Chapter Four: The Body
- L’episodio è andato in onda il 15 lug 2016
- TV-14
- 49min
Aggiungi una trama nella tua linguaRefusing to believe Will is dead, Joyce tries to connect with her son. The boys give Eleven a makeover. Jonathan and Nancy form an unlikely alliance.Refusing to believe Will is dead, Joyce tries to connect with her son. The boys give Eleven a makeover. Jonathan and Nancy form an unlikely alliance.Refusing to believe Will is dead, Joyce tries to connect with her son. The boys give Eleven a makeover. Jonathan and Nancy form an unlikely alliance.
- Regia
- Sceneggiatura
- Star
- Officer Callahan
- (as John Paul Reynolds)
Recensioni in evidenza
I never thought I'd be as into the show as I am, and there's a little part of me that's disappointed we've already reached the halfway mark. "The Body" is another winner; worthy performances, haunting imagery and a fantastic deepening mystery.
8/10
The major reveal of course is kind of partial, as the show had led us to believe that there was something else, more sinister going on and it couldn't be as simple or linear as it appeared. This isn't to say that it wasn't any less effective; in fact, the execution is close to perfect.
Winona Ryder continued her exceptional run as Joyce, and the kids gave their all as well. The storyline meanwhile, expands a bit, taking on a more metaphysical direction. More detail and explanation would no doubt be provided in the subsequent chapters. What matters though is whether the direction the story takes is interesting or not.. And I can assure you that it's interesting, and then some.
Taken separately, "The Body" doesn't offer as much of depth or emotional impact as "Holly, Jolly" did, but that's not the issue. Because, like mentioned previously, this miniseries is designed to be regarded as an extended movie, and not a weekly drama. Thus, the bits and pieces it places in the middle of the story to make it more beefy and comprehensive form a very important process, especially now that it has to shape the factors and form an ending.
There's a school scene involving bullies and underdogs near the second half of the episode and it's the highlight. I think it's safe to declare at this moment that Stranger Things has succeeded in creating multiple characters so wholesome and so 4- D that you can't help but root for them.
Verdict: 9/10. A necessary if a bit of a slow-burn chapter that forwards the story while maintaining the level of entertainment we've come to expect of this show now.
"Chapter 4: The Body", the halfway mark of Season 1, turned out to be not only every bit as brilliant as "Holly, Jolly" but perhaps be even better for similar reasons. It continues to build upon what was set up to begin with, moving the chess pieces around and continues to start putting them into place. While also including more pieces to deepen the mystery. Meaning that questions are answered while introducing more to be explored later. It is a brilliant episode and shows that such a promising first season has not in any way lost momentum.
The production values are superb. Very stylish and atmospheric, with some truly beautiful images that one can't believe such high quality comes from a Netflix show. Not to mention the highly impressive special effects that put a good deal of big budget films in recent years to shame. The music has a wonderful 80s nostalgic vibe while also being quite haunting, enhancing the atmosphere beautifully.
Writing is thought-probing and has a lot of brains and heart. The humour is gentle but very subtly witty and funny, while there is a poignancy (without being too sentimental) and tension. Throughout "Chapter Four: The Body" has creepiness, intriguing mystery, inventive sci-fi, affectionate nostalgia and emotional impact. The mystery is deeper and more complex but is always intriguing and never confusing, and while the suspense factor is not as high as the first and third episodes this episode is not entirely devoid of it.
As to be expected, the character writing is still meaty and worth investing in, the character interaction is tense, entertaining and poignant and the performances (especially Millie Bobby Brown) are uniformly great. Winona Ryder started to grow on me too.
Summing up, fantastic. 10/10.
The story, which revolves around Nancy and Jonathan trying to discover the disappearance of Nancy while Joyce thinks that Will is still alive as she tries to communicate with him by using the Christmas lights and El helping Mike, Dustin, and Lucas find Will, is another example of a plot in a Netflix show done right. The emotion, the atmosphere, the depth, and the pacing done perfectly. The situations are once again interesting, you feel for the characters and what they're going through to find Will. The performances are still spot on and Oscar-worthy the best coming from Winona Ryder and Millie Bobby Brown, the directing from Shawn Levy is great, and the music score continues to be neat by once again paying tribute to the 1980s respectfully.
Overall, another great episode and one of the best episodes of season 1. :)
Lo sapevi?
- QuizWhen the boys are disguising El (Millie Bobby Brown) to bring her to the school, they dress her up like Carrie White of the Stephen King novel "Carrie" and subsequent movies: Carrie - Lo sguardo di Satana (1976) & Lo sguardo di Satana - Carrie (2013) and the TV move Carrie (2002). Like Carrie, El also has telekinetic powers.
- BlooperIn addition to the flag for the state of Georgia being visible, it is the current (2016) flag, not the flag in use in 1983.
- Citazioni
Nancy Wheeler: Have you been doing this a while?
Jonathan Byers: What?
Nancy Wheeler: Photography.
Jonathan Byers: Yeah... I guess I'd rather observe people than... you know...
Nancy Wheeler: Talk to them.
Jonathan Byers: I know. It's weird.
Nancy Wheeler: No!
Jonathan Byers: No, it is! It's just, sometimes... people don't really say what they're really thinking. But when you capture the right moment, it says more.
- ConnessioniReferences Carrie - Lo sguardo di Satana (1976)
- Colonne sonoreAtmosphere
Written by Ian Curtis, Peter Hook, Stephen Morris and Bernard Sumner
Performed by Joy Division
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Luoghi delle riprese
- Rockdale County Water Treatment Facility, Gees Mill Road, Conyers, Georgia(Hopper at Hawkins National Laboratory Security Fence - Restricted Area Government Property)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 49min
- Colore
- Mix di suoni