Elsa, Anna, Kristoff e Olaf si inoltrano nella foresta per scoprire la verità di un antico mistero che riguarda il loro regno.Elsa, Anna, Kristoff e Olaf si inoltrano nella foresta per scoprire la verità di un antico mistero che riguarda il loro regno.Elsa, Anna, Kristoff e Olaf si inoltrano nella foresta per scoprire la verità di un antico mistero che riguarda il loro regno.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 18 vittorie e 95 candidature totali
Kristen Bell
- Anna
- (voce)
Idina Menzel
- Elsa
- (voce)
Jonathan Groff
- Kristoff
- (voce)
Sterling K. Brown
- Mattias
- (voce)
Evan Rachel Wood
- Iduna
- (voce)
Alfred Molina
- Agnarr
- (voce)
Martha Plimpton
- Yelena
- (voce)
Jason Ritter
- Ryder
- (voce)
Jeremy Sisto
- King Runeard
- (voce)
Ciarán Hinds
- Pabbie
- (voce)
Alan Tudyk
- Guard
- (voce)
- …
Santino Fontana
- Hans
- (audio di repertorio)
Livvy Stubenrauch
- Young Anna
- (audio di repertorio)
Recensioni in evidenza
It's a sequel and as expected it's not as good as the first but Disney have created an outstanding film. Don't listen to the cynical reviews, the plot is no worse than the plot of the original and the movie features beautiful visuals and music with the same likeable characters.
Frozen II felt unsatisfying. There was lots of build up to a very short climax that felt way too easy and simple. I kept expecting another adventure which never came. The film feels short and unfinished. That said, the animation is absolutely gorgeous and I did find the film quite funny. If you go into this with low expectations I think you'll enjoy yourself.
The animation in Frozen II is stunning. The level of detail and flow is a triumph. The story, however, is preachy and forced. Anna is annoyingly controlling and overprotective. All of the songs are overwrought and not really memorable, and the characters sing a lot. No need to buy this one, one viewing is enough.
(This has a post-credit scene in case you're wondering)
The songs are great. Especially Kristoff's song, an 80's jam as Jonathan Groff would say it. Even the animation looks like an 80's music video which I find funny. Olaf's comedic skits are even funnier. For Into the Unknown, not as catchy as Let it Go but time will tell. The animation, the best. Elsa got even beautifuller. If you saw the water animation you would see *much* more of that. The story is bigger, questions are answered, but there are some points that look silly. The plot is predictable but personally I enjoyed it.
The only thing I'm having a hard time agreeing with is the ending.
The songs are great. Especially Kristoff's song, an 80's jam as Jonathan Groff would say it. Even the animation looks like an 80's music video which I find funny. Olaf's comedic skits are even funnier. For Into the Unknown, not as catchy as Let it Go but time will tell. The animation, the best. Elsa got even beautifuller. If you saw the water animation you would see *much* more of that. The story is bigger, questions are answered, but there are some points that look silly. The plot is predictable but personally I enjoyed it.
The only thing I'm having a hard time agreeing with is the ending.
Six years is not a particularly long time to wait for a sequel, but in the case of Frozen it is hard not to feel that the decision to return was totally motivated by money-making potential and not much else. Of course it is naïve to think that any sequel is made out of love for the audience etc and without money in mind, but usually it doesn't feel so brazen as this; and that impression is not helped by Disney digging up its own back catalogue to remake and resell them. In the meantime Frozen made over a billion dollars, with hit records, merchandise, stage shows etc, so the sequel was not a great surprise - but it is a bit of a disappointment.
The plot is the aspect that hurts it. It feels like it was written by a committee, and puts too much effort into keeping all the characters busy by giving them something to do. As a result the plot feels convoluted due to the number of threads that don't have direct relationship to one another. In addition, the threads themselves have a lot going on that is hard to translate for children - the link to past generations, the origin of powers; all sorts of things like this rob it of impact because it feels less smooth - you can hear the gears grinding as it moves along. There are several strong songs, not quite the strength of the first film but that was a high bar to clear. There are funny moments, but the whole thing does feel less 'fun'.
At the same time my reduced investment in the film meant it had less emotional impact; it doesn't take much for me to get choked up but nothing did anything for me in this one. It wasn't awful of course, just disappointing. It still offers the songs, the laughs, the spectacle but it does it in such a heavy-set way that it doesn't spark or feel organic as it does it - and as a result the feeling gets stronger that this is only really about squeezing more money from the audience.
The plot is the aspect that hurts it. It feels like it was written by a committee, and puts too much effort into keeping all the characters busy by giving them something to do. As a result the plot feels convoluted due to the number of threads that don't have direct relationship to one another. In addition, the threads themselves have a lot going on that is hard to translate for children - the link to past generations, the origin of powers; all sorts of things like this rob it of impact because it feels less smooth - you can hear the gears grinding as it moves along. There are several strong songs, not quite the strength of the first film but that was a high bar to clear. There are funny moments, but the whole thing does feel less 'fun'.
At the same time my reduced investment in the film meant it had less emotional impact; it doesn't take much for me to get choked up but nothing did anything for me in this one. It wasn't awful of course, just disappointing. It still offers the songs, the laughs, the spectacle but it does it in such a heavy-set way that it doesn't spark or feel organic as it does it - and as a result the feeling gets stronger that this is only really about squeezing more money from the audience.
The Rise of Evan Rachel Wood
Lo sapevi?
- QuizThe song used to call Elsa to the enchanted forest is a type of Scandinavian herding call called kulning. It was used briefly in the score of the first movie. In Frozen 2, the kulning central to the plot is performed by a Norwegian singer Aurora. The melody used for the kulning is the "dies irae," which, since the 13th-century (or sooner), has referred to the wrath of God's judgment on humanity.
- BlooperWhen Anna tells the Rock Giants to throw their boulders, the first one hits the middle of the bridge, but when Anna is running back to Kristoff and Mattias, that part of the dam is not broken.
- Curiosità sui creditiThere is a post-credits scene in which Olaf recaps the events of the film.
- ConnessioniEdited into Zenimation: Water (2020)
I più visti
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Dettagli
Botteghino
- Budget
- 150.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 477.373.578 USD
- Fine settimana di apertura Stati Uniti e Canada
- 130.263.358 USD
- 24 nov 2019
- Lordo in tutto il mondo
- 1.453.683.476 USD
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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