La storia dell'attentato terroristico durante la Maratona di Boston nel 2013 e della caccia all'uomo che ne è seguita per trovare i responsabili.La storia dell'attentato terroristico durante la Maratona di Boston nel 2013 e della caccia all'uomo che ne è seguita per trovare i responsabili.La storia dell'attentato terroristico durante la Maratona di Boston nel 2013 e della caccia all'uomo che ne è seguita per trovare i responsabili.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 3 candidature totali
Chris O'Shea
- Patrick Downes
- (as Christopher O'Shea)
Sang-bae Kim
- MIT Professor
- (as Sangbae Kim)
Ping Ping Yang
- Meng's Mom
- (as Pin Pin Yang)
Recensioni in evidenza
Was never fully sure about the movie. Very iffy only because I find it weird how so many movies about real life stories are about relatively recent events. The marathon bomber happen three years ago, that seems like such little time to make a narrative about history.
Despite this, it was a great police drama. It showed law enforcement coming together for the greater good and it was a beautiful image to see, cause in most police dramas, cops even have discrimination upon themselves. If this was fiction, Boston PD would not be able to get along with Water Town PD and both would hate the FBI cause for some reason the tension of trying to find terrorist is not enough for writers. It was good to see cops be 100% at their job. They were not portrayed as being perfect only as being human and heroes are human. They were regular Boston citizens who wear a badge.
It was a very good story about people coming together to step up to the challenge. I expect noting less from director Peter Berg who has a real skill when it comes to bringing out every heroic moment.
Despite this, it was a great police drama. It showed law enforcement coming together for the greater good and it was a beautiful image to see, cause in most police dramas, cops even have discrimination upon themselves. If this was fiction, Boston PD would not be able to get along with Water Town PD and both would hate the FBI cause for some reason the tension of trying to find terrorist is not enough for writers. It was good to see cops be 100% at their job. They were not portrayed as being perfect only as being human and heroes are human. They were regular Boston citizens who wear a badge.
It was a very good story about people coming together to step up to the challenge. I expect noting less from director Peter Berg who has a real skill when it comes to bringing out every heroic moment.
People are captivated by the extraordinary events. And people love to be entertained. So what could possibly be better than a dramatic story of extraordinary nature. Especially if it's based on real events, shows the heroism of simple people and touches the audience's sensitive patriotic spot.
That's basically a recipe for Patriots Day. Take the case of the Boston Marathon bombing, the largest terrorist attack in the US since 9/11, show it through the eyes of several regular people, first introducing their personal lives and then following them along the course of the main events. And finally, when it's all over, add some first-person moral lessons and conclusions, so that we all realize for sure how important and pivotal that event was for the people and for the world, and feel privy to its changing momentum.
All by itself, it's a pretty good, even noble approach. But there's a tiny little detail that changes everything: that all that must sell somehow, because even the extraordinary stories have to be entertaining. So the otherwise consistent and self-sufficient story is being infused with dramatization, laying it on even thicker where it's already been thick, and creating moments that might not have been there in the first place simply to make the story more of a thriller. A very similar thing happened just recently with Deepwater Horizon.
The result becomes a product with the typical Hollywood spin, but proudly called "based on real events". That it might be, but on the basis of real people's actions, beliefs and lives there has been put enough creative imagination for the film to feel at times fake, at times cheesy and at times way over the top. And we will never know for sure if some or other moments that touched each of us personally happened for real, or they were skillfully injected by the filmmakers to genetically modify the movie and make it more appealing to the audience. Having fallen for this trick before, I refuse to be bought so cheaply again. So I really wish movies such as Patriots Day were made as documentaries. Yes, maybe they wouldn't sell as much, but at least they would be sincere and true. And what if not truth and sincerity do such stories try to uphold?
That's basically a recipe for Patriots Day. Take the case of the Boston Marathon bombing, the largest terrorist attack in the US since 9/11, show it through the eyes of several regular people, first introducing their personal lives and then following them along the course of the main events. And finally, when it's all over, add some first-person moral lessons and conclusions, so that we all realize for sure how important and pivotal that event was for the people and for the world, and feel privy to its changing momentum.
All by itself, it's a pretty good, even noble approach. But there's a tiny little detail that changes everything: that all that must sell somehow, because even the extraordinary stories have to be entertaining. So the otherwise consistent and self-sufficient story is being infused with dramatization, laying it on even thicker where it's already been thick, and creating moments that might not have been there in the first place simply to make the story more of a thriller. A very similar thing happened just recently with Deepwater Horizon.
