C'era una volta a Los Angeles

80s action icon Bruce Willis makes an average of four films a year. That is twice more than what buddy Stallone does yearly. Trouble is, these films are either poorly marketed or badly written or Willis is tasked with supporting roles opposite new actors in lead roles. Which is why Once Upon a Time in Venice has potential but how well it performs will be anyone's guess. There are lots of established actors along with Willis in an interesting setup that resembles a cross between a Guy Ritchie and Quentin Tarantino film. Playing a retired cop turned private investigator (Moonlighting anyone?), Willis plays a loner whose dog is kidnapped by petty criminals. To get his dog back, Willis' Steve Ford must navigate through a series of heists and dodgy characters, including loan sharks and dimwitted gangsters.

It's a film that sounds very familiar and doesn't require a whole lot of thinking to sit through. But as an action-comedy, Once Upon a Time in Venice is a misfire that should have gone straight to streaming video, or the type of film you watch in a hotel room before a flight. There are moments that are supposed to be funny, like Ford's best friend (John Goodman) going through a divorce, or Ford trying to infiltrate a gangster hideout (inaudible mumbling from Jason Momoa), but there's something missing. There are other popular actors too, albeit shoehorned in bit roles that never add up to the overall story.

Debut director Mark Cullen has a long history writing for TV and it shows. Most scenes in the film feel disjointed or like skits at best. At worst it feels like the script was filmed soon after first draft. That's a shame because this film had all the juicy ingredients for a fun crime caper along the likes of Snatch or Jackie Brown. Instead, the film is weighed down by dull-as-lead directing that even John McClane wouldn't shoot his way through. Speaking of Willis, and at 62, there are still plenty of good films he can make as long as the choice is right. Let's just hope Willis doesn't disappear down the rabbit hole like Nic Cage.

"Never f*ck with a man's dog."

Either Venice Beach in L.A. is a tiny place at the ocean. Or Bruce Willis knows how to move around with incredibly speed. Because the pace at which he pops up in different places is impressive. Fortunately, it's not full naked on a skateboard the whole time, because that wasn't a pretty sight. Just like Arnold Schwarzenegger in "Aftermath", you can see that aging is getting to Bruce Willis. The result is a set of not so tight buttocks. But they are still muscular enough to clamp a revolver in between.

"Once upon a time in Venice" is a fairly chaotic story where Steve Ford (Bruce Willis), a private detective who solves ludicrous cases most of the time, gets into a lot of trouble when his dog is being stolen by a local gang. Well, John Wick also shot a bunch of gangsters, after they've killed his cute little dog. Proof that you should be careful with dog owners. Before Steve realizes it, he needs to fulfill a few assignments to get his dog back. And trust me, a few of those clients look and act absolutely weird.

Despite the satirical mood and some highly amusing characters, the whole story isn't so impressive. Perhaps it was their intention to make an action comedy, but unfortunately the humorous section was quite disappointing and the action part was limited to a number of skirmishes in the end. To be honest, for once, it's the enthusiasm of Bruce Willis's acting that surprised me. In this movie he doesn't have that uninterested, tired look and nonchalant attitude as he demonstrated before in a few meaningless films. No, once again you could see him appear with his sympathetic, cheerful look while quoting a few one-liners (though they weren't really witty). This time it felt as if the paycheck wasn't the main reason for him to participate in this film. The movie poster reminded me immediately of "The Last Boy Scout". Come to think of it. Wasn't he planning to buy a dog for his wife in that movie as well? In all probability a coincidence, I guess.

Personally I thought John Goodman (Did he loose weight?) stole the show as Steve's sidekick. His character looks as if he came straight out of "The Big Lebowski". A peculiar person and owner of a surf shop whose life is riding a fatalistic roller-coaster because of a messy divorce. But the moment he takes part in the action, as Steve's partner, he's as happy as a pig in shoes. The surprised look on his face when he sees Steve's weapon arsenal, is comparable to his overall performance. It's as if John Goodman didn't really know why he was in this movie in the first place. Which made it even more funny. Also Jason Momoa (last seen in "Bad Batch" playing an interesting role) did a great job. On the one hand, a lame persiflage-like part. But because it was greatly exaggerated, it became funny as well. And in between, you'll see a Jewish real estate owner called "Lew the Jew" (Adam Goldberg), who's troubled by a fanatic graffiti artist who paints explicit pornographic artwork on his buildings.

I often felt embarrassed about certain scenes while watching this movie. On the one hand, it was fun to see Bruce Willis acting with visible pleasure and without scruples. On the other hand, there were also some awkward performances to admire and the humorous level wasn't comparable to what Willis had done in the past. Perhaps it was a movie unworthy of such an actor as Bruce Willis, but compared to the other monstrosities he appeared in in the recent past, this comedy/action movie was still a little bit of an improvement.

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Bruce Willis with most famous for his Die Hard series and probably one of the best action hero in cinema history but in the past few years he kinda stuck with a bunch of horrible action movie which really upset me cause i used to be his fan.When i first heard about a movie called Once Upon a Time in Venice staring Bruce Willis with a very talented cast i though damn this movie might be good comeback for Bruce but the result is..... not that great.It may not as bad as some of his previous work i give you that it still not enough to bring Bruce back from the hole.Describe as a action comedy movie with a run time about 1h- 34min but in fact it a slow burn movie mainly about Bruce as a private detective(a very shitty one) solving crime around Venice until his dog get kidnap by a local drug dealer played by Jason Momoa(Yeah Aquaman himself).The movie does have some good sense of humor but sometime it feel force as hell.For the action part it not that much only near the end but it very unsatisfied and the terrible ending just add more bad taste in my mouth.It not a good movie in any mean but if you a Bruce Willis fan you can check it out

Pure shtick that reminded me of the old "Airplane" movies. Bruce Willis does comedy well and has a great supporting cast: - a thin and bi-polar John Goodman - Famke Janssen in a much lighter role that her Blacklist espionage - a little bit of Kal Penn playing a 3rd world bodega clerk.

Willis has to jump through a web of interconnected heists in hope of recovering his stolen dog. The bits are klutzy and brilliant to the end. While I was amused, I cannot recommend over all the other greater movies.

An ex-Los Angeles detective turned PI seeks out the ruthless gang that stole his dog.

Director, writer Mark Cullen's entertaining beach bum action caper which sees Bruce Willis as Steve Ford return to centre stage instead of small cameos. Thankfully Willis isn't just there to just pick up a pay cheque, its very much his own film, and he's as cheeky and charming as ever.

The on location feel captures the heat of Venice Beach and Cullen offers plenty of colourful locale visuals. The characters are all quirky and larger than life including humorous Jason Momoa as mumbling gangster Spider and Steve's heartfelt troubled friend Dave (excellent John Goodman). Things get more and more outlandish as Steve tries to solve a number of weird cases. Sadly, Famke Janssen is wasted as Katey Ford.

With echoes of the recent The Nice Guys (2016) there's a few shoot outs and double crosses with hints of watered down Tarantino thrown in for good measure, Cullen like the moments of comedy set these up with perfect timing thanks to some effective staging and Matt Deizel fine editing.

Overall, while not Willis' best it's an almost return to likes of Last Boy Scout form rather than Die Hard, still it's good fun and worth a viewing.