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Mad to Be Normal

  • 2017
  • 1h 46min
VALUTAZIONE IMDb
6,0/10
1893
LA TUA VALUTAZIONE
Gabriel Byrne, Michael Gambon, Elisabeth Moss, and David Tennant in Mad to Be Normal (2017)
Official Trailer
Riproduci trailer1:42
1 video
59 foto
BiografiaDrammaStoria

Aggiungi una trama nella tua linguaDuring the 1960s, a renegade Scottish psychiatrist courts controversy within his profession for his approach to the field, and for the unique community he creates for his patients to inhabit... Leggi tuttoDuring the 1960s, a renegade Scottish psychiatrist courts controversy within his profession for his approach to the field, and for the unique community he creates for his patients to inhabit.During the 1960s, a renegade Scottish psychiatrist courts controversy within his profession for his approach to the field, and for the unique community he creates for his patients to inhabit.

  • Regia
    • Robert Mullan
  • Sceneggiatura
    • Robert Mullan
    • Tracy Moreton
  • Star
    • Elisabeth Moss
    • David Tennant
    • Gabriel Byrne
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,0/10
    1893
    LA TUA VALUTAZIONE
    • Regia
      • Robert Mullan
    • Sceneggiatura
      • Robert Mullan
      • Tracy Moreton
    • Star
      • Elisabeth Moss
      • David Tennant
      • Gabriel Byrne
    • 13Recensioni degli utenti
    • 30Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 1 candidatura in totale

    Video1

    Mad to Be Normal
    Trailer 1:42
    Mad to Be Normal

    Foto59

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    Interpreti principali73

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    Elisabeth Moss
    Elisabeth Moss
    • Angie Wood
    David Tennant
    David Tennant
    • R.D. Laing
    Gabriel Byrne
    Gabriel Byrne
    • Jim
    Michael Gambon
    Michael Gambon
    • Sydney Kotok
    David Bamber
    David Bamber
    • Dr. Meredith
    Trevor White
    Trevor White
    • Bryan
    Rebecca Gethings
    Rebecca Gethings
    • Jane Simons
    Olivia Poulet
    Olivia Poulet
    • Maria
    Lanna Joffrey
    • Eleanor Goodhart
    Caitlin Innes Edwards
    Caitlin Innes Edwards
    • Mrs. Kotok
    Nigel Barber
    Nigel Barber
    • Dr. Bloom
    David Annen
    David Annen
    • Psychiatrist
    Alastair Natkiel
    Alastair Natkiel
    • MC
    Bryan Bounds
    Bryan Bounds
    • Radio Host
    Zbigniew Piotrowicz
    • Angry Londoner
    Matthew Jure
    Matthew Jure
    • Richard Long
    Philip Gascoyne
    Philip Gascoyne
    • Psychiatrist
    Judith Alexander
    • Social worker
    • Regia
      • Robert Mullan
    • Sceneggiatura
      • Robert Mullan
      • Tracy Moreton
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti13

    6,01.8K
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    Recensioni in evidenza

    7emceeanz

    A film about a revolutionary maverick who couldn't seperate his own demons from his treatments

    Despite rd Laings many flaws he did nevertheless revolutionise the treatment of patients right across the medical spectrum, as someone that suffers from mental health issues I can assure you that the problems and dogmas Laing confronted - largely on his own, still persist today in the medical industry, but thankfully because of laings outside the box thinking it is far less pervasive, for instance i can see many of laings methods - namely treating patients with dignity in order to understand and effectively treat them, present in the field and treatment of autism, most modern and successful treatments of autism are all based on this principle, a principle that Laing pioneered and fought for. Laing definitely had his own demons and some of his eccentricities, lack of structure and awareness definitely lead to some patients being harmed , but considering he was a pioneer working mostly on his own - he was still very successful - especially when compared with his peers - who were later revealed - through experiments where they were the subjects- unknowingly - were unable to distinguish between the insane and the sane, in these experiments the leading psychiatrists in the most prominent psych wards in America admitted completely normal qualified psychiatrists and held them in psych wards against their will until they admitted they were insane, so the widespread harm that was being caused by the industry at the time was prevalent and almost guaranteed, laing was one of the first to publicly acknowledge this and had the courage to fight a constant uphill battle for most of his career. So Laing came out well ahead of his peers and at the very least should be acknowledged for dragging this field kicking and screaming into the 21st century, those that dispute his contributions need to take a hard look at the murky and well hidden history of psychiatry and I'm not partial to the hippy dippy anti authority attitudes that characterised this generation.

    The movie was great, a contemplative and interesting biopic of a maverick pioneer, a fly on the wall docu drama without a Clear or structured narrative, although I did get a vague " Icarus flying to close to the sun theme" The acting is top notch from the all star cast, a well crafted and interesting film that I would recommend to anyone interested in psychology. 7/10.

