Évolution

This is not a movie for everyone - or at least - you should be aware that it's not a Sci-fi nor a horror movie as we know them - before selecting this movie.

The movie is beautiful - it is just like meditation at the sea. I guarantee lower blood pressure after watching this move. I loved it. (It almost reminds me to the universe of Myst - the old computer game from the 90s- where you are totally alone on a abandoned Island and you don't know how you got there.)

Furthermore - the move makes you think. It may be a far future situation or it may be a dream of a child. As children we can have fantasies or anxiety for loosing our parents - or we may misenterpret a situation as dangerous etc. this movie may be a dream or a post apocalyptic movie.

Either way - this movie works, but I understand that some people don't like it. This is like entering a gallery. Sometimes you are not in the mood. But, if you are - this movie is unique and genial.

A true artwork.

After watching the film I read some interviews with the writer/director Lucile Hadžihalilović and she mentioned how it had taken her a long time to get funding for this film. Never have I been less surprised. Not creepy enough to be a full blown horror film and too creepy to just be a pure art film.

The film is about a young pre-pubescent boy named Nicolas who lives on a remote island with his mother, several other women and other young boys around his age. He is told he is sickly by his mother and urged to eat a really wicked looking blue creation for his "health" and eventually has to go to a hospital where he is repeatedly operated on.

I won't spoil the movie, but Hadžihalilović isn't one for jump scares and Nicolas's illness and the reason for his hospital visits are made clear very early on. It all unfolds in a creepy atmospheric way so that the audience is aware of the bad things that are going on before Nicolas is, though he too learns the secret behind his illness soon enough.

The movie is very beautifully filmed with lots of stunning shots of the water and the seaside. However one thing I take issue with is how dark some of the shots were. Maybe it was the fault of the distributor for not cleaning up the shots but there are some nightime scenes where instead of being frightened I was merely confused because the screen looked pitch black.

Nevertheless the movie is very easy to follow on and the ultimate story and horror is pretty simple.

I'm not a horror fan so this was not really a movie for me, but for art fans who are looking for a slow scare, this might be for you.

It's tough to call this a horror movie, because some will expect something completely different. It's more of a mystery thriller with horror touches. If you though Under the Skin is horror, with Scarlett Johansson and liked that movie too, you probably will like this one also (because of a similar vibe, not because of themes that are colliding, but it may touch the same nerve as well).

While it's slow burning and cooking, that fact may annoy and disappoint people. But if you stick with it, the movie will reward you. It's a strange story and movies that have the heart to go different directions should be rewarded. Or at least enjoyed for what they are. Hopefully something you can dig while watching

A young boy begins to wonder about the isolated community he has grown up in; one populated only with boys his age and young women.

This French film is an example of a recent type of development that I have noticed in horror cinema in that it is a film that is played out in such a self-consciously arty style that it seems to think engaging with the audience may in actual fact be beneath it. The events depicted have some genuine potential but they are played out in such an overwhelmingly downbeat manner that their effect is seriously compromised. The tone of the film is more or less one note from start to finish, resulting in a pretty unsatisfying experience. This is an especial shame when the overall setting of the story and its enigmatic qualities are fairly promising. Details are not fully revealed about what is going on but this fact didn't concern me too much – aspects such as the strange medical experiments and odd events that played out on the beach in the dead of night were intriguing. But the material was not served well in my opinion by the excessively po-faced execution and it was ultimately quite difficult getting very involved with the events that played out in this one.

I never write reviews, but I feel compelled in this instance to do so. It seems to me that this movie is done a grave injustice by giving it the moniker of "horror" film.

Horror implies a lot of things, and some of them are present here. There is a sense of unease and tension. The main character certainly has reason to doubt the sincerity of those who are "caring" for him. For some people, there are elements which might be "disturbing." However, the same can be said for films like Boys Don't Cry and Eraser Head. Though these two films have little to nothing in common either with each other or with Evolution, they two contain "distressing" elements, but are not horror movies.

The reason this seems important to me is that horror comes with expectations that this film is not meant to fulfill. This film would better be viewed with the idea, instead, that it is portraying, beautifully, an archetypal dream world, that it is something of a Jungian fantasy.

It is full of references to the chthonic nature of the mothers - the ocean, the cave, dark mysterious rooms, the mysterious nature of the mothers themselves. The androgynous nature of the mothers is important, as well. The doors left open through which the boy can, if he chooses, pass.The boy's sketch book in which he draws his OWN archetypes, ferris wheels and cars among other things which we are to understand are not among those he has consciously experienced is perhaps the most brilliant example. All of these things are part of the boy's hero myth, of his gradual act of individuation as he questions his way through this world. There are two possible fates awaiting this boy as there are for any active mind. Will he passively accept his fate among the mothers, or will he rebel? The thing is, you don't have to be interested in psychology to feel these things - they are natural. They are dream elements, and this film is, in a way, a beautiful dream. If it is watched without an expectation of that which makes a horror movie "horrible," there are layers and layers here that can be enjoyed without reference to terminology. You can FEEL them. You can SEE them.

In the latter department, this film succeeds wondrously. Every single frame is perfectly positioned to draw us in. It is glorious to look at. The score is also very subtle and beautiful.

It really is an amazing film. I just think you have to come at it with as few preconceptions as possible. And you definitely should leave the notion of "horror" at the door. If, then, you DO experience horror, it will be a genuine reaction, and if you don't, you won't feel like the film has failed you.