VALUTAZIONE IMDb
5,9/10
27.825
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA passionate singer falls deeply in love with Alizeh, who only sees him as a friend. When she marries another man, he finds solace with Saba, but his heart remains torn between both women.A passionate singer falls deeply in love with Alizeh, who only sees him as a friend. When she marries another man, he finds solace with Saba, but his heart remains torn between both women.A passionate singer falls deeply in love with Alizeh, who only sees him as a friend. When she marries another man, he finds solace with Saba, but his heart remains torn between both women.
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Recensioni in evidenza
I found Ae Dil Hai Mushkil thoroughly disappointing. Nothing about this movie connected to me. In my opinion, Karan Johar's Kabhi Alvida Na Kehna was the worst. However, ADHM manages to top even that!
Ranbir Kapoor and Anushka Sharma spend the first half imitating characters from Johar's previous movies and movies from the 80s while the second half looks like a retelling of Ranbir's own Rockstar (what with Ranbir eventually becoming a singer and the terminal illness track of Anushka)! Just disappointing! I think anyone could have played the role of Aishwarya Rai-Bachchan's Saba. There was nothing spectacular about her performance. However, I think she lets her eyes do most of the talking which is why Johar picked her for the role. She has this incredible talent of emoting with her eyes without saying a word which most actresses of today fail to do. Even her shayaris had no depth whatsoever. Not to mention she struggles with the Urdu portions. I don't think her role was even necessary as she appears in a 15 minuteish role. Ditto for Fawad Khan whose presence in this movie created such a furor prior to its release! Fawad is wasted in a role with which he could have done wonders with. Fawad lets himself to be overshadowed by Ranbir in some of the scenes that they share.
Performance-wise, it's Ranbir and Anushka's film. They own every scene that they have. However, it's the script that lets them down that they find themselves imitating characters from various old Hindi films! It's Ranbir Kapoor who rises over an inane script, leaving his own stamp in each scene which could have fallen flat in a lesser actor's hands. But then he has experience from his own movie, Rockstar where he also played a similar role, playing a lovelorn boy to the hilt. Anushka Sharma is good but finds herself trapped in a role that was done-to-death before a billion times in Bollywood!
On a final note, ADHM is just a one-time watch for Karan Johar and Ranbir Kapoor's fans. I felt like Johar cheated us by creating suspense about the plot of the film before its release. There's nothing novel about the plot of ADHM!
Ranbir Kapoor and Anushka Sharma spend the first half imitating characters from Johar's previous movies and movies from the 80s while the second half looks like a retelling of Ranbir's own Rockstar (what with Ranbir eventually becoming a singer and the terminal illness track of Anushka)! Just disappointing! I think anyone could have played the role of Aishwarya Rai-Bachchan's Saba. There was nothing spectacular about her performance. However, I think she lets her eyes do most of the talking which is why Johar picked her for the role. She has this incredible talent of emoting with her eyes without saying a word which most actresses of today fail to do. Even her shayaris had no depth whatsoever. Not to mention she struggles with the Urdu portions. I don't think her role was even necessary as she appears in a 15 minuteish role. Ditto for Fawad Khan whose presence in this movie created such a furor prior to its release! Fawad is wasted in a role with which he could have done wonders with. Fawad lets himself to be overshadowed by Ranbir in some of the scenes that they share.
Performance-wise, it's Ranbir and Anushka's film. They own every scene that they have. However, it's the script that lets them down that they find themselves imitating characters from various old Hindi films! It's Ranbir Kapoor who rises over an inane script, leaving his own stamp in each scene which could have fallen flat in a lesser actor's hands. But then he has experience from his own movie, Rockstar where he also played a similar role, playing a lovelorn boy to the hilt. Anushka Sharma is good but finds herself trapped in a role that was done-to-death before a billion times in Bollywood!
On a final note, ADHM is just a one-time watch for Karan Johar and Ranbir Kapoor's fans. I felt like Johar cheated us by creating suspense about the plot of the film before its release. There's nothing novel about the plot of ADHM!
ADHM is a wonderful movie for "romantics", especially those who have gone through unrequited love. And if you are past mid-30s you may not relate to the places where love "flows" . Most songs are in set up in glitzy clubs from London to Vienna
It is not "in your face" love story – sure it is shot with typical KJo brand of colorful rich upper class people – but it is definitely a love story of cerebral kind.
