VALUTAZIONE IMDb
5,6/10
5951
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTwo women with differing degrees of success travel north from Los Angeles to Big Sur for a weekend vacation. Both see the trip as an opportunity to reconnect after years of competition and j... Leggi tuttoTwo women with differing degrees of success travel north from Los Angeles to Big Sur for a weekend vacation. Both see the trip as an opportunity to reconnect after years of competition and jealousy have driven a wedge between them.Two women with differing degrees of success travel north from Los Angeles to Big Sur for a weekend vacation. Both see the trip as an opportunity to reconnect after years of competition and jealousy have driven a wedge between them.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 6 candidature totali
Simon Barrett
- Producer #2
- (non citato nei titoli originali)
Jordan Kessler
- Director
- (non citato nei titoli originali)
Robert Longstreet
- Producer #1
- (non citato nei titoli originali)
Recensioni in evidenza
This movie was going along great until the last little bit. The end leaves you with a few questions. No one wants to constantly walk in the shadow of someone else. I would've had rated this higher if the ending had been more than what it was. Wasn't bad just didn't end right.
I didn't love Always Shine, but I did admire the film's chutzpah. It takes a lot of clichéd elements like the rivalry between women, especially actresses, but puts a new spin on them.
The film is about two best friends, Beth (Caitlin FitzGerald) and Anna (Mackenzie Davis). Both are actresses but Beth is experiencing a sudden surge in her career as she begins to land dumb parts in big budget successful horror movies. Anna meanwhile is the more talented of the two, but can't get a decent agent or good work. Her strong personality is also perceived as abrasive while Beth's doormat behaviour is perceived as being extremely attractive. The women head up to a cabin for a vacation but tension about their careers is high and neither can find it within themselves to be kind, graceful or supportive of the other. As tensions flare they finally learn what they really think of one another.
The acting on this is great and I did enjoy the twist. It's a bit of a psychological horror film, so while the gore isn't there, it's still pretty dynamic and a little scary.
The film is about two best friends, Beth (Caitlin FitzGerald) and Anna (Mackenzie Davis). Both are actresses but Beth is experiencing a sudden surge in her career as she begins to land dumb parts in big budget successful horror movies. Anna meanwhile is the more talented of the two, but can't get a decent agent or good work. Her strong personality is also perceived as abrasive while Beth's doormat behaviour is perceived as being extremely attractive. The women head up to a cabin for a vacation but tension about their careers is high and neither can find it within themselves to be kind, graceful or supportive of the other. As tensions flare they finally learn what they really think of one another.
The acting on this is great and I did enjoy the twist. It's a bit of a psychological horror film, so while the gore isn't there, it's still pretty dynamic and a little scary.
I didn't really expect much from this but the poster certainly intrigued me. It reminded me a lot of the classic two-female psychodramas, most recently of Queen of Earth, and yet it also managed to bring something new to the table. It feels like a B-flick at its core but the filmmaking is very impressive and very intentional. The film also has a lot of interesting themes on its mind regarding the role of women in the film business and in society as well, and it will surely hit close to home for many. The two lead actresses are really good in their roles, particularly Mackenzie Davis who has the meatier role and who is able to knock it out of the park. I highly recommend this.
Updated review 2025:
So I think of this movie often and have seen it at least 10 times since the first time several years ago. It really grew on me as I got older and started to 'get it' more. I oddly identify so much with Mackenzie Davis's character now, which isn't really a good thing and I definitely share her envy for women who know how to hold their tongue and appear more coy, even if it's not who they really are. It's a movie that makes me feel like I'm looking into a mirror a bit. That monologue she does is the beginning is really incredible, as is the scene with the guy at the fire pit at the bar. Both women are jealous of each other and don't realize it or admit it, but there are definitely a lot of themes going on in this. It's a story that needed to be told even though the ending still bothers me because it feels lazy and incomplete, though I think now I understand why it was chosen that way. I'd really like to see more movies like this that don't sugar coat female relationships.
The following review is after my initial first viewing in 2017:
The only reason I give this movie a 7 is because I was enjoying it right up until the last few minutes. I was so disappointed with the ending that I considered rating it a 4 (due to the script not being very philosophical or interesting for an indie flick with a clear agenda), but Mackenzie Davis SAVED this.
If you watch the movie knowing the ending is going to disappoint you, then you may just enjoy it that much more. I wish I had known. I felt that it ended abruptly and had no point. The dialogue wasn't great throughout, and I was disappointed in basically all of the acting, aside from Mackenzie. She was so magnetic in this, she really pulled me in. By the end, I wanted to be her. In that sense, this movie is worth seeing. However, if you like films with a beginning, middle, and a proper end, then just pass this one up and save yourself the time.
So I think of this movie often and have seen it at least 10 times since the first time several years ago. It really grew on me as I got older and started to 'get it' more. I oddly identify so much with Mackenzie Davis's character now, which isn't really a good thing and I definitely share her envy for women who know how to hold their tongue and appear more coy, even if it's not who they really are. It's a movie that makes me feel like I'm looking into a mirror a bit. That monologue she does is the beginning is really incredible, as is the scene with the guy at the fire pit at the bar. Both women are jealous of each other and don't realize it or admit it, but there are definitely a lot of themes going on in this. It's a story that needed to be told even though the ending still bothers me because it feels lazy and incomplete, though I think now I understand why it was chosen that way. I'd really like to see more movies like this that don't sugar coat female relationships.
The following review is after my initial first viewing in 2017:
The only reason I give this movie a 7 is because I was enjoying it right up until the last few minutes. I was so disappointed with the ending that I considered rating it a 4 (due to the script not being very philosophical or interesting for an indie flick with a clear agenda), but Mackenzie Davis SAVED this.
If you watch the movie knowing the ending is going to disappoint you, then you may just enjoy it that much more. I wish I had known. I felt that it ended abruptly and had no point. The dialogue wasn't great throughout, and I was disappointed in basically all of the acting, aside from Mackenzie. She was so magnetic in this, she really pulled me in. By the end, I wanted to be her. In that sense, this movie is worth seeing. However, if you like films with a beginning, middle, and a proper end, then just pass this one up and save yourself the time.
This movie is about two young, struggling actresses whose friendship is dying and they know it, so they plan a girls retreat in a remote cabin in Big Sur. One is beautiful, in a committed relationship, gets admiration where she goes, and has had some steady gigs. She is kind and gentle - much like the character "Chloe" that she plays on the show Rectify. The other is the better actress yet can't get cast, she is alone, has average looks and is very mentally unstable - we see this in the first few scenes and it builds from there. Gee, what could possibly go wrong on this trip? If Single White Female and In Her Skin had a love-child, it would be this movie - on steroids. But make no mistake - this is no chick flick. There is plenty of psychological suspense to go around. This is all accomplished with no gore, no blood. The ending could be improved upon, but at least it won't leave you in the dust. I strongly recommend this movie if you are into psychological thrillers.
Lo sapevi?
- Curiosità sui crediti"It is a woman's birthright to be attractive and charming. In a sense, it is her duty... She is the bowl of flowers on the table of life." -John Robert Powers, Secrets of Poise, Personality and Model Beauty
- ConnessioniReferenced in The Flop House: Ep.293 -- The Joke Thief (2019)
- Colonne sonoreRISKY BUSINESS
Written by Nicholas Morey (ASCAP)
Performed by Betamaxx
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Tehlikeli Arkadaşlık
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 17.102 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4211 USD
- 27 nov 2016
- Lordo in tutto il mondo
- 17.102 USD
- Tempo di esecuzione1 ora 25 minuti
- Colore
- Proporzioni
- 2.35 : 1
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