Poco dopo avere consegnato un paziente in un ospedale a corto di personale, un agente di polizia sperimenta eventi strani e violenti, apparentemente collegati a un gruppo di misteriose figur... Leggi tuttoPoco dopo avere consegnato un paziente in un ospedale a corto di personale, un agente di polizia sperimenta eventi strani e violenti, apparentemente collegati a un gruppo di misteriose figure incappucciate.Poco dopo avere consegnato un paziente in un ospedale a corto di personale, un agente di polizia sperimenta eventi strani e violenti, apparentemente collegati a un gruppo di misteriose figure incappucciate.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 2 candidature totali
Trish Rainone-DiLuzio
- The Mother
- (as Trish Rainone)
Michael J. Walsh
- Transformed Beverly
- (as Michael Walsh)
Recensioni in evidenza
I'm floored by the poor reception this movie got. It's a loving throwback to horror classics with modern polish, clearly influenced by HP Lovecraft and body horror classics like Hellraiser and The Thing. If you like "classic" horror - i.e., horror before CGI and jump scares replaced practical effects and slow dread - you owe it to yourself to watch this movie.
It does drag a little bit at the end, but the opening and middle are fantastic. I would have given this movie a 10/10 if the denouement had been done more efficiently. But honestly, it's very watchable right up to the credits.
This movie has some of the best damn body horror I have EVER seen, period. I don't know how much of it was accomplished by practical effects, but it does seem like a lot. The acting is mostly good, and the pacing, while slower than most modern horror movies, is brisk enough that I didn't get bored.
I really wish horror movies like this were still getting made.
It does drag a little bit at the end, but the opening and middle are fantastic. I would have given this movie a 10/10 if the denouement had been done more efficiently. But honestly, it's very watchable right up to the credits.
This movie has some of the best damn body horror I have EVER seen, period. I don't know how much of it was accomplished by practical effects, but it does seem like a lot. The acting is mostly good, and the pacing, while slower than most modern horror movies, is brisk enough that I didn't get bored.
I really wish horror movies like this were still getting made.
I gave this one a solid 7 out 10. What it lacks in solid lead actors it makes up for with some amazing visuals and special effects. The void does have some real levels to it and really immerses you into the threat of imminent danger. It's almost reminiscent of silent hill meets Netflix's stranger things. The only thing that drove me bonkers about this film is it's unapologetic and total lack of explanations on plot and drive. It's like being dropped into hell and the devil forgets to tell you how you died. The whole time i was waiting for that one character who seemingly knows all but for "reasons" inconveniently discloses the full story by the time its too late. The void is worth watching for sure but don't expect to understand right away. I will definitely be pondering away and painfully scratching my head on this film for a while. It isn't without it's perks though. For the avid horror and sci fan it contains some real tone and plenty of gore to tide you over
First off, I've seen some negative reviews on here that have truly surprised me. After growing up as a fan of Horror during that wonderful 80's period, I can honestly say The Void felt as comfortable as it does uncomfortable, especially if you're a fan of those movies of that time. Yes there are some very strong Clive Barker influences running throughout the movie (both Hellraiser and Nightbreed for example), but I think that's what kept me hooked throughout. That with a dash of Lovecraftian themed fantasy here and there really gave this movie a lot of (albeit dark) charm. I think the last time I saw something this twisted was probably the Turkish movie 'Baskin', with which it shares a lot of similarities, but The Void tends to push the boundaries a bit further, The landscape and atmosphere are nightmarish, imaginative, and gleefully sinister and foreboding. If they set out to create a true vision of hell then I can safely say that they've achieved that goal and then some.
Its only true flaw is probably some moments of shoddy dialogue but they by no means break the movie. I can think of a lot of top box office Horror's that have far worse dialogue in fact.
One of the things that I found most pleasing was the return to practical effects, so if you're a fan of movies like Carpenter's 'The Thing' then you're in for a real treat here. I think I only saw one moment of CGI in the entire picture, which was extremely refreshing. Nothing kills horror like bad CGI ('Mama', I'm looking at you) but its obvious from the get go that this is a movie made by people who respect the genre, and want to bring it back to its roots.
Ignore the negative reviews. If you're a true fan of the genre then I'm sure you'll find a lot to love about this movie. Its one hell of a trip, literally!
Its only true flaw is probably some moments of shoddy dialogue but they by no means break the movie. I can think of a lot of top box office Horror's that have far worse dialogue in fact.
