James White

If you are looking for a film that you will learn something from you have chosen the wrong one. That's not a knock on the quality of this piece, but it is a fact. This is the difficult to sit through story of a reckless young NYC man, with a violent temper, who has never been able to get his act together and is now in the midst of experiencing the death of his father, who he was not close to and hadn't seen much of, and his mother who is dying of cancer who he is very devoted to and vice versa. He takes care of her the best he can, when booze, drugs and women don't get in the way and when things get really bad he never leaves her side. The principal reason to watch this very sad piece is the excellent writing and the outstanding performances of Christopher Abbott and Cynthia Nixon. One forgets how capable Nixon is since we rarely see her in anything other than her role of Miranda in Sex and the City and more recently And Just Like That. She has a long history in theater and she is an excellent actress who is highly underused. Abbott on the other hand is a little bit newer to the game, but works a lot and has offered some fascinating performances in small independent films and he has impressed me greatly including here. The man is just a natural born actor who never gives a false note in anything I have seen him in. This is an actor who wants to do creative things outside of the Hollywood scene. I also appreciated Kid Cudi as James' best friend. So, watch this if you like fine acting and are in the mood to be sad.

Christopher Abbott and Cynthia Nixon have found fine homes on HBO screens. Abbott is perhaps mostly known for his role on Girls while Nixon will forever be a Sex in the City girl. Here in James White, they deliver perhaps their finest performances of their careers thus far. The film thrives off the compassion in their relationship and the way it tests James' love for his mother Gail, but unfortunately to the expense of what lies on the sidelines. There's an endearing affection between James and his best friend Nick, but it offers little backstory or arc, simply the type of wishful thinking support considering the situations. The film also lends an entire chapter to James growing close with a girl who becomes his girlfriend, but as soon as the film retreats back home to tend to Gail she's completely tossed aside as another periphery character.

That is part of the point though, taking care of her is all consuming and it contrasts the conditions of romantic love with the unconditional family love. Despite little dips into history, the film grew on me as it went on with Abbott impressing at every turn, subverting the brutish James to an empathetic son. Nixon does feel like she's trying too hard at first, but once the film submits to her and she succumbs to the worst of her cancer, she's as good as Abbott. Shot by the same cinematography as Son of Saul, New York is no less of a compelling setting than Auschwitz, focusing on intimacy with the characters, but again it's heart by choppy editing. The jump cuts give it a difficult rhythm to crack. It's limited and intense, and I certainly would've like a little more bittersweet hints at a future to really send the film home, but as an acting showcase James White is a powerhouse.

8/10

Who is Christopher Abbott and will someone give the boy an Oscar? The acting by Nixon and Abbott are so real it's like being in the room with them.

This movie is for anyone who has been in a caregiving position for a loved one, and knows the anger, frustration, pain, depression, anxiety and fear that comes with it. It's for anyone who has been on the receiving end, who has battled cancer or otherwise felt their death to be imminent. It's for anyone who has had friends or relatives described above.

FINAlLY - a realistic portrayal of a cancer battle and the struggles of those who love them deepest.

But overall, this is about overcoming life's greatest hardship - fear of losing the person you love more than anyone in the world. Oh - and the poor kid has no job, no help and has just lost his Dad, by the way. Yes, let's see how much more someone can take before they crack - although not all will crack. Some will go on and be okay. And nothing can hurt you after that kind of pain.

I just did not expect... that. Great respect to Josh Mond. I think he took on an incredibly heavy film that managed to feel incredibly visceral in its portrayal. I could physically feel it, its last 30 minutes probably being the most uncomfortable film-watching experience of any film from 2015. What makes it work so well are the performances. There's such an innate authenticity and raw power to the cast's work here. I've liked Christopher Abbott from what I've seen him in, most notably Girls. I never would have thought he was capable of what he did here though. Definitely one of the best performances of last year. Not a fun film to watch at all, but holding that as a criticism would be a complete disservice to everything the film does well.

Exceptional acting here, however the story itself doesn't offer much originality and relationships aren't explored to the extent that I would have liked. I wish we got to see higher highs and lower lows from the central character. Enjoyable, but perhaps forgettable.