Porto

RIP Anton yelchin untimely death. It was not a movie but a scene. Extended. It was not a story. Didn't like it.

I admitt - I saw this film especialy for Anton Yelchin. and this motif whas enriched by each scene. because "Porto" is a love story but so special, poetic, delicate , unconventional, old fashion, fascinating, lirical , than it is more than one of many stories about love. because to defines it as an old fashion love film is wrong. it is a subtle, precise and real rare exploration. of yourself. old romancies. people across your life. links who, after decades, remains unique and precious and defining everything from you are. "Porto" is a story about states. as magic expressions. and it is enough. for write a deep trait. in your memory. sure, like others films in which Anton Yelchin gives admirable roles.

Very predictable art movie. Since it lacks a real script, it settles instead for artsy ramblings on life and love. The director doesn't do the actors any favors, as this clunker hinges on the performances of the two leads, who, although coming off great, don't manage to have us emotionally involved. Clocking in at only 75 minutes, it still manages to be tedious and overlong, and comes off as a great student short film that was unfortunately stretched out to a feature length.

Anton Yelchin does a lot with the material he is given, and his heartbreak is almost palpable, although the viewer has no idea where it's coming from. The female lead is also good, playing off of Yelchin rather well. The only other redeeming quality are the vignettes of Porto that populate the film, and show the city in the most beautiful light possible (spoken as someone who lived there).

Liked: the photography Yelchin's performance Porto

Disliked: The script The story The pacing The editing The music (although beautiful it was far too intrusive)

At no point in your rambling incoherent movie were you even close to anything that could be considered a rational thought everyone is now dumber for having seen this, I award you no points and may god have mercy on your soul.

After hearing of one of my favorite actor's, Anton Yelchin, passing - I was devastated. I wanted to watch what he had left to be seen beyond his death, film wise.

This was the final movie he filmed before his passing & was just now able to view it, after waiting almost two years.

It is a simple glimpse into a single night, shared between two lovers. It gives a view from each perspective, both before and after their passionate night, and shows how a single night can leave a lingering effect on the heart and soul. Some loves are meant to last and some, like theirs, never gets to live beyond a night. There are no special effects, CGI, or drawn out plot points, which is why this movie communicates more in its hour and ten minute (not including credits) than the standard Hollywood fare.

Created on actual film stock vs. the standard digital format, it gives it a more timeless feel and gives it more warmth. Not to say this is a warm movie - it is heartbreakingly beautiful in its tone and content.

As a fan of Richard Linklater, it reminded me very much of Before Sunrise, but without near as much dialogue. It is also works well as a final goodbye from a tremendously talented actor, who was taken from the world way to soon.