The Meddler

Marnie (Susan Sarandon) lives an empty life after the death of her husband Joey. His death left her with more money than she needs. She moved from New York to L.A. to be close to her TV writer daughter Lori (Rose Byrne) and her grand-doggies. It's a struggle to fill her days and she is constantly trying to get into Lori's life. She's even going to Lori's therapist. Lori is suffering about her ex Jacob and from Marnie's meddling. Lori travels to New York. Marnie promises to pay for Lori's friend Jillian (Cecily Strong)'s wedding. She gives rides to Freddy from the Apple genius store. She volunteers at the hospital. Zipper (J.K. Simmons) is a retired cop working on a movie set that Marnie accidentally works onto.

This actually works better after Lori leaves town. Marnie's adventures are fun. Jillian's wedding feels a little Bridesmaids. There is an overload of funny women but it's fine. Jerrod Carmichael is a fun little appetizer but the main course is J.K. Simmons. I actually missed these characters when Marnie goes to New York. I would rather have an indie about Marnie with Jillian, Freddy, and Zipper. It's a bit depressing without them and I can only take so much.

A quarter of a century ago, Susan Sarandon co-starred in Thelma & Louise (1991), still ranked one of the best feminist movies of all time. It sits in the pantheon of cinema greats because of how it combined the finest traditions of storytelling and movie making, and over-arched it with powerful messages about important social issues. Since then, Sarandon's name has been associated with a string of high production-value movies and great entertainment. In this context of high expectations, The Meddler (2016) is a disappointingly mediocre story about an irritating mother who farcically acts-out suppressed grief trauma following her husband's death three years earlier.

Marnie (Susan Sarandon) is a widow desperately wanting to be relevant in other people's lives as a way to avoid dealing with her own. Her husband left her financially comfortable and she likes spending money on others, whether it's a bag of bagels or paying for the entire wedding of someone she barely knows. Her daughter Lori (Rose Byrne) has relationship issues of her own and welcomes her meddling mother like a blowfly on a summer day. If that sounds like a thin storyline, several comic sketches flesh it out: like Marnie's serial visits to that helpful guy in the Apple Store; being "earth mother" for a lesbian couple's wedding; deciding what to do with her husband's ashes; and the teen-awkward steps towards starting a relationship with an ex-cop called Zipper. The 'world's most embarrassing mother' theme is squeezed for all its worth, but the endless texting, unanswered messages, and unannounced drop-ins are more wearying for viewers than for this mother-daughter duo. While buried grief lies somewhere in the deeper layers of this film, it is largely ignored or at best explored with casual superficiality.

Sarandon's acting repertoire means she can handle anything from slapstick to pathos, but she can only work with what she is given. It is a weak script, full of clichéd melodrama, tired gags, and feigned sentimentality. She is on-screen for most of the movie, staying in character as a constantly irritating person who is painfully lacking in self-awareness, or just not particularly bright. If it was directed as a serious drama, the central premise of the story might have led to a satisfying movie. But as a corny comedy, it denigrates the seriousness of its deeper themes and is more squirm-in- your-seat embarrassing than laugh-out-loud kind of funny. While this conclusion may speak against the critical grain, it comes from someone who still has Sarandon on a pedestal.

I am no fan of Sarandon the person, but her talent as an actress is undeniable. She shines in this movie and she is what makes it fun and enjoyable to watch along with J. K. Simmons.

I went into this movie thinking it was a mother/daughter movie, and in some ways it is, but mostly this is very much Marnie's story and how she deals with grieving the loss of her beloved husband and the daughter who keeps trying to put distance between them while Marnie keeps trying to close the gap all the while exploring other outlets for her need to nurture, help and move forward with her own life. It has comedic moments that are quite fun, but I would not label this a comedy. It is a light, fun, easy watch but still with plenty of substance.

Not everyone enjoys a character study movie, but if you do I think you will enjoy The Meddler.

"I think it's time we set some boundaries." Lori (Byrne) as been dumped by her boyfriend and is struggling with getting through the day to day grind of life. Things get worse when her overbearing and constantly there mother Marnie (Sarandon) shows up and tries to help. Eventually Lori needs a break and when she goes to New York for a job she tells her mother to stay. Without Lori to take care of Marnie finds ways to help others and, more importantly, herself. This, like many reviews, should be taken with a grain of salt. Mainly because I am a guy and this movie was not geared toward me at all. That said I didn't think the movie was that bad, but it was just nothing I could totally get invested in. Some of the scenes were funny, but Sarandon played the part in a way where it made me feel sorry for her more than anything. That may have been the intention but that is what I got out of it. Also, the movie is not what I expected. I was expecting something along the lines of a more serious Guilt Trip type movie, and this is more about Marnie finding what makes her happy. Overall, not a bad movie at all but, again, the movie isn't made for me. If you liked Hello, My Name is Doris you will like this as well. I give this a B.

What a delight to see a film in which an older woman is the central character. No coincidence then that the writer and director is a woman, Lorene Scafari who was responsible for "Seeking A Friend At The End Of The World".

The title is somewhat unkind to the well-meaning, if somewhat overpowering, Marnie, played wonderfully by Susan Sarandon who continues to shine brightly long after the days of "Thelma And Louise". In support roles, the beautiful Rose Byrne (first spotted by me in "Bridesmaids") as her daughter Lori and the gravel-voiced J K Simmons (fresh from his triumph in "Whiplash") as her knight in black leather are pitch-perfect.

This is a movie which is funny, moving and insightful - a rare treat.