    Although I'm not sure how true this story is.
    10amyramoon

    Important Movie to Watch

    As one with direct experience with the psychiatric hospitalization system, I would highly recommend this movie to any mental health professional. It presents a revolutionary, yet obvious take on how to treat mental illness and how to improve the quality of life for a patient who is suffering, by simply treating them like a human being in need of love and attention. David Tennant and Elisabeth Moss both presented the philosophy of such an endeavor well through their performances. This is a truly human story and a wonderful sneak peek into what can happen if we use our common sense and do what we feel is right. Unfortunately even today, many years after the events of this story, there are still challenges to overcome to give mentally ill patients the best care they deserve and focus on their needs above all. Are we protecting them or protecting ourselves from them? Speaking from the inside, I would say I'm not so sure.
    8siderite

    Well acted, slow paced biopic biopsy

    The film is about the period in time when psychiatrist Ronald David Laing managed his home as a refuge for mentally ill patients. A firm believer against coercion, he allowed the people living there to express themselves naturally in a safe environment, while he and an assistant would listen and try to help, in the hope that their minds would heal themselves. His theories were very much against the general medical opinion so he has come to blows not only with the medical community, but with his bigoted neighbors who didn't approve of not normal people living around them.

    In a way, that state of more or less open conflict with the world is what defines the title of the movie. If normal people behave like that, then you must be mad to want to belong with them. Every actor in this film (and check out the great cast) is acting really well and the mood of the movie, depressing as you might expect, is very well framed. Some people accused it of slow pacing, but if you think about it, you can't do a fast paced movie about mental illness. It is a slow and pain causing condition and the only way to understand it is to go slow.

    I personally like David Tennant a lot, but I think he was even better cast. He is perfect as the foul mouthed Scottish hipster doctor battling the world for the sake of the patients in his very care. I liked that the movie didn't try to take a side. It very lightly presented Laing's theories then proceeded to show what they meant in practice: with some the results were great, although they didn't lead to healing so much as to less pain, with others the approach was insufficient, while the level of care he afforded his patients made a catastrophic mess of his personal life. The key to the argument is how can a mentally deficient patient decide what's the best course of action for him and how can anyone else prove their treatment is what the patient needed when it alters the very essence of a person's mind? Who would be the more entitled to make a decision? The patient before a treatment or the patient after it? Not to mention society at large, family and doctors, who also feel entitled to pieces of people's lives.

    Bottom line: not a beautiful film, but one that makes you ask questions. It provides no answers of its own, though.
    5deexsocalygal

    Ok flick about the use of LSD for treatment of mental illness

    In the 60's a revolutionary treatment for mental illness was tried. A psychiatrist set up a place for mentally ill patients to live without medication or electric shock. They were left alone to freely act out their delusions & madness. Of course they weren't allowed to inflict harm on themselves or to each other. The doctor lived at the center with them. They each had their own room but were monitored 24/7 around the clock. If it appeared no progress was being made by letting them work through their stuff on their own LSD was offered. A couple of drops on their tongue would be administered but only with the patients permission. This movie tries to tell me that this was a neat-o experiment without any overwhelming problems but I'm sure in real life situations occurred that were not shown in the movie.
    5torrascotia

    We dont know what it works.....

    There is a scene in this movie where a Psychiatrist is being interviewed about electroconvulsive therapy, where he admits that they simply don't know why it works....but it does.

    (This statement that it does work in directly contradicted in the movie by someone who experienced it and stated that actually it stopped his recovery).

    The point is that the fact the practitioners openly say they don't know what it is they are doing is the single most important aspect of this movie.

    Unfortunately this element is simply not explored in anywhere near enough depth.

    Far more time is spent on the romantic relationship which develops with one of R D Laings fans.

    Its one thing trying to make people interested in a real life person on screen by focusing on his relationships, however that is not what he is known for.

    The other very important part of this movie which does not get enough time is around diagnosis, while lip service is paid to the idea that psychiatrists diagnose on the basis of "symptoms they cannot see", this aspect of mental health is also only briefly mentioned.

    I feel that this was a wasted opportunity to bring up some real issues in mental health treatment that the public are unaware of and does not explore the harm which some treatments have on patients.

    Due to the focus on romantic relationships, overall the film seems to drag out and nothing is really learned about the idea of R D Laing in any real depth.

    Neither are the counter arguments to his ideas explored.

    If you have any experience of the mental health system, you may came away from this feeling frustrated that an opportunity to expose the shortcomings of mental health treatment in the UK has been missed.

    The sad part is that despite there being more years on the clock, psychiatry and mental health treatment has not really moved on. So the closing credits about the hospital experiment ending but "some" of his ideas still being around is another cop out.

    There is a great film to be made about the state of mental health treatment which critiques its current failings, but this isn't it.

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    Trama

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      Nearing the halfway point, Laing jokes with two of his daughters about his mother, who has made a doll, dressed it like Laing and named it "Ronald," and sticks pins in it, to give him a heart attack. Laing died of a heart attack in 1989.
    • Connessioni
      Featured in Film '72: Episodio #46.3 (2017)

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    Dettagli

    Modifica
    • Data di uscita
      • 6 aprile 2017 (Regno Unito)
    • Paese di origine
      • Regno Unito
    • Siti ufficiali
      • Film Site
      • News article
    • Lingua
      • Inglese
    • Celebre anche come
      • Ah Bir Normal Olsam
    • Luoghi delle riprese
      • University of York, Heslington, York, North Yorkshire, Inghilterra, Regno Unito
    • Aziende produttrici
      • Gizmo Films
      • Bad Penny Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Lordo in tutto il mondo
      • 81.725 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 46min(106 min)
    • Colore
      • Color

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