La storia di due soldati americani dietro le linee nemiche il giorno del D-Day.La storia di due soldati americani dietro le linee nemiche il giorno del D-Day.La storia di due soldati americani dietro le linee nemiche il giorno del D-Day.
- Premi
- 2 vittorie e 7 candidature totali
Recensioni in evidenza
If you want to go in to watching this film without seeing the trailer, then don't read any reviews - including this one. There are no spoilers beyond what the trailer shows.
I make that opening claim because if you hadn't seen the trailer, you wouldn't know of the dual-genre nature of Overlord. The genre shift to full-blown 'zombies-but-not-quite' action comes after 75 minutes of truly brilliant wartime drama with some moderate scares. The opening scenes of the paratroopers entrance to the war-torn French countryside is a particular highlight for its chaotic, intense and disorientating depiction of what it must've been like for those who did the deed for real in WW2.
The horror element begins to build early on but is never an indication of the upcoming genre shift (if you've not seen the trailer, at least) until the point (From Dusk to Dawn style) where it's made clear that we're not in Kansas anymore. The only bummer I can think of is the film falls into the trap of a predictable final 30 minutes. With all the enjoyment had before then, it's so disappointing to feel let down at the last hurdle.
The soundtrack is immense, the cinematography is brooding without being dark (a style which works for both of the film's genres), and the CGI special effects are affectingly convincing. Don't expect great things from the script (which includes several awful one-liner comebacks), but I think this film will go down as one of the great zombie films of recent years, and may even be noted for its even better turn as a war film.
Best quote: "What is this?!" - "Our greatest achievement. With it, we create super-Nazis; a thousand year army and it's thousand year soldiers."
I make that opening claim because if you hadn't seen the trailer, you wouldn't know of the dual-genre nature of Overlord. The genre shift to full-blown 'zombies-but-not-quite' action comes after 75 minutes of truly brilliant wartime drama with some moderate scares. The opening scenes of the paratroopers entrance to the war-torn French countryside is a particular highlight for its chaotic, intense and disorientating depiction of what it must've been like for those who did the deed for real in WW2.
The horror element begins to build early on but is never an indication of the upcoming genre shift (if you've not seen the trailer, at least) until the point (From Dusk to Dawn style) where it's made clear that we're not in Kansas anymore. The only bummer I can think of is the film falls into the trap of a predictable final 30 minutes. With all the enjoyment had before then, it's so disappointing to feel let down at the last hurdle.
The soundtrack is immense, the cinematography is brooding without being dark (a style which works for both of the film's genres), and the CGI special effects are affectingly convincing. Don't expect great things from the script (which includes several awful one-liner comebacks), but I think this film will go down as one of the great zombie films of recent years, and may even be noted for its even better turn as a war film.
Best quote: "What is this?!" - "Our greatest achievement. With it, we create super-Nazis; a thousand year army and it's thousand year soldiers."
It's D-day. A squad of paratroopers are tasked with destroying a radio tower on top of a church. Their plane is shot down. After their leader gets shot by the Nazis and one steps on a landmine, four survivors remain. They find refuge with a scavenger named Chloe. The Nazis are experimenting on the locals at the church.
It's a horror story within a historical event. It has a good amount of action and thrills. The characters are compelling. It's always nice to have Nazi villains. It may not be completely new. It is not trying to be break new ground. It's a well-made B-movie and that's commendable.
It's a horror story within a historical event. It has a good amount of action and thrills. The characters are compelling. It's always nice to have Nazi villains. It may not be completely new. It is not trying to be break new ground. It's a well-made B-movie and that's commendable.
A black soldier in a white unit during WW2!! I understand the need for inclusion and im black, but in these kind of stories inspired by real events its better to stick as close as possible to History; otherwise it diminishes the struggles, sacrifices and accomplishments of those people back in those days. He could have been separated from his unit during the jump and joined the others on the ground.
Fun war movie with a horror twist. On its face, it is a procedural military mission - get in and do the thing to support the impending Allied invasion. The horror twist comes when the soldiers discover some strange stuff happening in the village. Medical experiments are being performed to transform normal humans into super soldiers. The mission now becomes twofold: destroy the tower and destroy the lab! Nothing particularly special or innovative about the story, but it was wildly entertaining and enjoyable. Very exciting edge-of-your-seat action scenes, well-performed roles, top-notch special effects, and solid jump scares. We watched it in the Dolby theater at AMC Metreon in SF. It was super loud and the place was rocking!
Perfect blend of WW2 action, zombies and gore. Don't go into this expecting Oscar nominations, and you'll enjoy the ride. It was exactly what I expected- I was entertained for close to 2 hrs. Got my money's worth.
Lo sapevi?
- QuizOverlord's first sequence, which sees the soldiers jumping from a burning plane, was done by rigging a plane on a gimbal, actually blowing up the front, tilting it as if it were actually falling through the air, and sending stuntmen tumbling through real fire.
- BlooperDuring the credits, a mock 1940s newsreel shows a United States flag with 50 stars when Jovan Adepo is credited as Boyce. The flag had only 48 stars from 1912 until 1959.
- Versioni alternativeAfter the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence for the cinema version. The subsequent re-submission got the film a more accessible MA15+ rating. Although this version never ended up getting released due to Paramount Pictures changing their minds to instead give the original R18+ rated cut to cinemas.
- ConnessioniFeatured in Projector: Overlord (2018)
- Colonne sonoreBridging the Gap
Written by Ansel Collins (as Ansel George Collins), Nas (as Nasir Jones), Winston Riley (as Winston Delano Riley), Dave Barker, Salaam Remi (as Salaam Remi Gibbs), Olu Dara, Muddy Waters (as McKinley Morganfield), Melvin London (as Melvin R. London) and Bo Diddley (as Ellas McDaniels)
Performed by Nas feat. Olu Dara
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Operación Overlord
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 38.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 21.704.844 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.202.108 USD
- 11 nov 2018
- Lordo in tutto il mondo
- 41.657.844 USD
- Tempo di esecuzione
- 1h 50min(110 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti