Holidays

I had such high hopes for Holidays, I adore horror anthology's and one featuring the writing of Kevin Smith and starring Seth Green and Harley Morenstein! Sign me up.

Sadly it didn't quite meet my expectations, and that is such a blinding shame.

You see horror anthology's are generally 3-4 stories and a wraparound, Holidays dismisses the wraparound and instead tells a whopping 8 short stories (Each one based on a different holiday).

This heavily reminded me of the ABC's of Death (2012) which was another horror anthology I was super excited for but turned out to be dire. That as well had a vast number of stories, different directors, writers and similar themes. Thankfully Holidays isn't that bad, but only because of a couple of the tales.

Truth be told several of the 8 are really bad and I mean really bad. They're the kind of shorts you'll see on YouTube that leave you scratching your head afterwards, unsure as to what you just witnessed and what the point of it all was.

Thankfully there are a few entertaining nuggets in there, some decent star power and sprinklings of charm. The stories range from weird, to gory, to oddly clever, but none exactly blew me away.

My pick would be Valentines Day as the most entertaining with St.Patricks Day being the worst...........or possibly Mother's Day.

Holidays on paper should have been fantastic but some disastrous writing near killed it for me, such a shame.

The Good:

Jocelin Donahue and Harley Morenstein

Solid visuals

The Bad:

Some really stupid stuff

I went into this with high expectations, and while "Halloween" and "Christmas" (the ones I expected the most from) proved to be disappointments, I found the "Father's Day" segment brilliant, touching and also terrifying. The manner in which the story builds thru the playback of a childhood recording, how she drives out to the middle of nowhere, and the suspense leading to where she was headed, all great elements rounding out a truly unique segment. I found myself on the edge of my seat from the time she started the tape to the very end.

"Easter" was bizarre and interesting and "St. Patty's Day" was pretty unexpected but cool. "St. Patty's Day" felt like classic British horror or something. Very elegant, artistic and suspenseful. The little girl did a fantastic job. "Christmas" suffered from what many shot-in-LA indie productions experience which was the total lack of snow, thus creating a true "Christmas" atmosphere. It was an OK concept, but overall not really scary or exciting. And I feel like the gadget the story focuses on will really date it in 10-15 years and seem silly. And I felt like "Halloween" was a total wasted opportunity. With the "Halloween" setting they could have done so much, but other than it being centered around 3 girls stuck inside on Halloween, you wouldn't know it was set on Halloween. No pumpkins, no trick-r-treaters, no atmosphere what-so-ever. Seemed more like that story could have been molded into any of the "Holidays" and I wish that segment went to someone who really cared to do something cool with it, as that segment alone could have really brought this indie anthology into "classic" territory. "Valentine's Day" was a classic style shocker and "Mother's Day" was pretty creepy, but had a weak ending. I was really hoping for a cool "Independence Day" story or "Thanksgiving", but maybe it was for the best since there was really only a couple standout segments. Overall, well worth the watch, even if a handful of the stories are throwaway. I'd compare it to "ABCs of Death", with about the same ratio of good stories.

I didn't expect much from this movie, but even my low expectations weren't met. The only 2 semi-entertaining chapters (Easter and Father's Day) had very unsatisfying endings. The rest of the chapters were GARBAGE.

Horror anthology loosely organized around holidays, where each short is thematically related to a different holiday. The usual problem with these sorts of anthologies is wildly uneven quality, but in this case the quality is fairly consistent and reasonably strong. One of the many oddities of "Holidays" is that the worst short is the one by the most famous director included here, Kevin Smith. It seems like he wasn't even trying with his Halloween short and its disappointing that they gave the most on-topic holiday for a horror movie to someone who seems so disinterested.

Another oddity is that the first five shorts all have female protagonists, with only one being written and directed by a woman. It is almost immediately apparent which that is, not because it is appreciably better or worse than the others, but because of its attitudes toward its female characters, and the way it handles nudity (something that is mostly absent in the rest of the shorts). The fact that several films in a row all feature not especially strongly drawn or unique protagonists, some of whom are almost interchangeable, is a problem. The shorts are organized chronologically through the calendar year, starting with Valentine's Day and ending on New Year's Eve, but I think it might have been better to reorder them so that a sense of repetition didn't start to set in before there was some variation. The final short is actually the best, in terms of telling a compelling story with the most interesting characters we meet in the whole series. It is largely a two-hander and ends on a satisfyingly twisty note. And that brings up a third oddity -- all except the final short, and Smith's, have intriguing ideas, set-ups and situations that the various writers and directors seem unable to resolve in a very satisfying way. Some of them just end, some try for a conclusion that is perhaps meant to be ambiguous or disturbing, but they fail to stick the landing. Its strange to watch a bunch of short films in a row that share the same strengths and the same weakness.

I'd say most of the writers and directors represented here show promise, even if most of them don't quite deliver as fully as I'd have liked, and I look forward to more from any of these filmmakers. I don't know that I'll be returning to this collection of shorts anytime soon.

'Holidays' opens up with the Valentine's Day sequence, that gives almost immediate odes to De Palma with it's high school-heartbreak atmosphere. To make a short story shorter, the plot revolves around a misunderstood and exiled young girl would happens to have a crush on the school's swimming coach. After getting word that he may have eyes for her fair-haired nemesis, she retaliates through violence. This one does border on creepy as the feelings between Maxi ("Maxi Pad") and her teacher are somewhat mutual. But life is like a box of chocolate.. or hearts. By the time you see the credits, the tone does seem comfortably familiar. From the director of Starry Eyes. (5/10)

The next segment surrounds Irish myth & folklore on St.. Patrick's Day. While I do have a clover tattoo and I love the color green, this was not one of my favorites. Plot follows an elementary school teachers who has just received a reserved new student. Ginger-hair, freckled and somewhat adorable, the young girl does not seem to integrate well and quickly upsizes the teacher with rude dismissals and eery glares. We are soon given hint that the teacher longs for a child and eventually becomes pregnant after a night out drinking. The young girl becomes eerily fond of the teacher as if she knows something she doesn't know. They reference Polanski in this one, but it's no demon she's carrying, something a lot more scaly. This one was brought to us by Gary Shore, director of Wicker Man. (5.5/10)

Easter is never really looked upon with much horror, much like the preceding holiday St. Patty's. However, director Nicholas McCarthy ("At The Devil's Door") manages to hint at a surreal dimension filled with unseen terrors that leaves you thirsting for more. The Easter installment opens up with a young girl being put to bed by her mother. They have a somewhat intense and offbeat dialogue about the iconic Easter Bunny and how no child has ever seen him, or should. The same young girl happens out of her bed that night and stumbles upon something only seen in nightmares. Kudos to the FX team and any behind the visual the bunny, an image that'll stick with you for sure. Peter Cottontail meets Pan's Labyrinth. (8/10)

Mother's Day...... a lot can and will be said about this one for sure. This sequence put me to sleep and woke me in the same damn sittnig, stressful. The overall downside to a lot of the shorts is they feel just too short. This is not the case here, in this indie desert horror from "Midnight Swim" directer Sarah Adina Smith. The concept is basically a young girl becomes pregnant every single time she has sex. She feels she is medically ailed or cursed. After seeing doctor after doctor, she is referred to a retreat house in the desert somewhere. This place is filled more with woman who are having opposite issues with fertility and she again, feels slighted. Somewhere in this drawn out entry, I dozed off and came to in time for an OUTRAGEOUS finale. It woke me up, revitalized me enough to rewind and rewatch. All I can say is geeeeeeeeeeez. And what was that in the sky? A devil? An angel? (6/10)

Like in real life, Mother's Day is followed by Father's Day; without a doubt the most gripping entry in the production. They must have strategically placed it after the previous snooze fest, besides that ending of course, to regain viewers attention. I immediately appreciated the dark, deep tone of the setting. We are introduced to a young woman who comes home to a package at her doorstep. She opens it to find an old cassette tape player with a double sided tape inside, headphones included. She decided to play the tape, of course, and is jarringly met by the voice of her late father. The tape contains not only her the voice of her dead father, but it is looped with her's a young girl as they took a trip somewhere one day. She is quickly overwhelmed, rejects the tapes, regains herself and continues. Basically, her father disappeared years and years ago without a word or trace. She never got an explanation as to why. Until now. She continues to play the tape is led into an eerily-orchestrated scavenger hunt to find the truth about her father's disappearance and perhaps be reunited. This a truly beautiful built piece and again, is only hurt by the fact that so much can and needs to be said. The ending, IMO, does not live up to the build-up but I accept it for what it in this short and it does not take away from it's genius. Shoutout to Anthony Scott Burns, Happy Father's Day. (9.5/10)

Halloween - omitting review due to word count (4/10)

I had to go look up what this segment was about again, which sounds bad, but once I did I was pleased to remember. I liked this very odd and campy thriller about a man who goes to extreme lengths obtains a Christmas gift for his "dear wife". We all know how the latest gadgets get people in a frenzy, well the product in mentioned is called the "UVU".. and "UVU shows you, YOU". It does indeed, Our characters are forced to look at themselves and the ones closets to them in an entirely new lights and brings a whole new meaning to it 'what lies beneath'. Also, great cameo from Seth Green. Nice to see that guy. (7/10)

New Year's Eve was thoroughly enjoyable IMO and very unexpected. I'm not even gonna talk too much about it because it's best the end things off with a bang. Just know that two loners wind up on a date New Year's Eve and it's a countdown you will not forget. (8/10)

Overall, I'd give this anthology around a 6.5/10.