Peterloo

Like most working-class Brits, I knew nothing of Peterloo (and I am from Manchester into the bargain).

Mike Leigh has done an excellent job, documenting this momentous event in British history, an event conveniently airbrushed out of my secondary school education. Imagine that.

A good 2.5 hrs long, it would make a decent 12 part Netflix drama. Though, he'd never get the funding for that.

It is long, it is educational, it is historical, it is incredibly worthy. Watch it and draw parallels with the Britain of today. FPTP electoral system, zero-hours contracts, food banks, Brexit, et al.

i gave it a 9.

16 August 2019 is the 200th anniversary of the Peterloo massacre in Manchester.

Peterloo begins after Napoleon's defeat in Waterloo in 1815. Joseph is a young shell shocked soldier who returns home to Manchester to no job and no prospects. The spoils of victory is only shared by the wealthy. The poor suffer increased prices due to the corn laws.

Voting rights also belong to the rich and the powerful. The ordinary man wants the extension of the franchise and parliamentary reform, the wealthy resist. They also fear that a visit to Manchester from orator and reformer Henry Hunt (Rory Kinnear) will lead the rabble to riot. The local gentry and magistrates are intent on putting down any protest and have the army on standby. On the fateful day the army panics leading to the deaths of 18 people and many hundreds injured even though the protest was peaceful.

Mike Leigh intended to make a working class epic that is still relevant today. There is humour, Hunt is a rich pompous dandy who himself is unable to connect to the ordinary man he likes to champion. However much of the film feels like a sermon with long lengthy speeches and ideals which repeat themselves. The landed, the military and the judges are painted as two dimensional baddies with only one possible exception. It also has a very strong Lancashire dialect, which some might find difficult to follow.

Leigh does add intrigue. Radical agitators are watched by government spies. Letters are intercepted by the Home Office.

Peterloo is an angry film to commemorate a terrible event. It is wonderfully shot but its running time needed to be drastically reduced and some of the speeches needed to be cut down. As for young Joseph, his fate was signposted.

Peterloo is the Best Mike Leigh picture I've seen. Yes it is too long & speech filled but the Manchester massacre of 1819 is horribly dramatic. You see how the forces of the status quo combine to send in the cavalry & yeomanry to charge at peaceful protestors, maiming hundreds and killing 15. The protestors wanted the right to vote, reform in Parliament (Manchester didn't have an MP) & lower food prices. The film is very well shot with an excellent performance as always from Maxime Peake. Oddly after a long build up to the massacre there is no focus on what happened afterwards.

If I have a criticism of this film, it would be that it's half an hour too long. Mike can be a bit self indulgent, there where a few scenes that were just there for colour. Technically accomplished, well acted, and faithfully accurate to the history. If you like social history you will not be disappointed.

"Rise like Lions after slumber in unvanquishable number- Shake your chains to earth like dew Which in sleep had fallen on you- Ye are many-they are few." Shelley, from The Masque of Anarchy

No contemporary director depicts and loves the working class better than Mike Leigh: look at Secrets and Lies for the best example. Believing that not enough people know about the massacre in 1819 in Manchester, where the British army slaughtered 18 and wounded scores of commoners peacefully assembling for liberty and rights, Leigh filmed Peterloo, the popular name for the uprising.

With an ear for local locutions and pompous preening, Leigh alternates between the people and their monarchial rulers, showing the sincerity of the marchers and the fear of the magistrates, who wish for nothing more than a Waterloo to stem the French-revolution-like yearnings of the folk. When administrators order the soldiers to squash the gathering, it's the beginning of responsible press reporting the malignity of entrenched rulers.

Leigh's longtime cinematographer, Dick Pope, has exceptional shots of the laborers and their homes to rival the best work of Millet and Courbet. The framing arches and rolling fields provide Pope with contours and colors to complement the dignity and vitality of the people.

However, it's Leigh's unfailing ear for diction and eye for metaphor that distinguish him as a David Lean of the working class. Contrasting the magistrates clustered around drafting the warrants for the crowd and the almost lyrical happiness of the assembly not only sets up the worlds of sad and happy, but they also heighten the terror as the innocent are vanquished by the proud.

Out of this debacle came a strong press that began and never stopped evaluating the ruling class. All hail the emergence of the Manchester Guardian.

"Let a great Assembly be Of the fearless and the free On some spot of English ground Where the plains stretch wide around." Shelley