La pazza gioia

From the writer, director of 'Human Capital' fame. This is a road adventure that's filled with some fun, thrills and emotions. The story of two women and their unplanned journey to their unfinished businesses. Kind of self-discovery theme, but it gets a little crazy as what the title says. If you know Paolo Virzi and his films, then you know what to expect from it.

Well, it begins with when a new member Donatella at a mental institution was fooled by Beatrice, who was there for quite a some time. They might have differences, but have some unfinished affairs outside. An unlikely friendship blooms between them and one weekend, the situation favours them to get away. From there where their journey goes and how it all ends comes in the rest of the narration.

They both are not ill or the danger as they were institutionalised. Then why is what the film is going to narrate for us. Before that, it was initiated with a simple introduction of them and the situation they are in. It was really a good start, but then between the end of the first act and the beginning of the second was looked decent. Because that part was very familiar. You know, what do the people do when they runaway which were mostly wandering around and enjoying the freedom.

I thought it was a good film, not as I expected. Then, ever since the second half was on the roll, it got a lot better, in fact I started to love it. From a meaningless ride to something sensible topic, the narration comes to the point, what it was holding back in the earlier. Each woman's life revealed before to when this story had commenced. So the trip comes to an end when they do what's better for them and everybody around them. Kind of sad, though it concludes in a right way.

"A mother's love is all giving, never expecting anything in return."

The two lead actresses were amazing. Second back to back film for director with Valerina Bruni and she was even better than the previous film. Because the scope of her role was much bigger in this. I don't know I had seen her before, but Micaela Ramazotti was so good, by performance as well as glamorously. There's no way you could part them and say only one of them were good. I loved them both equally. Actually, that's how their characters were developed. The entire film was about them, and they left a mark to remember this film for them.

It's a good film, so I don't think it is an Oscar material as the Italian film board had already picked another film for that. But surely it going to win some international awards. If the same film was made in Hollywood, would have considered an average, because this one got the Italian flavour. The film gets crazy, in an Italian style, and in the perspective of the middle aged women. But it can enjoyed by everyone.

I have been watching a few good Italian films of the year, including this one. So I would definitely recommend it. Nearly two hours long, but the pace gets better while the story developed. Remember this is not the only kind, but one of the best among this theme you had ever seen. Ending the story with high emotional was so good, especially if you like that kind of material. I hope you won't miss it. Meanwhile, I'm so excited for the director who is making his first direct English language film. Looking forward to its release.

8/10

What a poor, non-requested and superficial rating from @dierregi; although the best thing about this platform is that everyone can express themselves, is so sad to read that. I advice to take @dierregi's review as an example : approach yourself to this movie in the opposite way!!! This is something about depression, loneliness, the fear of being unable to be back to a "normal life", the lack of consciousness about being unstable but also the great power of realizing it (see one of the last scene when Donatella confesses Beatrice, and herself too, what happened). This is also something about forgiveness, about giving a second chance and being mentally opened and ready to face reality, even if it's cruel, terrible, frightful. This is about a very difficult social phenomenon as well as a great lesson of embracing and not refusing.

I consider myself a fan of Paolo Virzì movies and this one did not disappoint me. And yet, I always come back with that feeling that he seems to be always just a step away from an accomplished masterpiece. Like Crazy easily passes the minimum threshold of getting one involved and watch it to the end, in fact more than that. At 2 hours it's a longish movie whose end arrives sooner than expected. There's however something not quite fully realized in it, might it be the cutting, the repetition of certain schemes, the un-natural behavior of some of the characters. It's a bit like a poem where a few rhymes don't quite rhyme or the hidden meaning doesn't quite come through. The acting is certainly not to be faulted: if this were a Hollywood movie, Micaela Ramazzotti would have undoubtedly qualified for an Oscar nomination. Bruni Tedeschi is great too but a bit over the top here and there. A better cutting would have been a great help, too as some themes are a bit repetitive. Taking away some 5 or 10 minutes would have greatly improved the flowing of the narration. What can I say, I appreciate everything Virzì has done so far, he's surely a great director but I'm still expecting and betting that his best has yet to come.

"A joyful madness" would have been a better translation for the international market. Such a surprisingly good film. Well, not entirely surprising because Paolo Virzì, from Tuscany, currently one of Italy's best directors, his movies always centred around interesting, well defined characters, masterfully mixing comedy and drama, in this case with heart breaking results. It helps that this screenplay has been written together with talented screenwriter and director Francesca Archibugi who, amongst other things, in 1990 directed Italian movie icon Marcello Mastroianni in the drama "Verso sera" (Towards Evening). Her contribution to this film must be acknowledged. The two leading actresses are excellent. Micaela Ramazzotti as the desperate mother who, amongst all sort of troubles, tries to get back in contact with her only son. Even better is Valeria Bruni Tedeschi, who is absolutely amazing as Donatella, the rich countess who struggles to cope with her mental disorders but who takes the younger Beatrice under her wing. When they run away from the psychiatric facility they are placed in by the authorities (perfectly depicted in typical human but caothic way) their foolish adventure begin. Such an intense, moving, touching film. Highly recommended.

One of my top ten movies of all time is One Flew Over the Cuckoo's Nest. It still holds up 48 years after its' release. Crazy Life is sort of a step child of Milos Forman's masterpiece. While not as good as Jack Nicholson's best film, it is one of my favorite foreign films of the last ten years. Donatella and Beatrice are a couple of emotionally unstable women who meet at a mental hospital. They click on a shared level of being outcasts from normal society. The misfits team up for a really wild adventure. The actresses are tremendous, with a screen chemistry as good as I have ever seen. The script is both sad and funny, with a completely unpredictable story which kept me guessing from beginning to end. One slight drawback is the rapid fire dialogue here. If you do not speak Italian; and I don't, be prepared to speed read for two hours. Even with that, I highly recommend Crazy Life.