Amleto

Benedict Cumberbatch asked Lyndsey Turner to direct his "Hamlet," the most talked-about production of the London 2014-2015 season. A live performance was filmed and shows up in movie theaters as part of the National Theatre Live broadcasts.

This is its third time being shown in theaters across America; the reason for that is that it's the most successful of the series. 200,000 people saw the first showing. Cumberbatch in "Frankenstein" often returns as well. So we know who the draw is, and why it sold out in London even faster than Beyonce and JayZ.

There is no correct interpretation of Hamlet, there is only what you prefer. I have seen this production three times - once in London and twice in the Royal National streaming. I've seen Ralph Fiennes, Laurence Olivier, Kenneth Branagh, and Michael Benz all take on the Bard. Michael Benz appeared with five other people on a bare stage for one of the best Hamlet productions I've ever seen. It certainly mined all the tremendous humor, was devoid of angst, and had a very young Hamlet who saw getting the "conscience of a king" as an adventure.

If that production with Benz proved anything, it was that you can do Hamlet successfully with a chair rather than the huge, dark set used in the Barbican production.

To say that this Hamlet was overblown, badly cut, and poorly directed are all understatements. Why Cumberbatch asked for Turner is an unknown. The play was cut so that he was isolated from the rest of the cast most of the time, so, though he was brilliant, athletic, and passionate, we really didn't get to see much interplay with other characters. The result? We lost part of what would have been an even more phenomenal performance.

Someone here posted that Cumberbatch ran a close second to Richard Chamberlain, whom I also saw as Hamlet in another cut version. To me there is no comparison. My acting teacher used to say that you have to play a part and not become too generalized in your choices. Seeing Chamberlain on stage, though I like him and grew up watching him, he is too generic in his choices. Cumberbatch never generalizes; he is always on point with the character he is playing.

The other problem with the production was that it was hard to tell what the time period was - Hamlet always seemed modern, Gertrude like something out of the 1940s, and her husband (Ciaran Hinds) Edwardian. Horatio (Leo Bill) had tattoos on every part of his body.

Other than Cumberbatch, the acting was so-so. The actress playing Ophelia (Sian Brooke) was annoying, which probably had to do with the way the role was cut, and, in her hysteria, hard to understand. Jim Norton was a good Polonius, and Karl Johnson as Hamlet's father's ghost and the Gravedigger was excellent. Ciaran Hinds and Anastasia Hille as Claudius and Gertrude turned in good performances.

Seeing this on screen is actually better than seeing it in the play because while Turner had no idea where the focus was supposed to be on the stage, the cameraman did. And sorry, but whose idea was it during the tell-all play to have Claudius with his back to the audience? Great way to see his reaction.

Sadly, Morag Siller, who played Voltemand, died six months after the end of this production, at the age of 46.

If it comes to your neighborhood, definitely see it for Cumberbatch - to hear Hamlet spoken in that voice is a wonder indeed.

Once more a thrilling and intense performance from Cumberbatch. A perfect reincarnation of the master of theater, amazingly performed by an impressively convincing cast. A fantastic immersion from all the actors and for every audience. An absolute must-see for any amateur of Shakespeare.

Cumberbatch is an incredible actor and does a typically sound job here. However, he is not the perfect Hamlet. Despite the huge amount of energy he invests into this role (you can literally see the sweat dripping), it is too fevered energy and he never slows down enough to make himself truly vulnerable and open to the hopelessness and existential torment that Hamlet endures. Nevertheless it is a very good version and the National Theatre's excellent stage production is as good and enjoyable to watch as ever. Where this play excelled above any other versions is in its Ophelia. Sian Brooke broke many hearts in the audience, but it was her performance combined with the extremely moving and powerful staging which makes this one memorable and worth watching again.

Once upon a time people started to like theatre again. In our days we can see real theatre in cinemas. British spectaculars with famous actors. What could be better? Hamlet with Benedict Cumberbatch become new experience for me. Good old tragedy of Shakespeare is actualized by modern suits but original text is like in old times. There're a lot of decorations but stage lighting is too dark. Because of it spectacular makes feeling of a very minimalistic staging. It gives a chance to Benedict Cumberbatch to jump through a fire ring with "to be or not to be". And Cumberbatch is still most famous british actor of our days. Robin Lough in his spectacular uses minimalistic entourage very carefully with hard metaphores. Robin plays with Shakespeare in Time. Time is spending, books becames older but Wiiliam is eternity

I suppose, each great actor deserves his Hamlet. Or his Claudius ( I admitt, I loved the performance of Ciaran Hinds ).

But , in this case, not only a good actor becomes the prince of Danemark . The name of Benedict Cumberbatch is enough for high expectations and for the desire to discover , in a form of other something too easy called as...originality.

And , indeed, he gives that in admirable manner.

But his Hamlet has the gift to be the precise piece of play mechanism, remembering the last moments near stuffs of lost ages, the loneliness - when the cast is in shadow- , the presumed introduction to play for young public, grace to impecable work with lines of Cumberbatch. It is a beautiful mechanism this version, provocative and proposing just fair work. And, I believe, exactly this detail makes more than interesting this version.

Because , from prop to light , all works in honest way to define not a story, too familiar for viewer, but the fair state . And this is a real virtue.