Le ricette della signora Toku

...after ten minutes or so I knew that this film was worth to watch. the actors; the pace; the cinematography showing all those sakura trees were perfect.

No doubt that Kirin Kiki is the movie herself but Masatoshi Nagase with his silence and sad face works for me too. Of course to have a good script and director sure help a lot but they captured the mood the right way.

Sometimes we cannot do or see the simply things because life gets on us; sometimes we have the problem; in our minds, souls or bodies. Life is so good for many but a pain for many others too; so depends on what side of the coin you are to live a full one; however, the script is telling us that if you are one that carry one of these big problems better to try to take the best out of you and do it the best possible way without fall too deep. You know, there s no choices, until dead comes...

Kyara Uchida is the third important character here; her roll is a shy but independent teenager that are somewhat on her own due to her mother does not act as one.

In real life she is the granddaughter of Kirin Kiki.

The Japanese foods considered as the healthiest food in the world. Yes, it's a food and restaurant related theme, and those who loves them should give it a try. It was another film like 'Midnight Diner' that I saw a couple of months back, which focused on a small eatery as this one. What fascinated me was its simple storyline and the realistic approach. It was based on the novel of the same name of the original Japanese title 'An' which translated as 'Bean Paste'. It is not just a food film, but well explored relationship of the people from different generations. This is quite common I found in the Japanese films, yet very distinct from other similar ones.

There were three characters in the films that kind of represents past, present and future. Where they all learn some important lessons from each others. I don't know that was intentionally done, but that is how I saw it. The most of the story's perspective was from the middle aged man, Sentaro who runs a small dorayaki shop which regularly visited by the students of the nearby school and the locals. His story is kind of depressing. Not the film, just what he went through in his life and after that his life remained quite a low without an alternative. Though, there were no flashbacks, but just revealed by orally when the right time comes.

One day a very old woman named Tokue comes asking for a job after seeing the signboard outside the shop and somehow she manages to grab it. Later she teaches him to make his own bean paste. This is the part I like very much, because it might have not revealed fully how to make a bean paste, but definitely you would feel you want to taste it right away when you see the beautifully prepared paste filled in the tray. So I won't be surprised if you visit a Japanese restaurant just to make your first taste of dorayaki or whenever you visit there, remember this film and ask for it.

"It's like a first date, the young couple needs to get friendly."

So with such a development, the film takes a leap to the next stage of the story. Where the shop sees the rise in customer influx and by its success, Tokue offered to stay and help further. On the other side a middle school girl, Wakana who has not decided about her future, whether to attend the high school or get a job in Takue's shop which obviously went to the old woman. In the meantime, all the three develop a close relationship to each other in the short time. Despite from the different social group, but the strong connection with the shop. But one day as the gossip spreading like a wildfire all over the town about the shop, followed by a couple of unexpected events, the story nears to its end part with an emotional episode.

The most of the film looked like a poetry. The director, who also wrote the screenplay did an awesome job. The cast's performances were outstanding. I have seen them all in different films, even though I did not recognise them at first. I think it is the actors and the wonderful cinematography that made this film looks better than its story. People put their recipe in a book and publish them or make the videos and release online, but I think this kind of film is definitely would make lot impact on, even for the non-food lovers to have a close look which would generate a serious desire and hunger. Just like 'The Ramen Girl', but not as good as this one. A film that preserves a precious dish digitally and makes reach corners of the world.

By now you know that I loved it, but there's something I did not like from it which is the third act. Actually, that final act was a bit drag. Compared to the earlier sections, those last 20 or so minutes were quite an unnecessary stretch. I am an easy prey to sentimental scenes, but for this film I did not feel a thing. Other than that, how it all ended pretty neatly wrapped which I applaud loudly.

Whatever I said all the good and bad stuffs about it, there are some other topics as well in it which came as a side message, but that overtook everything on the final stage and ended as it was the centre of the story like that about treating an older person with disability. I had said many times before in my earlier reviews that I easily fall for seeing the old people suffering which happened in this. So heartbreaking. Except a very few defects that affected me which might won't make a big deal for others, I recommend the film, especially for the drama fans and food lovers.

8/10

I went into Sweet Bean blind, knowing only that it featured the titular sweet bean paste of the title. What a delightful little film it is!

It's an unusual tale about three loners all drawn together in a dorayaki shop. Sentarô is a, gloomy middle aged chef, who works at a small middling dorayaki shop, making the pancakes and sweet bean paste that comprise the dorayakis. His shop is attended daily by a teenage girl, Wakana, whose mother does not value higher education and wants her to get a job as soon as possible. One day an elderly woman, Tokue, appears, wanting to work in the shop and claiming it has always been her dream to do so. Sentarô turns her away gently, but when she returns and offers him a sample of her sweet bean paste he is moved by her product and hires her to work with him.

Like many films about cuisine this film will whet your appetite. I've never eaten dorayaki but there were so many great shots of the making of the food that I was hungry after watching it.

All of Kawase's films are lovely and this one is no exception. The film is contemplative without feeling slow. I've read reviews that say it is more accessible than her other films and it definitely seems that way to me. A good place to start with her filmography if you haven't seen in any of her films before.

Sentauro (Masatoshi Nagase) runs a food stand in Japan. Tokue (Kirin Kiki) wants to show him how to make a really good sweet bean paste to put in the doriyaki. there's very detailed info on both the pancakes and the sweet paste at wikipedia dot org. Tokue stops and smiles a lot... she seems to have an almost child-like appreciation of beauty and wondrous things. and how things relate to each other... even the ingredients of the food she's preparing. some similarities to "Tampopo", from 1985. during the Turner Classic introduction, we learn that the little girl "Wakana" ( Kyara Uchida) is actually played by the real grand-daughter of Kirin Kiki (Tokue). the two of them learn all kinds of things from each other. directed by Naomi Kawase. Story by Durian Sukegawa. it's very good! and it won TONS of film festival awards. Very sweet story. like her bean paste. Turner Classics rarely shows a movie that was made so recently, so it must have something!

"Sweet Bean" is a small, reflective movie that depicts the relationship between a guy working at a dorayaki shop, a sweet filled with 'an' (the reason for its original title), an old lady that appears out of nowhere and tries to convince him to employ her at his shop, and a young high school student who has her own problems with her family. Little by little, they become close to each other, a bond is created and they get a glimpse into their respective pasts.

Naomi Kawase normally does slow-burning movies, with a relaxed atmosphere, long takes and centering on the actors and their exchanges. "Sweet Bean" is not an exception and the actors answer with great performances all around (even sometimes histrionic Kirin Kiki, here very tone down and contemplative). The plot may seem simple, but it has different layers, which will grip the viewer, making them not only enjoy, but also think.

There are a couple of shaky points, though. First, the pace suffers in some moments, being a little bit brusque, some plot developments a little bit out of the blue. The second is that the last act is a little bit overlong and/or in-your-face.

"Sweet Bean" will be enjoyed by everyone. And make you hungry.