Dickensian

I must admit to being highly sceptical by the whole premise surrounding Dickensian. Having studied several of the great works for English lit the thought of combining characters seemed like a grand scale disaster, but to my utter amazement, it's cohesive, logical and has become utterly addictive viewing. I find the scheduling a little all over the place, it seems to go out at random times, so I enjoy catching up with it at work having lunch.

Fantastic production values as one would expect from the BBC, the camera work is slick, the costumes and sets are world class, but it's the scripts and the acting that are making the show for me, am loving Anton Lesser's Fagin, and Ned Dennehy's interesting portrayal of Scrooge. I barely recognised Caroline Quentin.

I appreciate the subtle touches of humour too, it could have easily been grim viewing, but far from it. Love it. 8/10

Produced by Tony Jordan (who also wrote seven of the twenty episodes), formerly of EASTENDERS, DICKENSIAN could be superficially described as a nineteenth century transposition of the BBC's popular soap opera. The action takes place in an unspecified London street teeming with people - beggars, hawkers, sellers, pedestrians - and lined with shops. A pub ("The Three Cripples") provides a focus for much of the action just like the Queen Vic in the soap. The protagonists originate from a variety of socio-economic backgrounds and interact with one another on cold winter days, where the snow mostly lies thick on the ground or falls lightly. The only thing missing from DICKENSIAN that would give it the authentic EASTENDERS touch is the familiar line of dialogue where one character wants to "have a li'le talk (tawk)" with another.

Frivolity apart, DICKENSIAN is a highly entertaining mélange of various plots, all moving outwards from the central incident taking place in episode one - the murder of Jacob Marley (Peter Firth). Inspector Bucket (Stephen Rea) of "the Detective" (Scotland Yard had not yet been created) pursues the case with relentless persistence, despite occasional misfortunes (such as putting his back out). With his Sarff Lundun accent and quiet manners, he has a knack of making people talk without resorting to violence.

In a subplot, Mr. Barbary (Adrian Rawlins) tries to maintain a facade of gentility despite being in considerable hock to Marley and Scrooge (Ned Dennehy). He has two daughters - one a perpetual spinster (Alexandra Moon), the other a flighty spendthrift (Sophie Rundle) in love with a penniless soldier (Ben Starr).

Miss Havisham (Tuppence Middleton) has inherited her father's fortune as well as control of the family brewery, leaving her brother Arthur (Joseph Quinn) with a small inheritance. Resentful of her power - which he believes is unjust - he collaborates with Meriwether Compeyson (Tom Weston-Jones) to try and recover it. Compeyson is a lip-smackingly convincing villain, able to turn on the charm where necessary as well as commit unspeakably evil deeds (such as drowning Miss Havisham's dog).

A galaxy of lesser characters revolve round these plots: Mrs. Gamp (Pauline Collins) sets her amorous sights on Silas Wegg (Christopher Fairbank); Mrs. Bumble (Caroline Quentin) tries to fulfill her social ambitions despite her husband's (Richard Ridings's) physical and mental inertia; and Fagin (Anton Lesser) tries every trick in the book to keep Bill Sikes (Mark Stanley) under control. Oh, and we must not forget the Cratchit family trying to continue an edenic existence under the most trying of circumstances.

Each one of the twenty half-hour episodes intertwines these plots, creating a world of perpetual motion wherein something always seems to be going on. It is a tribute to Jordan's production that he has managed to portray mid-nineteenth century London as a teeming city riddled with corruption, yet with some elements of kindness thrown in.

Purists might object to the series on the grounds that it is not "faithful" to Dickens's novels in the sense of reproducing the plots. Rather it could be described as a mash-up of all the most memorable characters from a variety of texts (GREAT EXPECTATIONS, OLIVER TWIST, PICKWICK PAPERS, and so on). Yet the series is very Dickensian in outlook: many of the novels were originally written in serial form, and Dickens's readers used to eagerly await the next installment to find out what happened to their favorite characters. This is precisely the feeling we get from DICKENSIAN.

I think it's a totally original and powerful series that actually magnetizes you from the first episode to the last one. Amazing interpretations, beautiful and appropriate costumes and scenery and generally very careful work at every point. Congratulations to all contributors, thank you!

It would have been delightful to enjoy the well-rounded Dickensian characters again this Christmas. Instead we have been bombarded with repeats of dramas seen several times already. What has happened to this wonderful series?

The idea of bringing together into one narrative different fictional characters has been done recently and brilliantly in the likes of "Penny Dreadful" but this new BBC series takes it up a few notches more, not only in the number of disparate characters but of course that they are all from the world of Charles Dickens.

I must admit I was concerned when I read that the series was devised by the producer of the Beeb's dreadful soap opera "Eastenders" but, five episodes in, these Londoners I can stand. It is slightly confusing to see some resurrected characters walking about like Nancy from "Oliver Twist", Little Nell from "The Old Curiosity Shop" and Miss Haversham from "Great Expectations" and one wonders if they are going to meet the same end as before, also in my reading of the former, I didn't have Nancy pegged as a call-girl as here and attending, shall we say, to Jacob Marley too.

The show is set up along the same lines as the channel's previously successful adaptation of "Bleak House", i.e. in thirty minute programmes, usually with a kind of cliff- hanging climax at the end of each episode, which of course ties in well with the weekly publication method that Dickens himself worked to. The main story of the many plot strands appears to be the death of Jacob Marley from "A Christmas Carol", with Inspector Bucket of "Bleak House" on the trail, but a close second appears to be the anticipated jilting of Miss Haversham too.

As you'd expect, the production values are high, the settings are superb, interiors and exteriors, the latter especially played out in the winter snow. I'd imagine the eyes of the various agencies for actors in the UK all lit up when they got wind of this production, so many of them are employed here, although not too many big names that I can see, perhaps Stephen Rea in another mannered portrayal of Bucket, Caroline Quentin as the domineering Mrs Bumble and Pauline Collins having fun as that old soak Mrs Gamp being the most identifiable. There's also a smattering of new characters too just to help the plots develop and to date these creations are fitting in seamlessly well.

Anyway, I'm thoroughly enjoying it now that I'm familiar with the main characters and can see the plot coming nicely to the boil. I'm just wondering if some of the best known nicer characters like Pip from "Great Expectations", Nicholas Nickleby or David Copperfield might yet show up, but really there's more than enough to be going in with. With another fifteen episodes to go, there's plenty of time for surprises yet.

Some might see this interpretation of Dickens as manipulative or even sacrilegious but with modern writers devising authorised use of characters by say Charlotte Bronte and Ian Fleming to give two very different examples, personally I'm finding it fun and rather enjoying it so far.