Poco dopo avere consegnato un paziente in un ospedale a corto di personale, un agente di polizia sperimenta eventi strani e violenti, apparentemente collegati a un gruppo di misteriose figur... Leggi tuttoPoco dopo avere consegnato un paziente in un ospedale a corto di personale, un agente di polizia sperimenta eventi strani e violenti, apparentemente collegati a un gruppo di misteriose figure incappucciate.Poco dopo avere consegnato un paziente in un ospedale a corto di personale, un agente di polizia sperimenta eventi strani e violenti, apparentemente collegati a un gruppo di misteriose figure incappucciate.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 2 candidature totali
Trish Rainone-DiLuzio
- The Mother
- (as Trish Rainone)
Michael J. Walsh
- Transformed Beverly
- (as Michael Walsh)
Recensioni in evidenza
"The Void" has been compared, quite a bit, to John Carpenter's 1980's remake of "The Thing", and understandably so. The use of practical effects in this movie are really its highest selling point. Like "The Thing", this film does not shy away from showing you some extremely well crafted and effective monsters. However, to compare this film with "The Thing" for reasons outside of practical effects, does not make a lot of sense.
In short, "The Void", is well worth a watch. If the trailer interested you, the movie will absolutely deliver. In a recent rash of indie horror films, "The Void" stands out for several reasons. In many of the recent indie horror films, there is usually something glaring that needs to be overlooked in order to make the film enjoyable. Whether it be poor acting, loose plot lines, or an over abundance of things that attempt to shock, many recent indie horror titles have been held back by mediocrity. "The Void" as a sum of its individual parts its a well crafted and enjoyable ride that I would feel comfortable recommending to most horror fans. The special effects are easily its highest selling point, but the film is held together by a decent story line and fair acting. The characters are believable for the most part, and the story does a good job explaining the necessity of the effects.
Where the film falters the most however, is in its lack of atmosphere. The film feels as if it should be claustrophobic and isolating, but for some reason, I was unable to connect with these themes. I am usually an advocate for a movie telling less to the audience, in order for the viewer to create some of the more frightening aspects in their mind, bu with this particular film, I was left wanting more exposition. Unlike the original "Hellraiser" film, "The Void" did not leave the origins of the monsters creation completely unexplained, but the origin story was a little to vague, and it made it difficult to connect as deeply to the conclusion of the film as I may have liked.
Overall, "The Void" is a good movie to throw on for a horror movie night with some friends who enjoy some good over the top gore and monster effects.
In short, "The Void", is well worth a watch. If the trailer interested you, the movie will absolutely deliver. In a recent rash of indie horror films, "The Void" stands out for several reasons. In many of the recent indie horror films, there is usually something glaring that needs to be overlooked in order to make the film enjoyable. Whether it be poor acting, loose plot lines, or an over abundance of things that attempt to shock, many recent indie horror titles have been held back by mediocrity. "The Void" as a sum of its individual parts its a well crafted and enjoyable ride that I would feel comfortable recommending to most horror fans. The special effects are easily its highest selling point, but the film is held together by a decent story line and fair acting. The characters are believable for the most part, and the story does a good job explaining the necessity of the effects.
Where the film falters the most however, is in its lack of atmosphere. The film feels as if it should be claustrophobic and isolating, but for some reason, I was unable to connect with these themes. I am usually an advocate for a movie telling less to the audience, in order for the viewer to create some of the more frightening aspects in their mind, bu with this particular film, I was left wanting more exposition. Unlike the original "Hellraiser" film, "The Void" did not leave the origins of the monsters creation completely unexplained, but the origin story was a little to vague, and it made it difficult to connect as deeply to the conclusion of the film as I may have liked.
Overall, "The Void" is a good movie to throw on for a horror movie night with some friends who enjoy some good over the top gore and monster effects.
A local sheriff brings the victim of a mysterious attack to a rundown hospital, where sinister events ensue during a night of blood and gore ...
Ambitious siege horror with all sorts of influences. After a disturbing opening scene, we have one moment of normality followed by a constantly twisting nightmare that never lets up. At one point it seems there's a triple threat coming from different angles, and the story is at risk of collapsing from overload, but then the endgame comes into play through well produced set pieces and the climax brings some clarity.
The weakness is in the writing, which gives us two heroes, three pregnancies, over elaborate back stories, and plenty of shouty dialogue. The strength is in the effects and the photography and sound that create the hellish otherworld. The performances are OK, but the pace ebbs and flows instead of building steadily.
Overall: impressive vision delivered through a hectic concept.
Ambitious siege horror with all sorts of influences. After a disturbing opening scene, we have one moment of normality followed by a constantly twisting nightmare that never lets up. At one point it seems there's a triple threat coming from different angles, and the story is at risk of collapsing from overload, but then the endgame comes into play through well produced set pieces and the climax brings some clarity.