It is also not a classy or realistic one – nowhere like say "Lootera" or "The Lunchbox" – two good romantic movies which are on par with Hollywood classics like "Before Sunrise" series or "Eternal Sunshine".
It is more a commercial entertainer like "Silsila" or "JTHJ" but what is unique about ADHM is it only focuses on characters in love. Four people, in love and there is no distraction of parents or bothers or sister or other relatives. It is a remarkable achievement for a commercial Hindi movie to do away with unnecessary supporting cast which ails most of our Indian movies in guise of comedy or family relationship melodramas. Sure there are good supporting cast like Lisa Haydon but they do are intertwined appropriately with the story.
Unlike many Hollywood movies, our Hindi movies do not spend too much time on character development and sometime you don't connect, especially during initial moments of the movie. This movie slowly grows on you, if you watch it with open mind.
Unrequited love is a difficult subject to handle, yet most of us may have gone through it during our various phase of life. While, surprisingly KJo has handled this so maturely, credit is due more with actor's performances, particularly Ranbir.
Unfortunately but NOT surprisingly, the director lets us down in last 20 mins or so – wish our Indian Directors have the courage to end the movie when it HAS TO – most of the time trimming out last 20-30 mins will be an ideal solution. I have seen bad editing of not trimming toward end of many romantic movies - from Kabhie Kabhie days (last 10 mins of botched up climax) to Silsila, KANK and JTHJ – they frustrate the moviegoers towards the end and you give an otherwise good product worse rating. I would have rated this movie 8/10, if it has ended right after powerful title song so passionately sung by Ranbir, which evokes memories of "Sadda Haq".
If you are romantic at heart, like me, please go and watch it. Chances are, you will "get it" and appreciate it.
Even if you don't, it is worth trying. It is a good movie to watch for as performances (Ranbir, Anushka, Aishwarya), Songs (Buleya, ADHM, Channa), Dialogues and glitzy production design blend well to keep you entertained. And please try to walk out after title song is over – I regret not doing so.
It is not "in your face" love story – sure it is shot with typical KJo brand of colorful rich upper class people – but it is definitely a love story of cerebral kind.
It is also not a classy or realistic one – nowhere like say "Lootera" or "The Lunchbox" – two good romantic movies which are on par with Hollywood classics like "Before Sunrise" series or "Eternal Sunshine".
It is more a commercial entertainer like "Silsila" or "JTHJ" but what is unique about ADHM is it only focuses on characters in love. Four people, in love and there is no distraction of parents or bothers or sister or other relatives. It is a remarkable achievement for a commercial Hindi movie to do away with unnecessary supporting cast which ails most of our Indian movies in guise of comedy or family relationship melodramas. Sure there are good supporting cast like Lisa Haydon but they do are intertwined appropriately with the story.
Unlike many Hollywood movies, our Hindi movies do not spend too much time on character development and sometime you don't connect, especially during initial moments of the movie. This movie slowly grows on you, if you watch it with open mind.
Unrequited love is a difficult subject to handle, yet most of us may have gone through it during our various phase of life. While, surprisingly KJo has handled this so maturely, credit is due more with actor's performances, particularly Ranbir.
Unfortunately but NOT surprisingly, the director lets us down in last 20 mins or so – wish our Indian Directors have the courage to end the movie when it HAS TO – most of the time trimming out last 20-30 mins will be an ideal solution. I have seen bad editing of not trimming toward end of many romantic movies - from Kabhie Kabhie days (last 10 mins of botched up climax) to Silsila, KANK and JTHJ – they frustrate the moviegoers towards the end and you give an otherwise good product worse rating. I would have rated this movie 8/10, if it has ended right after powerful title song so passionately sung by Ranbir, which evokes memories of "Sadda Haq".
If you are romantic at heart, like me, please go and watch it. Chances are, you will "get it" and appreciate it.
Even if you don't, it is worth trying. It is a good movie to watch for as performances (Ranbir, Anushka, Aishwarya), Songs (Buleya, ADHM, Channa), Dialogues and glitzy production design blend well to keep you entertained. And please try to walk out after title song is over – I regret not doing so.
