VALUTAZIONE IMDb
6,9/10
14.902
LA TUA VALUTAZIONE
La vera storia del clan Puccio, una famiglia che ha rapito e ucciso persone negli anni 80.La vera storia del clan Puccio, una famiglia che ha rapito e ucciso persone negli anni 80.La vera storia del clan Puccio, una famiglia che ha rapito e ucciso persone negli anni 80.
- Regia
- Sceneggiatura
- Star
- Premi
- 15 vittorie e 38 candidature totali
Santiago Privitera
- Eduardo Aulet
- (as Juan Santiago Privitera)
Tomás De Las Heras
- Benito
- (as Tomás de las Heras)
Recensioni in evidenza
Greetings again from the darkness. It seems inherent within human nature for kids to want to make their parents happy and proud. Most of the time the reverse is also true: the majority of parents want to be good role models for their kids. However, when the latter is not true, things can get pretty ugly
even frightening. Such is the case with the real life story of the Puccio family in Argentina.
Acclaimed Argentinean director Pablo Trapero (Carancho, 2010) gives us a look at the Puccio crime family, and in the process draws parallels between the political turmoil and re-structuring of Argentina as it returned to a democracy in the early 1980's.
The façade of the happy family makes for perfect public cover as horrendous crimes are perpetuated often in the basement of the family home. Arquimedes (Guillermo Francella, The Secret in Their Eyes 2009) is the father who often seizes on the celebrity of his rugby star son Alex/Alejandro (Peter Lanzani) to catch their victims off-guard. The family Modus Operandi is pretty simple: kidnap-collect ransom- kill. Arquimedes was known for his hospitality, often offering home-cooked meals to the victims as they were chained in the family basement. Quite a contrast to the brutality involved in the crimes.
The film raises many questions, and makes us wonder where the line of guilt is drawn between committing a crime, and simply looking the other way. It's presented as if Alex felt compelled to support his father's endeavors even though it caused major internal struggles for him. Certainly the mother/wife (an excellent Lili Popovich) made the conscious decision to do what was necessary. It's especially unsettling to see Arquimedes helping his daughter with her school work, while the most recent victim is shackled in the cellar.
As Argentina's Oscar submission for Best Foreign Language film, it didn't make the final cut, but it's absolutely at the level of the five nominated films. Fans of Scorcese and Coppola crime films will see the influences, and the film rates with such crime gems as A Prophet (2009) and Animal Kingdom (2010).
Acclaimed Argentinean director Pablo Trapero (Carancho, 2010) gives us a look at the Puccio crime family, and in the process draws parallels between the political turmoil and re-structuring of Argentina as it returned to a democracy in the early 1980's.
The façade of the happy family makes for perfect public cover as horrendous crimes are perpetuated often in the basement of the family home. Arquimedes (Guillermo Francella, The Secret in Their Eyes 2009) is the father who often seizes on the celebrity of his rugby star son Alex/Alejandro (Peter Lanzani) to catch their victims off-guard. The family Modus Operandi is pretty simple: kidnap-collect ransom- kill. Arquimedes was known for his hospitality, often offering home-cooked meals to the victims as they were chained in the family basement. Quite a contrast to the brutality involved in the crimes.
The film raises many questions, and makes us wonder where the line of guilt is drawn between committing a crime, and simply looking the other way. It's presented as if Alex felt compelled to support his father's endeavors even though it caused major internal struggles for him. Certainly the mother/wife (an excellent Lili Popovich) made the conscious decision to do what was necessary. It's especially unsettling to see Arquimedes helping his daughter with her school work, while the most recent victim is shackled in the cellar.
As Argentina's Oscar submission for Best Foreign Language film, it didn't make the final cut, but it's absolutely at the level of the five nominated films. Fans of Scorcese and Coppola crime films will see the influences, and the film rates with such crime gems as A Prophet (2009) and Animal Kingdom (2010).
Wow, i just got back from watching this one at the cinema, here in Argentina and i will say that the hype matches the movie! The movie portrays a dark time in Argentinian history. Just after the dictatorship of Vidella had ceased, the country was rebuilding, however scraps from the dark days were still around, in particular associations that specialised in kidnappings back in the day. Looking to continue their business, they were offered protection from parts of the military, and "El Clan" depicts the story of the Puccio Clan. A family who kidnapped and killed many people in the 80s. Pablo Trapero is a household name amongst Argentinian cinema, so it wasn't a surprise that he chose such a disturbing story, as his other films have taken on similar dark tones. This movie wreaks of quality. From the very haunting imagery, to the authentic 80s soundtrack, to the phenomenal acting from Argentine comedian Guillermo Francella, all of these elements combine with the very disturbed story, to make a movie that catapults Argentine cinema to the front runner in the Latino area! Shocking violence along with the disturbing elements of human behaviour elevates this movie beyond an easy viewing experience, but if you are prepared to delve into a very dark, yet intriguing story, then you will come away from "El Clan" very satisfied!
A few years back, I was advising a Francophile mate of the virtues of the wonderful French comedy, The Intouchables. I mentioned also that the subtitling was superb. 'How would you know?' he asked, aware that I had but a smattering of schoolboy French. I explained that the grammar and syntax was perfect, and colloquialisms clearly caught the spirit of the piece - you simply forgot you were reading script, allowing you to concentrate on the visuals.
Sadly, the taut Argentine crime thriller,The Clan, looks as if it's been subtitled by a dyslexic alcoholic using Google translate. It was extremely frustrating. I was clearly watching a very well made film, based on real events, about a Mafiosa-style family engaged in kidnapping and extortion; this was at a time, the 1980s, when the government was up to similar tactics - many dissidents simply disappeared. Keeping Police and officials sweet, the family could act with near impunity.
Everything about the film - its story, pacing, acting, direction was top notch. But the constantly poor subtitling proved too great a distraction and detracted from the film itself.
I can recommend the film without hesitation to any fluent Spanish speakers among you.
Sadly, the taut Argentine crime thriller,The Clan, looks as if it's been subtitled by a dyslexic alcoholic using Google translate. It was extremely frustrating. I was clearly watching a very well made film, based on real events, about a Mafiosa-style family engaged in kidnapping and extortion; this was at a time, the 1980s, when the government was up to similar tactics - many dissidents simply disappeared. Keeping Police and officials sweet, the family could act with near impunity.
Everything about the film - its story, pacing, acting, direction was top notch. But the constantly poor subtitling proved too great a distraction and detracted from the film itself.
I can recommend the film without hesitation to any fluent Spanish speakers among you.
This is a fun little movie. Watching it is truly an experience. Knowing that it is based on a true story really blows the mind!! Wow! Completely crazy story.
Really well made and superbly acted. This is a cracking little movie!!
Really well made and superbly acted. This is a cracking little movie!!
The film hits from the real and moves the focus on one of the children who suffer most acts of his father, who embodies a sober Franchella that has long been demonstrating his talent for drama also. Format images first constant level remains stuck at viewer will not regret it in the film, which will feel some concern that under the aspects of normalcy can hide eyesores, this very well managed by the principal. I did not like the supporting performances and the appearance of the wife could have been more widespread. Compared to other good films of Argentine cinema may have lacked artistic details that make it more blockbuster, but certainly is a creation that will be a very good story in a story that is surprising.
Lo sapevi?
- QuizGuillermo Francella is more well known in Argentina as a famed comedian, in contrast with the dark character he portrays in this film.
- BlooperScenes involving trains were filmed near the Urquiza line, the only one of the Buenos Aires metropolitan network using the same electric rolling stock from the 70s. However, in one scene a train passes by rightward and it can be seen it's painted mustard with a gray strip, which is the painting scheme of the current private operator and not of the former Ferrocarriles Argentinos. However, other scenes do show trains with the characteristic "colibrí" yellow-blue-red scheme.
Other than that, the rail tracks show Pandrol clips fastening them to concrete sleepers. Neither of those were used until the 2000s.
- Citazioni
Arquímedes Puccio: I'm innocent.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 201.227 USD
- Fine settimana di apertura Stati Uniti e Canada
- 12.519 USD
- 20 mar 2016
- Lordo in tutto il mondo
- 20.381.995 USD
- Tempo di esecuzione
- 1h 48min(108 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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