Dopo aver scoperto vecchie fratture nel cranio, una fotografa che si sta riprendendo da un'amnesia è sempre più perseguitata da un sinistro segreto d'infanzia.Dopo aver scoperto vecchie fratture nel cranio, una fotografa che si sta riprendendo da un'amnesia è sempre più perseguitata da un sinistro segreto d'infanzia.Dopo aver scoperto vecchie fratture nel cranio, una fotografa che si sta riprendendo da un'amnesia è sempre più perseguitata da un sinistro segreto d'infanzia.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Recensioni in evidenza
Nothing happened for the first half hour besides the introduction of the characters and the main character living her life in between zoning out to annoying violin (or cello?) tunes for looong seconds. Literally two seconds of Dermot Mulroney and no Justin Long. Just as I was about to turn it off, though, my food arrived so I kept watching. Nothing kept happening for another 15 minutes, but right when I was closing the window for sure this time, a single interesting thing happened that involved Justin Long's character (and I love Justin Long) so I gave it yet another chance.
When there was more empty scenery and zoning out, I just skipped ahead to the revelation part, which wasn't too bad, and then it was finally over. I thanked God and ran here to try and stop others from wasting precious time.
Australian beauty Abbie Cornish is Jane, a woman with a horrific past that she can not remember. Cornish resonates as a wife and mother struggling to recall unthinkable events from a tragic childhood. Although she plays a gal from the American Midwest, her indigenous Aussie accent does seep through on occasion. But that doesn't detract from a solid performance as the anchor of a uniformly fine cast which includes veteran pros Dermot Mulroney and Justin Long.
And one other thing. Watching "Lavender" may well result in you never again looking at unexpected presents wrapped in pretty red ribbon as a welcome surprise.
I'm surprised that this film has awful and amazing reviews, to me it's very middle of the road, there's nothing particularly shambolic here, it's nicely edited, well acted, but the main flaw it has, is it's overwhelming obviousness, you just know exactly how it's going to pan out, why, and who is at fault, there was no other possible outcome offered up.
It's watchable. 5/10
Lo sapevi?
- QuizThe song sung in the film, referred to as "the fairy song", is a nursery rhyme called "Lavender's Blue".
- BlooperThe flashback tragic event takes place on October 11, 1985, but when she stands in front of her mother's grave at the end the headstone reads "Died June 8, 1986."
- Citazioni
Jane: Hey.
Alan: [hands her a folder]
Jane: [looking through the pages] Where did you get these?
Alan: Somebody from the archives delivered them.
Jane: [continues to look through the pages, getting upset] That's not possible... My foster parents would have told me.
Alan: Jane. These files just... didn't appear out of the blue... You ordered them.
Jane: When?
Alan: You tell me.
Jane: [through her teeth] I can't remember.
Alan: You own that house.
Jane: [Slams her hand on the table and shouts] NO!
[takes a deep breath]
Jane: I forget "little" things, like appointments, birthdays, pick-ups...
[starts hyperventilating]
Jane: Not...
Alan: [squats down to face her] I'm sorry.
[looks away]
Alan: I shouldn't even be here; I should have picked her up.
[when Jane doesn't answer]
Alan: The trust fund has been paying the property tax. It's managed by a... Patrick Ryer? I think you have an uncle. That explains why you keep trying to photograph the place.
Jane: [doesn't say anything, looks at Alan helplessly]
Alan: Jane hey... Hey.
[puts her hand on her cheek]
Alan: We're gonna figure this out.
- Curiosità sui creditiThere's a small scene showing the house shortly after the credits start.
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Dettagli
- Tempo di esecuzione
- 1h 32min(92 min)
- Colore
- Proporzioni
- 2.39:1