Giant Little Ones

It never would have happened if we weren't wasted.

Just like in chemistry class at the start of the film, there's a lot of intense experimenting among the youngsters in this movie. Especially sexually. However, when this experimenting turns out bad for Ballas (Darren Mann), he starts losing his mind. Because it could be detrimental to his reputation as a tough stallion who prefers to brag about the number of times he did it with his girlfriend. His blood brother, friend for life and partner in crime Franky (Josh "Walking Out" Wiggins) suddenly becomes the feared enemy. Franky is treated as a purebred pariah whose proximity causes paranoid reactions. As if he's the carrier of disgusting STDs. From one day to the next, Franky belongs to the camp of the outcasts in a youth community where popular teens, who measure up to the ideal of beauty, are in charge and seem to lay down the standard rules for acceptance.

"Giant Little Ones" belongs both in the category of "Coming of age" films and the category containing films with a gay/lesbian theme. Now about that last item. The film deals with that topic in a clever way. And this by not explicitly revealing anything about the actual sexual orientation of the persons involved. At the end of the film, we still don't know whether Franky or Ballas should come out of the proverbial closet. And that makes "Giant Little Ones" a film that feels authentic. As in reality, some people need a lot of time to discover their sexual preferences. The only personage in this film who does this coming-out is Franky's father (a limited but defining role played by Kyle "Twin Peaks" MacLachlan). A situation that causes conflicting feelings for Franky. On the one hand, there is a love-hate relationship between him and his father. Its the opinion of Franky that Ray has disrupted the ideal family portrait and that he abandoned them. On the other hand, Franky starts to have doubts regarding his sexual orientation. There's the question of whether or not he has inherited genetic material from his father.

The whole fuss starts when Franky and Ballas go to bed and sleep there together after a hellish birthday party, during which excessive alcohol and probably other mind-altering drugs are consumed. Initially, it all looks like a perfectly normal idea. Two friends sleeping in the same bed. Although, they both are in a questionable state. And all this because the plans Franky had with his so-called girlfriend Priscilla, failed that evening. That's why they ended up together, instead of fooling around with their girlfriends. Anyway, it's abundantly clear that their friendship reached a completely different level that evening. Blurred images of someone tossing and turning plus one of the two fleeing the scene early in the morning, are both good indications to back this up. When afterward Ballas takes a distant demeanor (or even better, an aggressive, hostile attitude) and visibly doesn't want any contact with Franky anymore (and other fellow students as well.

Josh Wiggins' acting is outstanding. A fresh young man who on the one hand effortlessly is invited to the club of popular boys and at the same time has an attitude as if this reputation doesn't really interest him. Darren Mann also played a convincing role and was the perfect choice to play the role of Ballas. He has a charisma that fits such a guy who makes peers' lives miserable because they are less fortunate when it comes to appearance and heritage. Such a kid who must uphold his reputation with his fellow confreres and therefor degrades himself to harassment and play that annoying tough-guy routine. And of course, such a person is idolized by members of the opposite sex who practice the same standards. Let's try and describe such a girl. A blond bimbo with a shockingly low IQ whose sole purpose in life is to open her well-shaped, slender tanned legs wide open as quickly as possible in such a way that this popular jock can get his kicks. A victory for the young lady in question whose reputation goes sky-high among like-minded female souls. And finally, I think Taylor Hickson's role was the most moving.

Visually, "Giant Little Ones" isn't really spectacular. But narratively speaking, it's an excellent, almost brilliant film. The film shows how fake a part of American youth is. A plastic payment card has more character and charisma than most of those mannequins from posh circles. Not only these cartoonish fake persons with their derogatory and homophobic behavior are being presented here. But also those who stay true to themselves, are put in the spotlight. The message "Be yourself" is extensively displayed here. The hilarious lesbo Mouse (Niamh Wilson) in particular loudly proclaims this message by doing things the way she likes it. "Giant Little Ones" has both emotional and funny moments. And what it mainly did, was surprise me. In a positive way, that is.

