Maharaj

I watched the movie 'Maharaj', it talks about a very old ritual called "Charan Seva" which is actually very unhuman and we are surprised to know that ritual still exists in different ways.

When some rituals who made by human become religion then majority of devotees accept and follow. Its very difficult to raise our voice against that types of unhuman activities.

How simple man named 'Karsan Dass' raised his voice against?

How to expose and deal with very old unhumnan ritual when all accepted already?

How to hold self believe when every one against with him?

This type of movie we require because some bad rituals still exists in every religion. So don't think that is only one religion problem.

All the department of movie like story, screenplay, Direction, acting are decent and yes because this is first movie of Amir Khan's son Junaid Khan so people's special eyes on this movie too.

The film was suddenly shown without any marketing for it, just some news about the participation of Junaid Khan, son of the star Aamir Khan, in the film, in addition to the battle between the film makers and the courts.

The film, from my point of view, is a Bollywood film with all the elements of enjoyable home viewing, but I was I hope that the film tends to narrate history and events in more depth, without songs, performances, and melodramatic dialogues.

The scenery and sets, the costumes and music, the cinematography and the direction, are all good factors in this film.

The acting is very good and a successful start for Junaid Khan, and I hope to see his upcoming works. The film is worth watching, but I expected it to be stronger than what I saw.

Maharaj is a pretty decent movie fitting for OTT release. It is well made and brings a real story based on a infamous landmark court case of the 19th century to the screen. Like most period dramas based on stories from 150+ years ago, it represents some fiction and some facts but the movie captures the main essence of the main story. The topic is handled delicately by the director even though the ending seems a bit filmy.

The highlight of the movie is the talented Jaideep Ahlawat who looks divinely evil with a chilling and charismatic smile as the movie's titular antagonist. He truly raises the movie with a very subtle performance. Junaid does a decent job as the movie's protagonist in his debut feature. There are some similarities in acting style with his superstar father Aamir but Junaid lacks the screen and vocal presence of his father. He is decent and does a good job in the movie but at this stage doesnt really sparkle as one would hope. It is still a grounded and well performed role in a serious drama. Only time and mainstream movies will tell if he is a commercially viable actor or a good character actor.

The other actors are decent especially Shalini Pandey who does a good job. Sharvari looks good and is pretty energetic but her role doesnt help the storyline a lot. The sets, design and costumes are pretty good for a period drama. Some of the dialogs are exceptional. The songs are average and actually not required for a movie of such a genre. Overall a decent watch but nothing great. The only 2 reasons to watch the movie are Jaideep Ahlawat for his towering presence and Junaid Khan for the purpose of sheer curiosity. 7/10.

I didnt like the Bollywood style, expected something more refined here since its a historical case. I really liked Junaid's acting at the court scene, somewhere in the middle of the movie he got totally absorbed by the character, and giving it a great finish.

I didn't like the Sharavari's character, was too 80s Bollywood flirty female. Loved the performance of the first actress.

Somehow Jaideep Ahlawat failed to impress me, this is the first time I must say.

Im glad though that this movie was made and really its required for people to understand how carried away they get by religion, customs and traditions.

After a court case and a string of controversies, the movie dropped on Netflix with minimal promotion. It is a story inspired by true incidents and a case that was widely discussed.

Based on the 2013 Gujarati novel by Saurabh Shah, Karan P. Malhotra's film presents a dramatized account of the landmark 1862 Maharaj libel case. Maharaj filed a defamation case against social reformer and journalist Karsandas Mulji, who exposed his sexual predations disguised as acts of faith.

The story could have been written better. Nevertheless, it keeps you engrossed throughout the narrative. It sets the premise, establishes the characters, and helps you understand the public's blind faith in a godman. The courtroom drama should have been exciting and nail-biting, but with excessive cinematic liberties, it feels highly unrealistic, and the climax takes away the punch it could have delivered.

Set in 1960, the production value is top-notch, making the story highly believable. However, the movie lacks the emotional depth it was supposed to create, failing to make you root for any character. The songs are average and forgettable.

Junaid Khan, son of Aamir Khan, debuts with this movie and was the worst choice for such a strong character. He maintains a single expression throughout the film. On the other hand, Jaideep Ahlawat as Maharaj steals the show. His acting prowess and physical transformation are remarkable, and his calm demeanor makes him both menacing and evil. Shalini Pandey is decent, and surprisingly, Sharvari Wagh, a recent favorite of YRF, has done well, nailing the Gujarati accent.

The film had so much potential with a better screenplay and a stronger lead, but the opportunity is lost. Watch it to learn about the real-life heroes of our country; otherwise, it is just a half-baked work. #pranureviews #Maharaj #MaharajReview.