Massu Engira Masilamani

Plot Line : Things get wrong for a conman when he gets deceived by a ghost.

Shortly, "Masss" is totally a one man show performance delivered by Suriya. He is simply electrifying throughout the film. It is Suriya who engages the audience till the climax even though the script is half baked.

But director Venkat Prabhu deserves a applause for trying out a different dimension in Tamil Cinema. Overall, the director could have concentrated more on the screenplay part.

There are equal number of pros and cons in this film. Suriya's performance, Visuals, Twists and Background score are the major positives of the film. The negative part of the film is illogical scenes and old run of the mill concept which was followed in the second half of the film.

The content of the film is mainly intended for kids and family audience. Overall, forget the logics and take your family out to theaters. It could be a watchable entertainer for you.

Every time Venkat Prabhu's movie hits the theatres the expectation is to see variety with a bash of youthful energy, and the ace director this time has adopted the most successful genre in the recent times- horror comedy. Both stars Venkat Prabhu and Suriya have been aching to get back to the business after Anjaan bombed at BO and Massu seems to have laid the road, let's dig in and see what's spooky about it.

Plot:

Horror Comedy is quite an interesting concept and now it's not far away from being deemed as "Done and dusted", well here is VP with a new trick up his sleeve. Considering the genre of the movie, the lesser you know its better. The movie kicks off with Suriya and Premji two bonded-for- life amigos, who thrive on petty robberies. A song, action and a pot boiling chase stops at an accident after which Suriya is bestowed with a super natural power of seeing dead people. Why, what and how he deals with the power is to watch and relish.

Suriya and Premji set the pace of movie with light hearted comedy amidst spooky super natural elements in a rather interesting way. A horror movie is never complete without a flashback and a strong backstory. In 'Massu' you do see them after a series of VP's usual topsy turvy twists. When we say Horror, there is a big expectation of a scary road down the lane with some thrills and fear, Masss is more of a "Dealing with spirit's and their emotions" kind of movie and would be a long shot to put it in Horror genre. The first half is about how Suriya blends with his character of Massilamani the Masss, accepts his fear factor and channelize it to make it a living out of it. Once the core plot starts unveiling, the later part of second half does become very predictable and the screenplay chugs along with just the entertainment quotient to make it a fair play.

The "other" Suriya is a surprise element and VP touches the character with a Sri Lankan Tamil flavor and kudos to Suriya for pulling it rather brilliantly with the help of Rajasekar's perfect cinematography, not to forget the CGI effects through the movie giving life to the spirits. Nayanthara and Praneetha are the two leading ladies in 'Massu' and they have little to offer to the script and merely play love bugs.

VP's movies are always rich in casting, an ensemble cast of biggies, and a few cameos are his signature style. In Masss while Arvind, Jai, Vijay Vasanth appear in a cameo, two other important stars Parthiban and Samuthrakani add their star value. Both of them have meaty roles as a policeman and a politician, good or bad? Well watch and find out.

Things that stand out:

Suriya's characterization as Masss the hero and as a Srilankan Tamilian is commendable, as with all of VP's movies, he brings out the best out of his heroes. Suriya's dialogue delivery and screen presence catapults the movie forward. To quote a scene, the one in which Suriya feels for his friend Premji in front of Nayanthara is hilarious. VP has been stereotyped as the director who loves party hard movies, a bit of adult humor and all that but in Masss he has steered clear of those elements and has given a wholesome family entertainer with an interesting storyline for the summer. As much as we ridicule Premji's antics we cannot but admire him here for his timely tickles and his funny body language, which make a definite impact in Masss. Yuvan's music is certainly not the best, but the Poochandi and the BGM in the revenge sequences are a definite treat. The Poochandi song starts off in MJ's thriller style and then moves in good spirit, you really have to applaud VP for placing the song at the perfect juncture of the movie. A Special mention to stunt master Silva in the first half, for the car chase and fights made up for the action ingredients required for the commercial flick.

Things that could have been better:

The film is spanned around 155 minutes, but it's those predictable scenes that make the sequences look even longer than reality. The Editing work in the first half is crisp especially with the one liners and comedy scenes not dragging, but loses steam in the second opening doors for improvement. VP's known for his signature style delivery of his intended storyline, Masss however is little less on the funny quotient and rather relies and thrives heavily on Suriya's super strength and mass factor. As with most of VP's movies the heroines don't have much of a part and a mature actress like Nayanthara could have been used better.

Verdict : In all, the movie is a good watch for this late summer to quench your thirst with laughs and occasional surprises.

Massu Engira Masilamani (2016) is a movie that swings wildly between being engaging and outright exhausting. I went into it expecting a quirky mix of horror and comedy, and while it delivered on entertainment in parts, I couldn't shake the feeling that it overstayed its welcome. For a film with an interesting premise and a charismatic lead like Suriya, it somehow manages to lose itself in unnecessary detours and convoluted storytelling.

On the positive side, the movie does pack in some fun moments. The spooky elements, while not groundbreaking, are cleverly executed and provide some genuinely enjoyable scenes. Suriya's performance is a major highlight-he brings charm, energy, and just the right amount of seriousness to carry the film, even when the script falters. The message about redemption and standing up for justice is heartfelt, and I appreciated how the film tied that into its narrative. Plus, the last act really picks up, delivering a mix of emotional payoff and high-stakes action that almost makes you forget the slog leading up to it.

But that's the issue - almost. The film is far too lengthy for its own good. It spends so much time meandering with subplots and comic relief that it doesn't get to the point until well past the halfway mark. I found myself checking the time during the first half, waiting for things to click into place. When the story does finally kick into gear, it's good-but by then, I felt a bit worn out.

Another problem is the way new elements are introduced seemingly out of nowhere. At times, I couldn't tell if I was supposed to be shocked, confused, or both. It's not just surprising - it's disorienting. The convoluted narrative doesn't help either; with so many moving parts, the story often feels like it's trying to do too much, leaving some characters and plot points underdeveloped.

Ultimately, Massu Engira Masilamani is a mixed bag. There's enough entertainment to make it a decent one-time watch, but its pacing and cluttered execution weigh it down. For me, it's a film that could've been great if only it had been tighter and more focused.

I truly don't know what is the original title. 'Mass' or 'Masss' or 'Massu' or 'Massu Engira Masalimani'. Since 'Mangatha' I haven't seen any Venkat Prabhu's films. He has lost his midas touch. His films are used to be youthful and fun, but not anymore. This was a different than his usual theme, but did not deliver. Particularly, I hated the graphics. Those CGI characters ruined the film in the initial part, I thought it was a very cheap thing I ever seen in a big production film. The action sequences were so stupid as well. The comedies were okay, but still it had lots of references of old films. So you can't enjoy them if you are not familiar with the original.

Surya is a very dedicated actor that you would find in Kollywood today, but the filmmakers are not using that properly. Compared to any other actors, he does many varieties of films. I watched it only for him and nothing else. I appreciate the experimental theme, but they did not get a better screenplay. The storyline looked decent, especially the flashback, but did not develop well. Like what the title hints, it was too much mass which suits better for Tollywood fans. Might be Surya fans or Venkat's would like it, sadly I'm not one. Surely you will have some laughs, other than that this is not good. So skipping it is not a bad option.

3/10

Sometimes keeping very low expectations can result in a satisfactory experience.This was the case with Nadippin Nayagan's latest outing 'Mass' that somehow managed to provide 150 minutes of decent entertainment in contrary to numerous negative comments from Keralites,in particular.

After a mediocre diet 'Biriyani',Venkat Prabhu has tried his luck in presenting a light-hearted fantasy thriller without much importance as far as the storyline is concerned.The done-to-death storyline being similar to numerous films in the past such as Hum Tum Aur Ghost,Ayushkalam & The Frighteners to name a few,the saving grace here was the skill that Venkat showed in handling the weak screenplay and making it a decent commercial entertainer that can cater to both the fans of the actor as well as the normal audience including families.

The first 30-40 minutes of the movie was dull with the storyline stuck at the starting point itself.After then,the movie gained some momentum and offered a good number of sequences to laugh and enjoy with the combination sequences involving Premji Amaren and Suriya being the major highlight.The sentimental sequences featuring the ghosts and the 'Piravi' song were heart-touching and presented very well.

The visuals effects were really pathetic and could have been dealt better considering the budget of the film and the industry standards of today.Poor logic harms a smooth experience many a times which could have been easily avoided by due care while scripting.

The idea to use instances reminding various hit films in the recent past came out really well on screen.The Engeyum Epothum sequence,Mankatha dialogs,Varanam Aayiram sequence,Kathi Bgm etc were all well-received and packed impressively by Venkat.

Coming to the performances,Suriya did a commendable job portraying the character invested on him really well.Premji Amaren was impressive and as usual excelled with his comic timing and one-liners.Nayan Thara was side-lined without much to perform.Amomng others Parthipan,Riyas Khan,Sriman,Pranitha etc were good.

Music and Background score by Yuvan Shankar Raja was good with "Naan Aval Illai" and "Piravi" being the picks from the album.The title song was energetic and picturised well with Suriya's energetic dance steps."Poochandi" song could have been avoided for gaining more pace.Cinematogrpahy by Rajasekhar and Editing by Praveen K.L were okayish.

Overall,Masss is a one-time watch with a clichéd storyline that's been seen many a times before.

Verdict::Venkat Prabhu's latest presentation "Masss" is a strictly average fantasy thriller that may turn a satisfactory watch if you go with less expectations.Execting much more from Venkat on his next Game/Diet/Sixer!!! Ma Rating::6/10 _Afsal