More reviews here: movie-freak.be

A film about the fluidity of sexuality and how modern society should not put labels on everything and everyone. While there's nothing wrong with the acting, directing, or production values; the writing however is a little too safe, and tries too hard to please everyone, and it sure will as in this case playing too safe is a winning card. Pretty solid movie about friendship, parenting, and social acceptance of ''atypical'' sexuality people are avoiding to talk about or deal with in real life.

Unsentimental and smart portrayal of what happens in your upper middle class suburb when your alpha bff and high school swim teammate gets wasted one night and goes down on you, and you're pretty much ok with it but he can't deal with it. No maudlin cliches here, no soft core exploitation. The boys (20-ish performers playing 16 - 17) are preternaturally beautiful and very good actors, and that is enough -- intelligent suggestions of sex, locker room nudity, etc keep us in the story, and serve to evoke in us a sense of the reality of lust and sexual tension better than any literal exhibition of their flesh, or graphic erotic simulations ever could -- while at the same time the film is not at all coy about the fact that it is about the vagaries of adolescent attraction, both physical and emotional. It's kind of like an extended DeGrassi episode minus the lovable stupidity, and with a high degree of realism. This is evolved, aware film making -- not epic in scale like BROKEBACK, it only plays a few notes, but plays them very well. The actors never fail us -- the leads as well as those playing the parents and siblings, who thankfully are fully realized and have their own individual character arcs. Josh Wiggins in the lead, suggests a mix of young DiCaprio and young Matt Damon in looks, skill, vulnerability and honesty. Darren Mann as his troubled friend alternately broods and explodes like a young Brando. The two convey a deep, unexamined connection, fueling the action of the piece. A seasoned Kyle MacLachlan as an estranged gay dad mines subtle acting gold from an almost too-saintly deus ex machina voice of reason role. Everybody is good in this, without exception. All that and a comic nonbinary pal struggling to find the perfect prosthetic to stuff in their pants . . .

This ONE was a tough one to watch. A GIANT tear-fest, if I may.

Yeah, I spent a good 80% of this movie experience in tears. It's a hotspot with me to see gay-bullying or shaming. I grew up with this and saw it and experienced it and want to strike back. But what this character had...what I never had: people around him who experienced this before or would understand.

What a refreshing take! Being sexual isn't one-sided. Here, the message is: Be WHO YOU ARE. Not one labelled sexuality. People shouldn't be told they 100% fit in this box or that one. There are 100s of boxes out there. Be Who You Are.

I digress. Best buds for most of their lives, now in High School, discover they have a thing for each other despite their current opposite-sex relationships. Well, homophobia's not going away any time soon, sadly, so tension arises at school and in their personal life.

Teens have so much to deal with and sexuality is a big part of it. Mercifully for our lead Franky here, he DOES have people to talk with about what he's going through. He is lucky, more than he knows. Not many of us do or did.

The movie is beautifully shot, incredibly acted and perfectly realistic. I never once was taken out of this picture as I saw ALL of this as real. Hence all the tears and remembrances of said bullying, mocking and homophobia. It's SO sad this still takes place. I pray it'll get better as we progress as a human race.

Add all that with a fantastic soundtrack and you have a 100% recommendation from me. I am so happy sexuality has evolved to more than one or the other and this movie will give hope to those more curious to who they are.

***

Final thoughts: I'm so envious of Franky, even though the character never fully appreciated it. He had his actual gay father for help. I never had anyone. My church was against me. Society was against me. I never knew anyone gay or non-straight. And my parents were certainly against me. They kicked me out of their house TWICE for being gay.

So, if you have someone close to you who understands, consider yourself lucky. But, if you don't...I'll be there for you. It's the VERY least I can do.

Its basic virtues - the performances, the dialogue, the build of story. And the realistic portrait of teenagers. The vulnerabilities, the ambiguities, the selfishness and self discover, the characteristics of relations, the love levels, the fair perspective about thrill and seduction, the public image, the parents and the fight to be yourself, the incident and real life and, not the last, the perfect music. A film about a state of soul.