Traceroute
- 2016
- 2h
VALUTAZIONE IMDb
6,4/10
1800
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA Personal Journey Into The Uncharted Depths Of Nerd Culture, A Realm Full Of Dangers, Creatures And More Or Less Precarious Working Conditions...A Personal Journey Into The Uncharted Depths Of Nerd Culture, A Realm Full Of Dangers, Creatures And More Or Less Precarious Working Conditions...A Personal Journey Into The Uncharted Depths Of Nerd Culture, A Realm Full Of Dangers, Creatures And More Or Less Precarious Working Conditions...
- Regia
- Sceneggiatura
- Star
- Premi
- 8 vittorie e 8 candidature totali
H.R. Giger
- Self
- (filmato d'archivio)
Kathy Acker
- Self
- (filmato d'archivio)
Blixa Bargeld
- Self
- (filmato d'archivio)
Recensioni in evidenza
Traceroute is an autobiographical film. You might even call it a cinematic essay. Johannes talks about his own past and future, but also the past and future of a class that is now dominating the globe: the nerds. There are many films for (and about) nerds out there, but this one is not about Superman and Star Wars and Donkey Kong, but science, politics, even sex. It is wonderful to see how candid the film approaches the subject matter. Being a nerd means: creativity, visions, openness to experimentation, subversion - and not only regarding program code and video games, but regarding society, values and ideologies.
I saw Traceroute as part of a lecture series about 'gender and tech.' I was skeptical first, but Johannes's approach is very compelling. His way of criticizing and questioning white male nerd culture (including himself) is spot on. Johannes is a political and artistic activist, and never forgets his agenda: societal change. The film presents a plethora of interesting debates and features exceptional people, and many interviewees are women/transgender (like Kit Stubbs and Sandy Stone).
I'm a musician, and there is one thing I absolutely HATE: careless, sloppy, unsystematic soundtracks, especially in documentary films. I know that it's hard to discover good music, but: COME ON! If it's true, Traceroute had a *total* budget of $15,000. There are no excuses anymore!
A great soundtrack is more than just a collection of great songs. A great soundtrack pulls a story along while somehow effortlessly blending into the background. The right one can help define a movie; a terrible one can ruin an otherwise decent film.
Traceroute relies heavily on its amazing soundtrack to convey the mood of childhood and rebellion, nostalgia and counter-culture, traveling and arriving. There's a retro-electronic vibe present in most of the tracks, but also classical music, and all-time favorites like Vera Lynn's 'We'll Meet Again.'
I'm glad the track list is here on IMDb. I need it for my own road trips!
A great soundtrack is more than just a collection of great songs. A great soundtrack pulls a story along while somehow effortlessly blending into the background. The right one can help define a movie; a terrible one can ruin an otherwise decent film.
Traceroute relies heavily on its amazing soundtrack to convey the mood of childhood and rebellion, nostalgia and counter-culture, traveling and arriving. There's a retro-electronic vibe present in most of the tracks, but also classical music, and all-time favorites like Vera Lynn's 'We'll Meet Again.'
I'm glad the track list is here on IMDb. I need it for my own road trips!
A geeky nostalgic road movie (get it? traceroute? trace/route? get it? hop hop? nudge nudge?) that follows a pretty crazy dude across a pretty crazy country.
'The United States' were really important to young Johannes when growing up in 1980s Krautlandia, so he pays a visit as a pop culture pilgrim. And while Johannes is covering a topic that has been covered a million times before, he brings originality to the film...lots of.
You will either really like this doc, or you will be cursing me for wasting 2 hours of your life. Oh well. I'm just sad that he didn't make it to Oklahoma City.
'The United States' were really important to young Johannes when growing up in 1980s Krautlandia, so he pays a visit as a pop culture pilgrim. And while Johannes is covering a topic that has been covered a million times before, he brings originality to the film...lots of.
You will either really like this doc, or you will be cursing me for wasting 2 hours of your life. Oh well. I'm just sad that he didn't make it to Oklahoma City.
I'm not much of a geek or a nerd but I love good films, especially when they take me places I'd otherwise not see or experience.
Johannes Grenzfurthner is a self-described lifelong nerd who takes us on an informative and humorous road trip across the US, visiting many of the sacred sites of Geekdom. Area 51! The JPL (uh, kind of)! The Very Large Array! And many more
From the West Coast to the East Coast, Johannes meets and interviews interesting and unusual people, among them a sex-worker nerd, a guy who designed and distributes an easy-access Geiger counter, a woman who sells Trinitite (look it up), a compulsive archivist/collector of obsolete computer equipment, and many more
Grenzfurthner was born in 1975, around the same time personal computing and digital tech was born. They grew up together, so to speak. Now that all of us are swimming in the deep end of this technological pool, who better to give us a personal tour back to our future(s)? If you're Johannes' age or older you'll enjoy the walk down memory lane. If you're a younger person you'll marvel at the primitive equipment that launched the Digital Revolution. And everyone will get a glimpse of Upcoming Possibilities.
The charm of TRACEROUTE is that the very likable Grenzfurthner keeps it playful, never taking his subject (and, more importantly, HIMSELF) too seriously. This is a fun and light-hearted nerd/geek road film you don't have to be a nerd or geek to enjoy, and if you're not careful you'll actually learn something.
Highly recommended.
Johannes Grenzfurthner is a self-described lifelong nerd who takes us on an informative and humorous road trip across the US, visiting many of the sacred sites of Geekdom. Area 51! The JPL (uh, kind of)! The Very Large Array! And many more
From the West Coast to the East Coast, Johannes meets and interviews interesting and unusual people, among them a sex-worker nerd, a guy who designed and distributes an easy-access Geiger counter, a woman who sells Trinitite (look it up), a compulsive archivist/collector of obsolete computer equipment, and many more
Grenzfurthner was born in 1975, around the same time personal computing and digital tech was born. They grew up together, so to speak. Now that all of us are swimming in the deep end of this technological pool, who better to give us a personal tour back to our future(s)? If you're Johannes' age or older you'll enjoy the walk down memory lane. If you're a younger person you'll marvel at the primitive equipment that launched the Digital Revolution. And everyone will get a glimpse of Upcoming Possibilities.
The charm of TRACEROUTE is that the very likable Grenzfurthner keeps it playful, never taking his subject (and, more importantly, HIMSELF) too seriously. This is a fun and light-hearted nerd/geek road film you don't have to be a nerd or geek to enjoy, and if you're not careful you'll actually learn something.
Highly recommended.
Lo sapevi?
- QuizThe pixel font used in the film is "Perfect DOS VGA 437" by Zeh Fernando.
- Curiosità sui creditiCredits list crew's "drugs of choice" (Ms. Marx: Nicotine - Mr. Codel: Caffeine - Mr. Grenzfurthner: Polydichloric Euthimal)
- ConnessioniReferences Frankenstein (1931)
- Colonne sonorePachelbel's Canon (Kanon und Gigue für 3 Violinen mit Generalbaß: PWC 37, T. 337, PC 358)
Written by Johann Pachelbel (uncredited)
Arranged and produced by Daniel Hasibar and Christian Staudacher
mixed and mastered at 4earstudios
(2015)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000 USD (previsto)
- Tempo di esecuzione
- 2h(120 min)
- Colore
- Mix di suoni
- Proporzioni
- 16:9 HD
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