident of war that took place between North and South Korea in The Yellow Sea in 2002. The so called 'Northern Limit Line' is a maritime boundary that sets the national borders between the two countries and both North and South Korea have different ideas of exactly where is starts and ends. The North has a history of testing the south and making frequent incursions over the boundary with its navy, presumably to test the resolve and readiness of the The South Korean Navy. One such incident involved 2 North Korean Warships which were challenged by 2 South Korean Warships. Just as it looked like North Korea was retreating it opened fire and thus began the above named battle.

The film tells the story primarily from the perspective of the crew members of South Korean patrol boat PKM 357. It's Captain, Lt. Cmdr. Yoon Young-ha (A superb performance from Mu-Yeol Kim) and several of the other crew who bore the brunt of the fighting during the incident. The film establishes the background of many of these key characters including in some cases their relationships outside of work, their families, partners and so on. These crucial scenes create the very humanity of each character so you feel fully connected to them emotionally when the events unfold further on. The film also gives some considerable screen time towards outlining the complex nature of the rules of engagement that the South Korean Navy have to tread on a daily basis. The film also covers a number of mistakes made in the lead up to the incident, including the failure to detain a North Korean intelligence officer who was disguised as a fisherman and passed on information about South Korean ship movements. The film is all the more poignant when one see's the real footage of the memorials of those who died at the end of the movie. Reminding us very firmly that this is not fiction and war causes pain and misery for all concerned.

Clearly a passionate subject for the films first time feature director, Hak-sun Kim, the film was shot in 3D thanks to a grant from the SK Arts Council but Crowd Funding still had to be sought to ensure the films completion when other investors backed out. So its to the credit of everyone involved that not only was the film completed by that the film itself is such a tremendous achievement. Hak-sun Kim does an incredible job with the action scenes and the blend of the CGI effects work is effective and not distracting as can often be the case these days.

Obviously this is a film told from the South Korean perspective though from reading factual accounts available on the incident I find it hard to believe the film stretches to far from the truth. Incidents of this type between nations are far more common that we are led to believe and NLL underscores the tragedy that always follows such events. This is a gripping, extremely well made film and it comes with my strongest recommendation.

I absolutely fell in love with the characters, and how they interacted with one another. The film was a little slow moving in the beginning as we get to know the characters, but it was all good. The climatic battle scene was hard-hitting and quite emotional. A maritime war movie well done!

Full Disclosure; I like foreign movies, especially war movies as depicted by what ever nation is portrayed. This movie ranks as one of the best with Tae Guk Gi. The battle scene is well done. Watch it....I bought the Blu-Ray after reading reviews about it. Glad I did. If you can see it on NetFlix by all means go for it!