John Wick - Capitolo 2

The first John Wick film took me by surprise; it was a cartoonish action film that was surprisingly brutal in its content, cruel in its delivery, and had a real punch to it. All of it existed inside a world that convinced in its own logic, even if it was clearly fantasy. John Wick 2 doesn't have the ability to sneak up on me unannounced, which does work against it, but this is not what hurts it the most.

The second chapter of what at least looks like being a trilogy, is slick and very well put together. The locations are brilliant (whether a roof garden or a larger location), the fight scenes have great choreography, and after a slow first 20 minutes it does have a great pace. But yet I found myself watching it much more passively than I had with the first film. This sense of being detached came from a couple of places. The first was that the plot did not seem as organic as the first – the violence that draws Wick deeper seems to occur just for the sake of making the film happen (which is of course true, but it doesn't try to hide it). This reduces the investment and stakes, so rather than being drawn in, I just sort of accepted it because I know where it was going.

The second thing that kept me out of it was related to this lack of investment – which is that the film's lack of realism is all the stark. I do not mean that the film needed to be a kitchen-sink drama, but rather that the film cannot sell this world to the viewer. In the first I could go with this shadowy world on the edges of ours, with the idea that it developed its own rules and norms; here though it seems everyone is a hired killer, and those in charge have total power and huge organizational skills. The use of this doesn't seem worth the cost of doing such things – for instance suggesting everyone in a massive crowd is in the employment of one person and can act with the slightest nod just seemed silly and not to add value. This excess infects the action – it is overblown but could have been strong enough to engage had it not been that the majority of the film is so silly in how it works. I read Theo Robertson's user comment on this one and I think he nailed it when he said that the film could easily be in the Matrix universe – at least this would make the nonsense here ring true.

This limits the film, but doesn't stop it being enjoyable. The action is slick and consistent, the style and gloss of all the moments are enjoyable, and the starry cast are mostly pretty good. Reeves is good value and does great physical work, and the supporting cast has plenty of famous faces – although some of them are distracted by their volume, or by virtue of not being well used (Fishburne is probably the one that we could have done without). So JW2 is a slick action flick, but not as good as the first film, nor as good as everyone tells you it is. The ending suggests the third film will be on an even bigger scale, with Wick literally taking on the whole world, which will probably only serve to remind me how good the first one was when it was one man seeking revenge on another for the death of his dog.

I felt the brilliance of the first film was found in the under lying mythology of the Continental Hotel, the coins, the laws/culture between the Reeves and some of the smaller parts (police official / bartender etc). As such I hoped that in the second film this would be continued; I wasn't disappointed.

The film continues from the first film with a great level of balance. Respecting the first film and allowing a 2-hour film to have its own identity without dragging was a challenge that was met well. The Laurence Fishburne element and the subsequent ending allow a great opening for another film.

Another strength of the movie is that the John Wicks character (like Neo i) is so well suited to Keanu Reeves. He is the strong-silent type and it feels Chad Stahelski, the Director, glorifies this and uses it to move the story forward. He gives you the same in an enhanced but similar format.

Loved : Lance Reddick as the Hotel Manager / Ruby Rose and the signing stuff Note: If you don't like people being shot in films – this is not the film for you!

"John Wick: Chapter 2" (2017 release; 122 min.) continues the 'adventures' of former (?) hit man John Wick. As the movie opens, we are immediately thrown in the middle of a car vs. bike chase, and next thing we know, we find our man retrieving his beloved Mustang from a chop shop in NYC, but not without cars flying about, and dozens of dead or wounded bodies. And that's all in the pre-opening credits! As the story unfolds, Wick, who wants "out, is nevertheless forced back "in" when an Italian baddie calls in a favor and Wick has no choice but to accept. To tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: director (and former stunt man) Chad Stahelski returns at the helm following the surprise success of the first John Wick movie, and once again delivers a highly stylish and ultra- violent action movie. When you watch the opening car chases (yes, in plural), it's like watching a synchronized ballet performance. I would not go as far to say that the story line doesn't matter, it does to a degree, but let's be honest: the reason we are there is to watch the car chases and the shoot-outs and the almost cartoonish level of violence that is so over the top, you can't help but laugh at it. Stahelski's thinking must have been: "when in doubt, (i) throw more bodies at it, and (ii) keep the focus on Keanu Reeves". Reeves is cold as ice in the best possible way, and it suits him perfectly in the film. Laurence Fishburn plays a small role (as another baddie) and the scenes where Reeves and Fishburn appear together are their first joint scenes ever since the Matrix Trilogy, if you can believe it. I couldn't believe how quickly these 2 hours flew by and I'm not spoiling anything when I tell you that the movie's ending sets it up nicely for a Chapter 3 in a couple of years. Count me in!

The movie opened wide this past weekend, and the Sunday matinée screening where I saw this at was absolutely jam-packed, somewhat to my surprise. Did I mention this movie is ultra-violent? And that it's rated R for good reason? I was outright dismayed to see how many small kids were in the theater. In the very row in front of me, there was a couple with three small girls, I'm guessing ages 5 to 7. What are these people thinking?!? Meanwhile, for us grown-ups, if you liked the first John Wick, you are more than going to like this sequel, you are going to LOVE it, be it at the theater, on VOD or eventually on DVD/Blu- ray. "John Wick: Chapter 2" is a WINNER.

I mean. This literally is what is says on the tin. It's jam packed with action and I love it.

The plot is easy to understand and the action shots are brilliant. So much bloodshed, guns, fighting, killing and more guns. Did I mention guns? It's just a nice, easy and fun watch. I recommend watching the first if you haven't already, but yeah I'm impressed by the sequel.

Usually with action sequels it can be a bit dull and repetitive, but this ramps up the action from the first film.

But yeah, 8/10 from me today. Enjoyed my time watching this, I'm going to jump into the third one now.

Just as I was late to the first part, it took me a while to watch this second one.

They always say sequels are never good, and that's generally true. In the case of "John Wick 2," let's just say, not so much.

It's a good sequel; it's not better than the first. I think it's the weakest of the four so far, but it still stands out and shines.

It's in this film that the lore of the saga expands greatly with the concepts of blood debts, the "High Table," and concepts like "Ex-communiqué" at the end.

It also introduces new and interesting characters like Xantino, who drives the entire plot, and especially Lawrence Fishburne as The Bowery King, who will become a recurring character in this saga.

There's no shortage of action; here, a great improvement in the choreography is noticeable, although I feel the plot and script are more simplistic.

The intention here was clear: to generate more and more "John Wick" and exploit the franchise to the fullest, the latter undoubtedly very successfully.

In short, a transitional film, weaker than its predecessor but still with very high points and concepts.