One of the things that I found most pleasing was the return to practical effects, so if you're a fan of movies like Carpenter's 'The Thing' then you're in for a real treat here. I think I only saw one moment of CGI in the entire picture, which was extremely refreshing. Nothing kills horror like bad CGI ('Mama', I'm looking at you) but its obvious from the get go that this is a movie made by people who respect the genre, and want to bring it back to its roots.
Ignore the negative reviews. If you're a true fan of the genre then I'm sure you'll find a lot to love about this movie. Its one hell of a trip, literally!
A local sheriff brings the victim of a mysterious attack to a rundown hospital, where sinister events ensue during a night of blood and gore ...
Ambitious siege horror with all sorts of influences. After a disturbing opening scene, we have one moment of normality followed by a constantly twisting nightmare that never lets up. At one point it seems there's a triple threat coming from different angles, and the story is at risk of collapsing from overload, but then the endgame comes into play through well produced set pieces and the climax brings some clarity.
The weakness is in the writing, which gives us two heroes, three pregnancies, over elaborate back stories, and plenty of shouty dialogue. The strength is in the effects and the photography and sound that create the hellish otherworld. The performances are OK, but the pace ebbs and flows instead of building steadily.
Overall: impressive vision delivered through a hectic concept.
Ambitious siege horror with all sorts of influences. After a disturbing opening scene, we have one moment of normality followed by a constantly twisting nightmare that never lets up. At one point it seems there's a triple threat coming from different angles, and the story is at risk of collapsing from overload, but then the endgame comes into play through well produced set pieces and the climax brings some clarity.
The weakness is in the writing, which gives us two heroes, three pregnancies, over elaborate back stories, and plenty of shouty dialogue. The strength is in the effects and the photography and sound that create the hellish otherworld. The performances are OK, but the pace ebbs and flows instead of building steadily.
Overall: impressive vision delivered through a hectic concept.
"The Void" is one of those horror movies with a big (capital "M") Mystery at its center, but let's just see if you give a damn about it by the time the film finally gets around to (badly) explaining it. This film is all build up, dropped hints, and dangled carrots. The problem is that it never gets around to just being a damn movie.
The premise, which I don't think I could explain if I tried, is clearly overly ambitious for the filmmakers to pull off. It's part "Hellraiser," part "Re-Animator," part "Event Horizon," part, I don't know, "Halloween II?" There are people trapped in a hospital, Klu Klux Klan members lurking outside, a devil worshiping doctor, mutant zombie corpses, a woman giving birth, a useless nurse, a Libertarian. Everyone shouts a lot and for a long time the hostages are their own worst problem. Then they go exploring the murky depths of the hospital and boy, does the exposition begin. But the exposition never makes any sense, and to this day I'm still totally in the dark about who all the hooded figures walking around were.
I like my horror cerebral if it's done well, but if it's not, then I'd prefer something dumber but actually scary.
Grade: C-
The premise, which I don't think I could explain if I tried, is clearly overly ambitious for the filmmakers to pull off. It's part "Hellraiser," part "Re-Animator," part "Event Horizon," part, I don't know, "Halloween II?" There are people trapped in a hospital, Klu Klux Klan members lurking outside, a devil worshiping doctor, mutant zombie corpses, a woman giving birth, a useless nurse, a Libertarian. Everyone shouts a lot and for a long time the hostages are their own worst problem. Then they go exploring the murky depths of the hospital and boy, does the exposition begin. But the exposition never makes any sense, and to this day I'm still totally in the dark about who all the hooded figures walking around were.
I like my horror cerebral if it's done well, but if it's not, then I'd prefer something dumber but actually scary.
Grade: C-
Lo sapevi?
- QuizHardly anything in the film is CGI. All of the monsters, gore, etc are real effects created by the team behind the movie.
- BlooperA hospital wouldn't keep narcotics like morphine sitting on a shelf like that, DEA regulations require that they be kept in a locked cabinet or drawer separate from other medications that are not controlled substances.
- Citazioni
Dr. Richard Powell: You'd be surprised at the things you find when you go looking...
- ConnessioniFeatured in Chris Stuckmann Movie Reviews: The Void (2017)
- Colonne sonoreBye And Bye We're Going to See The King
Written by Unknown - traditional
Performed by Darrell Simpson / Jahmeel Russel / Amy de Blois
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Conjuros del más allá
- Luoghi delle riprese
- Sault Ste Marie, Ontario, Canada(Studio)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 151.042 USD
- Fine settimana di apertura Stati Uniti e Canada
- 50.026 USD
- 9 apr 2017
- Lordo in tutto il mondo
- 368.372 USD
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was The Void - Il vuoto (2016) officially released in India in Hindi?
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