Le ricette della signora Toku

The last film directed by Naomi Kawase and I think the first in which she didn't use a script of her own , being an adaptation from a novel....

Watching the trailer you can feel that the movie is something more that it shows, being this a great success because they didn't spoil the most important part of the plot, letting the audience discover the truth about this characters while watching the movie.

The film is a beautiful tale about redemption, friendship and nature, told through a slow and very poetic style but although that it is a slow movie , I didn't even notice the duration of it because I was absorbed into the story...

I have read a lot about Naomi Kawase work and I was very interested but I've never had the chance of watch any of her movies until now, I have read that this one is her less personal and more commercial film but I'm looking forward to watch her previous works...I have really enjoyed her intimate way of tell stories and her exquisite style, I instantly became a fan of her...

The worst thing about this movie is that it makes you hungry Emoticono tongue

VERY GOOD MOVIE

"Sweet Bean" is a small, reflective movie that depicts the relationship between a guy working at a dorayaki shop, a sweet filled with 'an' (the reason for its original title), an old lady that appears out of nowhere and tries to convince him to employ her at his shop, and a young high school student who has her own problems with her family. Little by little, they become close to each other, a bond is created and they get a glimpse into their respective pasts.

Naomi Kawase normally does slow-burning movies, with a relaxed atmosphere, long takes and centering on the actors and their exchanges. "Sweet Bean" is not an exception and the actors answer with great performances all around (even sometimes histrionic Kirin Kiki, here very tone down and contemplative). The plot may seem simple, but it has different layers, which will grip the viewer, making them not only enjoy, but also think.

There are a couple of shaky points, though. First, the pace suffers in some moments, being a little bit brusque, some plot developments a little bit out of the blue. The second is that the last act is a little bit overlong and/or in-your-face.

"Sweet Bean" will be enjoyed by everyone. And make you hungry.

Yes, as others write, it's quite sentimental, and slightly didactic, but it isn't so in a corny way. The pain and moral dilemmas it portrays are very relatable and at times almost too much too bear. Maybe it's just that I find depictions of kind and lonely old folks very touching. Speaking of, Kirin Kiki's performance is brilliant. She's the real deal. She was so convincing that I actually checked if she was someone who had suffered from leprosy. This is a film in the tradition of Kurosawa's 'Ikiru'. There is even a sort of key moment in the film where Tokue uses the phrase 'ikiru' (to live).

...after ten minutes or so I knew that this film was worth to watch. the actors; the pace; the cinematography showing all those sakura trees were perfect.

No doubt that Kirin Kiki is the movie herself but Masatoshi Nagase with his silence and sad face works for me too. Of course to have a good script and director sure help a lot but they captured the mood the right way.

Sometimes we cannot do or see the simply things because life gets on us; sometimes we have the problem; in our minds, souls or bodies. Life is so good for many but a pain for many others too; so depends on what side of the coin you are to live a full one; however, the script is telling us that if you are one that carry one of these big problems better to try to take the best out of you and do it the best possible way without fall too deep. You know, there s no choices, until dead comes...

Kyara Uchida is the third important character here; her roll is a shy but independent teenager that are somewhat on her own due to her mother does not act as one.

In real life she is the granddaughter of Kirin Kiki.

Sentauro (Masatoshi Nagase) runs a food stand in Japan. Tokue (Kirin Kiki) wants to show him how to make a really good sweet bean paste to put in the doriyaki. there's very detailed info on both the pancakes and the sweet paste at wikipedia dot org. Tokue stops and smiles a lot... she seems to have an almost child-like appreciation of beauty and wondrous things. and how things relate to each other... even the ingredients of the food she's preparing. some similarities to "Tampopo", from 1985. during the Turner Classic introduction, we learn that the little girl "Wakana" ( Kyara Uchida) is actually played by the real grand-daughter of Kirin Kiki (Tokue). the two of them learn all kinds of things from each other. directed by Naomi Kawase. Story by Durian Sukegawa. it's very good! and it won TONS of film festival awards. Very sweet story. like her bean paste. Turner Classics rarely shows a movie that was made so recently, so it must have something!