I would like to say Amitabh Bachchan style "Ya Kia Ho Raha Hai" And to finish my comments after watching this movie, I would like to change the name of the movie to "Ae Film Dekna Hai Mushkal" It's totally disappointing. It's just waste of time. The casts are very good but the movie is totally opposite of what audience were expecting. The expectations from such a casts were too high but even that movie couldn't reach the minimum level of audience choice and expectations. The movie casts are really wasted in all aspects and casts should also reconcile themselves for that movie disasters by signing in and being part that movie.
It's a movie for the heart broken or the poem lovers. Some of the lines are hilarious, witty, poetic, and has the depth of Oscar Wilde's quote. It is to the extent that I cohered with one dialogue in the movie, "did you rehearse those lines
" This movie has dealt with human emotions with near perfection, with each character having its degree. None of the characters were written naively; they had their gray shades, marred with resistance and vulnerability. The chemistry was extraordinary, in particular between Anushka & Ranbir. I doubt young ones would be able to absorb such nuanced seepage of emotions.
However, the plot is weak. No doubt about it. Also, this movie is awfully feminist. Here a private-jet rich kid is being used by two women, err three women, with Aishwarya being the third. And Aishwarya's ex-husband doesn't have a problem with her relation with Ranbir. He goes on to justify it with cheesy one-liners.
Having stated above; the movie had his heart in the right place. It's nowhere near 500 days of summer, but if you are a heartbroken person, you might reckon to add it to your library.
However, the plot is weak. No doubt about it. Also, this movie is awfully feminist. Here a private-jet rich kid is being used by two women, err three women, with Aishwarya being the third. And Aishwarya's ex-husband doesn't have a problem with her relation with Ranbir. He goes on to justify it with cheesy one-liners.
Having stated above; the movie had his heart in the right place. It's nowhere near 500 days of summer, but if you are a heartbroken person, you might reckon to add it to your library.
Watch this movie only for that 2 minutes in which Shah Rukh Khan comes to screen and mouths the dialogue " the power of unrequited love " (main promo dialogue) " believe me he perfectly emotes the pain of one sided love and emptiness you feel when you knew that somebody will never love you and instead of that you have to love him/her because you can't do anything else. And one more line that SRK says that stands out that " I don't even need him/her to love him/her " i:e - I don't even need X to love X . This movie is cliché and Karan Johar didn't offer anything new , all the things in this particular movie is million times seen and repetitive. Ranbir is alright , Aishwarya does justice to her character and Anushka is over the top and annoying you can't feel the attachment to her character. Her love and longing with Ali is so weak that it almost felt irrelevant . Supporting cast is minimal and leading actors didn't provide anything to hold onto once movie ends. Music is indeed good and all the credit goes to Composer , lyricist , and singers .
Go watch SHAH RUKH KHAN doing what he does best "Romance" whether it's Mushy or Heartbreaking : even it is there only for a two minutes.
Go watch SHAH RUKH KHAN doing what he does best "Romance" whether it's Mushy or Heartbreaking : even it is there only for a two minutes.
Lo sapevi?
- QuizAnushka and Aishwarya's characters were Muslims and were originally supposed to be Pakistani. However, Karan Johar decided to change the character origins to Indian to avoid further trouble after the film ran into controversy over the casting of a Pakistani actor Fawad Khan.
- BlooperThe Urdu poetry book Saba (Aishwarya Rai) gives Ayan (Ranbir Kapoor) opens like an English book with the spine of the book on the left of closed book. However, since Urdu is written from right to left, it is opposite the spine is on the right.
- Citazioni
Ayan Sanger: It's a strange story of Love and Friendship. Love, the hero... and Friendship, the heroine.
- ConnessioniFeatured in C.I.D.: Happy New Year (2017)
- Colonne sonoreAe Dil Hai Mushkil
Lyrics by: Amitabh Bhattacharya
Music by: Pritam Chakraborty
Performed by: Arijit Singh
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- O Heart, It Is Difficult
- Luoghi delle riprese
- Londra, Inghilterra, Regno Unito(location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 4.264.983 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.190.042 USD
- 30 ott 2016
- Lordo in tutto il mondo
- 31.668.920 USD
- Tempo di esecuzione2 ore 38 minuti
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