The weakness is in the writing, which gives us two heroes, three pregnancies, over elaborate back stories, and plenty of shouty dialogue. The strength is in the effects and the photography and sound that create the hellish otherworld. The performances are OK, but the pace ebbs and flows instead of building steadily.
Overall: impressive vision delivered through a hectic concept.
I gave this one a solid 7 out 10. What it lacks in solid lead actors it makes up for with some amazing visuals and special effects. The void does have some real levels to it and really immerses you into the threat of imminent danger. It's almost reminiscent of silent hill meets Netflix's stranger things. The only thing that drove me bonkers about this film is it's unapologetic and total lack of explanations on plot and drive. It's like being dropped into hell and the devil forgets to tell you how you died. The whole time i was waiting for that one character who seemingly knows all but for "reasons" inconveniently discloses the full story by the time its too late. The void is worth watching for sure but don't expect to understand right away. I will definitely be pondering away and painfully scratching my head on this film for a while. It isn't without it's perks though. For the avid horror and sci fan it contains some real tone and plenty of gore to tide you over
I'm floored by the poor reception this movie got. It's a loving throwback to horror classics with modern polish, clearly influenced by HP Lovecraft and body horror classics like Hellraiser and The Thing. If you like "classic" horror - i.e., horror before CGI and jump scares replaced practical effects and slow dread - you owe it to yourself to watch this movie.
It does drag a little bit at the end, but the opening and middle are fantastic. I would have given this movie a 10/10 if the denouement had been done more efficiently. But honestly, it's very watchable right up to the credits.
This movie has some of the best damn body horror I have EVER seen, period. I don't know how much of it was accomplished by practical effects, but it does seem like a lot. The acting is mostly good, and the pacing, while slower than most modern horror movies, is brisk enough that I didn't get bored.
I really wish horror movies like this were still getting made.
It does drag a little bit at the end, but the opening and middle are fantastic. I would have given this movie a 10/10 if the denouement had been done more efficiently. But honestly, it's very watchable right up to the credits.
This movie has some of the best damn body horror I have EVER seen, period. I don't know how much of it was accomplished by practical effects, but it does seem like a lot. The acting is mostly good, and the pacing, while slower than most modern horror movies, is brisk enough that I didn't get bored.
I really wish horror movies like this were still getting made.
I am shocked, seen too many "80s feel" horror, or so called, which are either poorly filmed or the acting is painful.
Just heard about this and thought "oh not another" but happy to say this is very good, its not going to win any Oscars for acting, the script is not Shakespeare, but what it try's to do it does well.
The practical effects for the most part are great, The Thing/Hellraiser type, on a very low budget.
Story is in realm of Hellraiser/Phantasm/Event Horizon, seen those? you will get my drift.
Its ending does leave questions, but also left me wanting to know more, and I would happily watch a second film if they stick to this way of making them, maybe a bit more money spent but keep away from CGI.
Overall I am impressed, they should be applauded for going old school and doing it well.
Just heard about this and thought "oh not another" but happy to say this is very good, its not going to win any Oscars for acting, the script is not Shakespeare, but what it try's to do it does well.
The practical effects for the most part are great, The Thing/Hellraiser type, on a very low budget.
Story is in realm of Hellraiser/Phantasm/Event Horizon, seen those? you will get my drift.
Its ending does leave questions, but also left me wanting to know more, and I would happily watch a second film if they stick to this way of making them, maybe a bit more money spent but keep away from CGI.
Overall I am impressed, they should be applauded for going old school and doing it well.
Lo sapevi?
- QuizHardly anything in the film is CGI. All of the monsters, gore, etc are real effects created by the team behind the movie.
- BlooperA hospital wouldn't keep narcotics like morphine sitting on a shelf like that, DEA regulations require that they be kept in a locked cabinet or drawer separate from other medications that are not controlled substances.
- Citazioni
Dr. Richard Powell: You'd be surprised at the things you find when you go looking...
- ConnessioniFeatured in Chris Stuckmann Movie Reviews: The Void (2017)
- Colonne sonoreBye And Bye We're Going to See The King
Written by Unknown - traditional
Performed by Darrell Simpson / Jahmeel Russel / Amy de Blois
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Conjuros del más allá
- Luoghi delle riprese
- Sault Ste Marie, Ontario, Canada(Studio)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 151.042 USD
- Fine settimana di apertura Stati Uniti e Canada
- 50.026 USD
- 9 apr 2017
- Lordo in tutto il mondo
- 368.372 USD
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was The Void - Il vuoto (2016) officially released in India in Hindi?
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