Il gabbiano

Now I realize that The Seagull is a play by Anton Chekov. However, I dont think it translated well onto screen or perhaps the director didnt translate it well onto screen. Just some of the dialogue and the way the actors delivered their lines didnt feel very natural. Like it felt at times that I was watching a play rather than a film. In film you can be more subtle and nuanced rather than on stage where you have to play for the person in the back row. I think the only person who really stood out to me was Elisabeth Moss who played Masha. And I love Saoirse Ronan but for me it just seemed like such a odd choice to cast her since she had to put on an American accent to play a Russian in the setting of Russia.

Story wise it was ok. Very heavy handed with the symbolism. Which again, might be better suited in the play. For me, it picks up more in the second act. I think one of the more powerful moments is when Nina returns and speaks to Konstantin and the somewhat ambiguous ending.

The costumes are beautiful as well the settings. It can be a pretty film to watch. But overall, I dont think this film really added anything new that I couldnt get out of seeing the show live. It was good but nothing you have to immediately run out and see either.

First, let me say that this film is not for everyone. If you don't have an appreciation for the tragedy often present in real human relationships and often chronicled by Russian authors you may not enjoy this movie to the fullest. On the other hand, if you have some familiarity with Russian literature you may be pleasantly surprised. The cast performed wonderfully.

I wish I could have taken a course on Russian Playwrights when I was in college, that way I could have some insight into Chekhov's psyche. Absent that, I will do my best with "The Seagull", one of Chekhov's most famous plays. As I said in the heading, it is about relationships, and peculiar in that everyone involved loves someone else. Without going into dizzying detail, this labyrinthine nature of the plot requires concentration, in the absence of a scorecard.

The overall mood of the play is gloom and despair, as though love casts a pall over the proceedings. It is 1904, at a Russian mountain resort. Without going into painful detail (just read the website's storyline), there are at least four unhappy couples with their hearts in pain, and the main star is Annette Bening, who gives a terrific performance as an aging actress trying to stay young. Elisabeth Moss is a name I am unfamiliar with but she was excellent as a woman desperately in love with Bening's son (Billy Howle, out of his element here), who is in love with Saoirse Ronan. I'll stop here before it becomes confusing.

All in all, the film is handsomely mounted and, as far as I can tell, faithful to the material. I wish I could have generated more feeling for the principals involved, but I grew restless waiting for an impactful scene.

This film tells the story of an entangled web of loving feelings in an estate in 19th Century Russia.

I really like the two leading actresses, but they still are unable to save the film from being incredibly slow and dull. I really wanted to like it, but I was bored out of my mind.

For one reason or another Humanitarian writer Dr, Anton Chekov's classic tale is once again brought to the screen with American glamour and Chekov's analytical musings. Bronx born Saoirse Ronan (Brooklyn '15) turns in yet another stellar performance as the star-struck starlet, falling for an older, popular but ultimately shallow writer and following him into obscurity. Billy Howle (Dunkirk '17) gets a chance to equal her as the youthful playwright who loves and mentors her - hoping she will bring the necessary youthful angst to his yet to be appreciated plays. Annette Bening is fine as his devoted but superficially taunting mother.

As with Sidney Lumet's co-production from the late 60s, Michael Meyer's new version brings Chekov's characters to life within a pleasing screen adaption - offering gorgeous locations, sumptuous cinematography, costumes, performances and music. It's good to know that modern Hollywood remains happy to remake classics for those audiences searching for rich dialogue and characterisations. Most won't be disappointed with this treatment, although it's never going to be possible to please some purists or the non-thinking action buffs and at 98mins, it doesn't outstay its welcome Thoughtful brain food.