VALUTAZIONE IMDb
5,1/10
294
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaPsychological thriller. A woman tries to help her sister remember the events surrounding the fatal stabbing of their mother.Psychological thriller. A woman tries to help her sister remember the events surrounding the fatal stabbing of their mother.Psychological thriller. A woman tries to help her sister remember the events surrounding the fatal stabbing of their mother.
Foto
Julianne Arrieta
- Brianna Jones
- (as Julianne Alexander)
Recensioni in evidenza
This movie is in barely different from the typical Lifetime film: bland, unimaginative writing, boilerplate plot, uninteresting sets, boring directorial choices and mediocre acting. What "distinguished" this movie was the uncommonly obvious indications as to who the real perp is. You will know whodunit 15 minutes into this movie.
What keeps Lifetime movies so consistently bad? Are there no competent writers, directors and actors in Canada? That seems unlikely. Is it budget constraints? Maybe a movie a week makes higher budgets for individual films prohibitive. Beats me, but this movie is an excellent example of a film that did not have to be this bad.... or did it?
What keeps Lifetime movies so consistently bad? Are there no competent writers, directors and actors in Canada? That seems unlikely. Is it budget constraints? Maybe a movie a week makes higher budgets for individual films prohibitive. Beats me, but this movie is an excellent example of a film that did not have to be this bad.... or did it?
This was a very inexpensive movie with just a few sets. I thought it was interesting when they arrived at the sister's house it looked small on the outside and then the kitchen alone was Hugh! The script was very predictable and you spot the killer very early in the movie. My favorite was the male police officer who never said a line until the end of the movie yet he was one of the two detectives investigating the crime.! Parts of the story lines were very vague. Such as the dislike between the female officer and the lawyer. I must confess I watched the entire movie because I knew the ending had to be unrealistic and I wasn't disappointed!
I screened the Lifetime movie "Fatal Memories," and despite its hysterical opening and bizarre main titles (in what IMDb.com would characterize as "crazy credits," the names of the cast and crew appear as parts of pictures hanging on the walls of one of the two houses around which the action centers, and the director's name, Farhad Mann, is emblazoned on the roof in an overhead shot), "Fatal Memories" actually turned out to be a quite good film, a high-tension thriller with a provocative central premise. It opens in a scene in the home of Marjorie Parker (Elizabeth McLaughlin), a retired college professor with two adult daughters, attorney Sutton Roberts (Italia Ricci) and April Parker (Magda Apanowicz). Sutton breaks a prized bowl and, as she's picking up the pieces, she's alerted to a commotion from outside. The commotion is a fatal stabbing attack on her mom, and when she comes upon the body April is holding a bloody knife. April is arrested by police detectives Whitaker (Shauna Johannessen) and Martin (Michael Ryan). The arrest is filmed by nosy, obnoxious videographer and hacker Luke Conner (Ryan Bell, who's the usual sort of nerd-cute guy Lifetime's — and most other people's — casting directors like for parts like this), who posts edited versions on the Internet that make April seem both guilty and crazy. She's crazy enough that she's put in a mental institution for a year or so (the Lifetime credit reads "One Year Later" but one IMDb.com reviewer cited other evidence in the film that two or even three years had passed) until she can be adjudged legally competent to assist in her own defense so she can be tried for her mom's murder, and despite the incredibly obvious conflict of interest her sister Sutton insists on representing her as defense counsel.
Sutton is insistent that April couldn't have committed the crime, and in order to jog her memories she takes April to various locations associated with their family in general and her mom in particular in hopes that April will remember something that will exonerate her and enable Sutton to figure out who the real killer is. At the same time, mysterious attacks start affecting the family, and Sutton takes a lot of her anger out on Whitaker, who seems to be there whenever something embarrassing happens to the family. It may not seem like that much in synopsis, but as written by Verge, staged by Mann and acted by an excellent cast — especially Apanowicz, who makes April's confused mental state all too real; she really has us believing this poor woman's brain cells are tumbling like clothes in a dryer, and she never knows what she's going to do next — "Fatal Memories" is a gripping thriller, making us feel for the characters and keeping us in suspense even though, as noted above, there are really too few suspects for the mystery aspect to be all that mysterious. It's a brilliantly done movie and one hopes that Farhad Mann and Magda Apanowicz in particular can go on to biggers and betters!
Sutton is insistent that April couldn't have committed the crime, and in order to jog her memories she takes April to various locations associated with their family in general and her mom in particular in hopes that April will remember something that will exonerate her and enable Sutton to figure out who the real killer is. At the same time, mysterious attacks start affecting the family, and Sutton takes a lot of her anger out on Whitaker, who seems to be there whenever something embarrassing happens to the family. It may not seem like that much in synopsis, but as written by Verge, staged by Mann and acted by an excellent cast — especially Apanowicz, who makes April's confused mental state all too real; she really has us believing this poor woman's brain cells are tumbling like clothes in a dryer, and she never knows what she's going to do next — "Fatal Memories" is a gripping thriller, making us feel for the characters and keeping us in suspense even though, as noted above, there are really too few suspects for the mystery aspect to be all that mysterious. It's a brilliantly done movie and one hopes that Farhad Mann and Magda Apanowicz in particular can go on to biggers and betters!
April Parker (Magda Apanowicz) is found over her dead mother holding a knife. She is put in an asylum and claims to have no memory of the incident. One year later, she is released to live with her lawyer sister Sutton (Italia Ricci) and her husband Glenn Roberts. Detective Whitaker continues her prosecution of April with an impending trial. Orly Chambers wants to sell the family mansion.
There is a lack of tension in this mystery thriller. Honestly, it's a 50/50 proposition whether April is actually guilty or not. It's strictly the writer's prerogative and the ending follows the formula handbook. I'm not sure if the ending makes any sense anyways. It takes half of the movie to get any tension. It's not until April starts acting up that the movie starts to move. There are some bad one-dimensional characterization from the hard-up detective to the weird surprisingly tech savvy paparazzi. It can never escape from its Lifetime TV movie look and its mediocre writing. There are way too many of these types of TV movies.
There is a lack of tension in this mystery thriller. Honestly, it's a 50/50 proposition whether April is actually guilty or not. It's strictly the writer's prerogative and the ending follows the formula handbook. I'm not sure if the ending makes any sense anyways. It takes half of the movie to get any tension. It's not until April starts acting up that the movie starts to move. There are some bad one-dimensional characterization from the hard-up detective to the weird surprisingly tech savvy paparazzi. It can never escape from its Lifetime TV movie look and its mediocre writing. There are way too many of these types of TV movies.
The usual stereotypical TV movie where white people live in a multi-million dollar homes with million dollar furnishings and they are all wealthy professionals. The plot is predictable and of standard fare. I watch these types of movies when doing housework and I do not need to focus my full attention. The writing is sub par and has gross grammatical errors-"on Glen and I"- English please. I cannot believe no one edits these "writings". There is the usual nonsensical attempt to get away from danger. but not really. "Why don't we just get in the running car" bit. I laugh at places where they are trying to be serious, but it gets ridiculous at times. I always DVR the films, otherwise the commercials would be intolerable and I lose interest forgetting I am watching at all. If you realize you are viewing mindless fluff and nothing more, than you will not be disappointed.
Lo sapevi?
- BlooperWhen the car is going downhill with no brakes, a shot of the dash shows the tachometer and speedometers are reading 0, indicating the car was stopped when this shot was made.
- Curiosità sui creditiThe opening credits show an array of picture frames on a wall with the glass randomly cracking.
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Dettagli
Botteghino
- Budget
- 1.500.000 USD (previsto)
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