The result becomes a product with the typical Hollywood spin, but proudly called "based on real events". That it might be, but on the basis of real people's actions, beliefs and lives there has been put enough creative imagination for the film to feel at times fake, at times cheesy and at times way over the top. And we will never know for sure if some or other moments that touched each of us personally happened for real, or they were skillfully injected by the filmmakers to genetically modify the movie and make it more appealing to the audience. Having fallen for this trick before, I refuse to be bought so cheaply again. So I really wish movies such as Patriots Day were made as documentaries. Yes, maybe they wouldn't sell as much, but at least they would be sincere and true. And what if not truth and sincerity do such stories try to uphold?
I saw this movie at a preview showing and was very pleasantly surprised.
The movie is great, the cast are uniformly excellent, and the plot moves along really nicely. I was mesmerized throughout, the pacing was excellent and, even though we all remember the outcome from the extensive news coverage, I was surprised at some of the things that happened before the end.
It was surprisingly moving at a few points, sorry, no spoilers so I won't say any more.
Great job to everyone who worked on this movie.
The movie is great, the cast are uniformly excellent, and the plot moves along really nicely. I was mesmerized throughout, the pacing was excellent and, even though we all remember the outcome from the extensive news coverage, I was surprised at some of the things that happened before the end.
It was surprisingly moving at a few points, sorry, no spoilers so I won't say any more.
Great job to everyone who worked on this movie.
The day is 15 April 2013; the place is Boston; the occasion is the annual marathon. As we all know, two radicalised Chechen immigrants, Dzhokhar (Alex Wolff) and Tamerlan Tsarnaev (Themo Melikidze), set off two bombs which killed three people and injured several hundred others, including 16 who lost limbs.
This film is a very workmanlike and respectful, almost documentary-style, account of the eve of the event, the bombing itself, and tracking down of the assailants in a tense five-day manhunt. Mark Wahlberg, reuniting with the director for the third film in a row, is Boston detective Tommy Saunders, a composite of several real people, while Kevin Bacon plays FBI Special Agent Richard DesLauriers.
For writer and director Peter Berg, following "Lone Survivor" and "Deep Water Horizon", "Patriots Day" can be seen as the third part of his unofficial Americans-in-crisis trilogy which probably play better for US audiences than overseas, but manage to combine information with entertainment.
This time round, the viewer cannot fail to be struck by the complexity and sophistication of modern-day surveillance and forensic technologies. If only these technologies could prevent terrorist incidents (without too much of a sacrifice of our privacy and freedoms) as well as find those who have just committed such an atrocity.
This film is a very workmanlike and respectful, almost documentary-style, account of the eve of the event, the bombing itself, and tracking down of the assailants in a tense five-day manhunt. Mark Wahlberg, reuniting with the director for the third film in a row, is Boston detective Tommy Saunders, a composite of several real people, while Kevin Bacon plays FBI Special Agent Richard DesLauriers.
For writer and director Peter Berg, following "Lone Survivor" and "Deep Water Horizon", "Patriots Day" can be seen as the third part of his unofficial Americans-in-crisis trilogy which probably play better for US audiences than overseas, but manage to combine information with entertainment.
This time round, the viewer cannot fail to be struck by the complexity and sophistication of modern-day surveillance and forensic technologies. If only these technologies could prevent terrorist incidents (without too much of a sacrifice of our privacy and freedoms) as well as find those who have just committed such an atrocity.
Lo sapevi?
- QuizThe Military Police in the movie are real-life MPs from the Massachusetts National Guard. Some of them had responded in the week following the attack.
- BlooperWhen Dzhokhar is surrendering at the boat, a step ladder leaning against the boat goes from horizontal to vertical between cuts.
- Citazioni
Sergeant John MacLellan: Welcome to Watertown, motherfucker!
- Versioni alternativeIn the German version, the supplement at the end of the movie (where interviews with real life people are shown) was removed because it was deemed too patriotic/pathetic for Non-American viewers.
- Colonne sonoreCountry Fried
Written by Zac Brown and Wyatt Durrette
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Día del atentado
- Luoghi delle riprese
- Mason St. Malden, Massachusetts, Stati Uniti(Big firefight in street where one brother gets killed)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 45.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 31.886.361 USD
- Fine settimana di apertura Stati Uniti e Canada
- 161.306 USD
- 25 dic 2016
- Lordo in tutto il mondo
- 52.185.751 USD
- Tempo di esecuzione
- 2h 13min(133 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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