Gli artisti di tutto il Regno Unito si riuniscono per competere per chi ha il miglior ritratto originale di celebrità.Gli artisti di tutto il Regno Unito si riuniscono per competere per chi ha il miglior ritratto originale di celebrità.Gli artisti di tutto il Regno Unito si riuniscono per competere per chi ha il miglior ritratto originale di celebrità.
- Nominato ai 1 BAFTA Award
- 1 vittoria e 2 candidature totali
Sfoglia gli episodi
Recensioni in evidenza
I just started watching this series. I agree with messkimo, the judging is frustrating, and I find the presenters irritating and ignorant. I enjoy watching the artists so much that it all even's out. But if they think about doing another season, how about no judging, no commenters, focus more on the artists. If you need an evaluation bring Tai back and another artist. Curators, gallery owners, committee members are useless.
Such an interesting show, but I'm so frustrated watching the judges. They purposefully overlook artists who actually know how to paint as if knowing how to paint in a painting competition is a detriment. It's embarrassing. It's shameful. It's snobbish. It's BS.
We're not in the 60s anymore. Not one word said about light, composition, color choices and harmony, depth, or gestalt. They choose tiny figures painted on otherwise big, empty canvases, giant heads, and very unfinished works asking, "What would you have done, if you had time to finish it?" WTH? How about picking one that's closer to finish so you can see what that artist did, not postulate on what the other artist might have done? JHC.
A painting competition should be judged by painters! There are some very talented artists on this show who work in very diverse styles. They deserve to be seen and not tossed aside as "academic" or "sweet" simply because they know how to paint and draw. Using those terms to disregard a work, especially when it doesn't even come close to applying, is so passe', so cliche', and shows absolutely no imagination, no talent, and displays extremely lazy judgment.
We're not in the 60s anymore. Not one word said about light, composition, color choices and harmony, depth, or gestalt. They choose tiny figures painted on otherwise big, empty canvases, giant heads, and very unfinished works asking, "What would you have done, if you had time to finish it?" WTH? How about picking one that's closer to finish so you can see what that artist did, not postulate on what the other artist might have done? JHC.
A painting competition should be judged by painters! There are some very talented artists on this show who work in very diverse styles. They deserve to be seen and not tossed aside as "academic" or "sweet" simply because they know how to paint and draw. Using those terms to disregard a work, especially when it doesn't even come close to applying, is so passe', so cliche', and shows absolutely no imagination, no talent, and displays extremely lazy judgment.
I have always loved portraits and to see them emerge as the show goes on is fantastic. It's formulaic but fun, love the judges. Don't always agree with their choice but that' art for you...... binge watch during lockdown
This is one of the most enjoyable shows on TV. It's fascinating to see how the pictures develop over the four hours and the different techniques by the artists. The celebs being painted are also part of the enjoyment and the two presenters are excellent. It's only let down by the judges who don't seem to like realistic portraits and often choose one of the worst to go through because it's wired or different. I know art is subjective but they seem to forget that people who commission portraits want a picture that actually portrays them and look like them. The sitters almost always make better choices and the show would be better if they got rid of the judges and let the sitters decide who goes through.
I thoroughly enjoy watching this programme; it is fascinating to watch each artist's work evolve and thrilling to view the three finalists work on their commission pieces. However, I am in agreement with Frank Skinner in my tendency to disagree with the judges. I'm becoming increasingly frustrated with their decision making and choices, particularly when selecting the overall winner. 2018 is a perfect example; there were were two clearly strong, talented artists who produced exemplary portraits that literally took my breath away. As usual, the weakest portrait and accompanying commission piece was chosen. What's more, the selection of mediocre artwork is becoming too predictable. It's disheartening!
Lo sapevi?
- ConnessioniReferenced in Good Morning Britain: Episodio datato 23 gennaio 2018 (2018)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How many seasons does Portrait Artist of the Year have?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Portrait artist of the year
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 55min
- Colore
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti