Anna Fritz, attrice famosa e bellissima, è morta di recente. Tre giovani si intrufolano nell'obitorio per vederla nuda, affascinati dalla sua bellezza.Anna Fritz, attrice famosa e bellissima, è morta di recente. Tre giovani si intrufolano nell'obitorio per vederla nuda, affascinati dalla sua bellezza.Anna Fritz, attrice famosa e bellissima, è morta di recente. Tre giovani si intrufolano nell'obitorio per vederla nuda, affascinati dalla sua bellezza.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
- Celador 2
- (as Danel Aser)
- Locuciones
- (voce)
- Locuciones
- (voce)
- Locuciones
- (voce)
- Locuciones
- (voce)
- Locuciones
- (voce)
- (as Aurora Redon)
- Locuciones
- (voce)
- Reporter
- (non citato nei titoli originali)
Recensioni in evidenza
I wasn't exactly sure where they were going to go with the film after everything promised in the synopsis had happened in the first 10 minutes. Then along came a very disturbing and well directed scene (which I won't spoil for you) that changed everything. From there it becomes a pretty tense and effective little thriller where you are never quite sure what is going to happen next. I would describe it as a lonely film, there aren't a lot of characters or even extras at any stage. The acting I would have to say was quite impressive from all involved and all in all I'd describe it as a very watchable little flick. Give it a look if you happen upon a copy of it.
Three friends end up in the morgue, alone with her corpse. Though there are brief and glossed over moments of ethical struggle before things get down and dirty, the characters are one-dimensional and serve a distinct purpose in the story. There's the moral compass, the antagonist and the spineless coward. While certain moments could have been more tastefully done, the film does raise questions on whether there is a grey area between right and wrong. In the hands of another team, this could have been a film further beyond our comfort zones that delved into its meaty themes of moral conflict, the ethics of necrophilia, the difference (if any) between the ownership of one's body before and after death and the repercussions of celebrity idolisation.
To be fair, the film does do something different in terms of the way the story shifts focus and evolves with its turns. The acting is fine but not entirely convincing, with Ribas being the stand out.
For a second I had thought that the film would end without its final twist, which was preceded by a intense escape sequence that's noteworthy. This would have been a subversive choice but would probably feel out of place given what they were going for: an entertaining, if predictable, midnight movie that's safe and thus more satisfying.
Now one of the three has some common sense. Not just some, but enough for all 3 of them and therefor can be excused to a degree. The things that happen do make sense. Even the really abhorent acts in it. Some are tough to watch to say the least. I know some will have the same excuse as the two characters, but if you look inside yourself you should know it is just plain wrong.
Having said that, the movie develops quite the tension and quite the suspense that does carry through to the end. Spanish thrillers have really found a niche and place for themselves and this is just another one of those. Very well made to say the least
quite believable other than a couple of moments but other than I quite enjoyed it x
Lo sapevi?
- QuizThis film was very popular in Turkey sparking illegal downloading of it 5-7 million times.
- BlooperPau pulled his trousers down to prepare himself for penetrative sex on Anna's corpse but when he freaked out after bringing her back to life, his trousers appears to be back up to his waist especially during penetrative sex. When he has risen up, he pulled them back up.
- Citazioni
Iván: I bet you got her naked.
Pau: No.
Iván: Yeah, right. You only took a pic of her face.
Pau: Yeah, the one i sent you.
Javi: I bet you peeked at her tits, pervert.
Pau: Yes. You wouldn't have done it?
Iván: ls she still in the hospital?
Pau: Until tomorrow. ln the mortuary. Wanna go?
Iván: Pack up. Let's go see her.
- ConnessioniReferences The Apprentice (2014)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- The Corpse of Anna Fritz
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 62.886 USD
- Tempo di esecuzione1 ora 16 minuti
- Colore
- Mix di suoni
- Proporzioni
- 16:9 HD