VALUTAZIONE IMDb
6,5/10
5822
LA TUA VALUTAZIONE
La storia del massacro di Peterloo nel 1819, durante il quale le forze dell'esercito Britannico attaccarono I partecipanti ad una pacifica manifestazione pro-democrazia a Manchester.La storia del massacro di Peterloo nel 1819, durante il quale le forze dell'esercito Britannico attaccarono I partecipanti ad una pacifica manifestazione pro-democrazia a Manchester.La storia del massacro di Peterloo nel 1819, durante il quale le forze dell'esercito Britannico attaccarono I partecipanti ad una pacifica manifestazione pro-democrazia a Manchester.
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- 4 vittorie e 8 candidature totali
Recensioni in evidenza
Like most working-class Brits, I knew nothing of Peterloo (and I am from Manchester into the bargain).
Mike Leigh has done an excellent job, documenting this momentous event in British history, an event conveniently airbrushed out of my secondary school education. Imagine that.
A good 2.5 hrs long, it would make a decent 12 part Netflix drama. Though, he'd never get the funding for that.
It is long, it is educational, it is historical, it is incredibly worthy. Watch it and draw parallels with the Britain of today. FPTP electoral system, zero-hours contracts, food banks, Brexit, et al.
i gave it a 9.
Mike Leigh has done an excellent job, documenting this momentous event in British history, an event conveniently airbrushed out of my secondary school education. Imagine that.
A good 2.5 hrs long, it would make a decent 12 part Netflix drama. Though, he'd never get the funding for that.
It is long, it is educational, it is historical, it is incredibly worthy. Watch it and draw parallels with the Britain of today. FPTP electoral system, zero-hours contracts, food banks, Brexit, et al.
i gave it a 9.
If I have a criticism of this film, it would be that it's half an hour too long. Mike can be a bit self indulgent, there where a few scenes that were just there for colour. Technically accomplished, well acted, and faithfully accurate to the history. If you like social history you will not be disappointed.
"Rise like Lions after slumber in unvanquishable number- Shake your chains to earth like dew Which in sleep had fallen on you- Ye are many-they are few." Shelley, from The Masque of Anarchy
No contemporary director depicts and loves the working class better than Mike Leigh: look at Secrets and Lies for the best example. Believing that not enough people know about the massacre in 1819 in Manchester, where the British army slaughtered 18 and wounded scores of commoners peacefully assembling for liberty and rights, Leigh filmed Peterloo, the popular name for the uprising.
With an ear for local locutions and pompous preening, Leigh alternates between the people and their monarchial rulers, showing the sincerity of the marchers and the fear of the magistrates, who wish for nothing more than a Waterloo to stem the French-revolution-like yearnings of the folk. When administrators order the soldiers to squash the gathering, it's the beginning of responsible press reporting the malignity of entrenched rulers.
Leigh's longtime cinematographer, Dick Pope, has exceptional shots of the laborers and their homes to rival the best work of Millet and Courbet. The framing arches and rolling fields provide Pope with contours and colors to complement the dignity and vitality of the people.
However, it's Leigh's unfailing ear for diction and eye for metaphor that distinguish him as a David Lean of the working class. Contrasting the magistrates clustered around drafting the warrants for the crowd and the almost lyrical happiness of the assembly not only sets up the worlds of sad and happy, but they also heighten the terror as the innocent are vanquished by the proud.
Out of this debacle came a strong press that began and never stopped evaluating the ruling class. All hail the emergence of the Manchester Guardian.
"Let a great Assembly be Of the fearless and the free On some spot of English ground Where the plains stretch wide around." Shelley
No contemporary director depicts and loves the working class better than Mike Leigh: look at Secrets and Lies for the best example. Believing that not enough people know about the massacre in 1819 in Manchester, where the British army slaughtered 18 and wounded scores of commoners peacefully assembling for liberty and rights, Leigh filmed Peterloo, the popular name for the uprising.
With an ear for local locutions and pompous preening, Leigh alternates between the people and their monarchial rulers, showing the sincerity of the marchers and the fear of the magistrates, who wish for nothing more than a Waterloo to stem the French-revolution-like yearnings of the folk. When administrators order the soldiers to squash the gathering, it's the beginning of responsible press reporting the malignity of entrenched rulers.
Leigh's longtime cinematographer, Dick Pope, has exceptional shots of the laborers and their homes to rival the best work of Millet and Courbet. The framing arches and rolling fields provide Pope with contours and colors to complement the dignity and vitality of the people.
However, it's Leigh's unfailing ear for diction and eye for metaphor that distinguish him as a David Lean of the working class. Contrasting the magistrates clustered around drafting the warrants for the crowd and the almost lyrical happiness of the assembly not only sets up the worlds of sad and happy, but they also heighten the terror as the innocent are vanquished by the proud.
Out of this debacle came a strong press that began and never stopped evaluating the ruling class. All hail the emergence of the Manchester Guardian.
"Let a great Assembly be Of the fearless and the free On some spot of English ground Where the plains stretch wide around." Shelley
Peterloo is the Best Mike Leigh picture I've seen. Yes it is too long & speech filled but the Manchester massacre of 1819 is horribly dramatic. You see how the forces of the status quo combine to send in the cavalry & yeomanry to charge at peaceful protestors, maiming hundreds and killing 15. The protestors wanted the right to vote, reform in Parliament (Manchester didn't have an MP) & lower food prices. The film is very well shot with an excellent performance as always from Maxime Peake. Oddly after a long build up to the massacre there is no focus on what happened afterwards.
Quite a long film, but it didn't drag. Tells the story well, but there are really no lead characters, and many of the characters are rather two-dimensional or even caricatures. Visually, it is excellent. I didn't know much about the Peterloo massacre before seeing the film. I now feel educated, and felt that it was two and a half hours well spent, although not a film without flaws. Stronger (more realistically human) characters could perhaps have made the film more engaging, but maybe telling the (hi)story was more important here.
Lo sapevi?
- QuizThe film was released 200 years after the Peterloo Massacre.
- BlooperThe young Waterloo veteran who continues to wear his redcoat during the film can be seen in one shot with Corporal stripes whereas the rest of the film his tunic is that of a Private.
- Citazioni
Prince Regent: I know what is good for my people better than they know themselves!
- ConnessioniFeatured in Granada Reports: 16 August 2018: Evening Bulletin (2018)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- La tragèdia de Peterloo
- Luoghi delle riprese
- Hebden Bridge, West Yorkshire, Inghilterra, Regno Unito(Workers being drilled before marching)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 151.971 USD
- Fine settimana di apertura Stati Uniti e Canada
- 26.002 USD
- 7 apr 2019
- Lordo in tutto il mondo
- 2.159.214 USD
- Tempo di esecuzione
- 2h 34min(154 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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