The White King

I saw this at the opening at EIFF For once a movie that shows us an adolescent understanding how propaganda can blind you, and standing up for himself in a believable real life scenario. No sci-fi gimmicks or ninjas here- which is a reason why it may not appeal to some people. But this is real life, and if you are 12, these are the means you have at your disposal. How propaganda and politician's lies can deceive us is very topical at the moment - in national and international politics. The narrative is at times disjointed and I was not sure if it reflected the episodic nature of the original novel or the disorientation of the child (an excellent Lorenzo Allchurch) facing the realisation his world is different from what he believes A particularly believable performance by Jonathan Pryce as the grandfather torn between duty and love.

This follows a family living in a totalitarian dystopia.

This is a hard film for me to review.

First off, its production is very good. The camera work and direction is great. The characters are very well constructed and the acting is absolutely top notch. The world is quickly and deftly painted using iconography and suggestion. The world is oppressive but not overly brutal making it feel more real and dangerous. I enjoyed every minute of the first hour greatly and was gripped to see what was going to happen.

Here is the problem. Not much does happen. This film has plenty of story, but hardly any plot. Characters are introduced, and adversities befall our leads, but very little is resolved or explored. Any small victories the characters win aren't exploited.

The only analogy I can think of is if you made a film about a waitress who works in a bar in Star Wars. Sure dancing girls are fed to monsters and Jedi come in - but at the end of the day you are still watching someone serve drinks.

Maybe it is my personal taste, I thought I was more open minded than this, but it seems I do need a certain degree of resolution.

I kept the mark high because of the quality of the film making - not sure if I would recommend it though.

I enjoyed this new film and also, as a small rule, I am generally really interested to see new directors'/producers work. Especially when the is a dearth of good stuff coming out of the established US/UK areas, well picked Edinburgh Film Festival!

It was interesting and although one can see allusions, references etc to established works such as Orwell, Huxley and so on - well they do say there are only 7 stories in the world! - this is a new take on it.

Loved the the boy lead actor, and Deyn (who I thought surprisingly good and natural) loved the cinematography and the story of a (particularly relevant today) dystopian society, there were others that also stood out, although I was a little surprised to see De Lint who I have not seen for a very long time on the big screen.

Moody and thought provoking with one or two touches of brilliance. Not perfect (a first film n.b.) but the fact that I was engaged throughout says it all.

Really, it's a bit an empty movie. Some great shots, clearly the crew is capable, but the movie as it's edited just doesn't go anywhere. 90 minutes of wasted time. It carries the potential to so much more but never really delivers. If you watch it, do it for the esthetics. For the movie in its entirety it is not particularly worth the time.

Ten Stars. My wife's parents grew up in one of the socialist paradises, Bulgaria, and they recommend this film as the most incisive depiction of what goes on when the people hand over more and more control of the economy, and with it, education and with that, people's lives, to a government. I do want to comment on one reviewer here who said a scene was copied from George Orwell. Please read Christoper Hitchens' "Why Orwell Matters." Orwell included an actual brainwashing exercise in Lenin's socialist USSR. The white King is not copying Orwell, but rather including in the story a common enough abuse in socialist countries. See this film, and understand why the largest purveyors of violence have always been governments, and especially those claiming to be looking after the social welfare.