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Ares

Titolo originale: Arès
  • 2016
  • 1h 20min
VALUTAZIONE IMDb
6,2/10
4639
LA TUA VALUTAZIONE
Ola Rapace, Eva Lallier, and Élina Solomon in Ares (2016)
DrammaFantascienzaThriller

In una Francia del futuro con molti disoccupati, le grandi imprese gestiscono il paese. Ares è un pugile fallito e quando sua sorella viene arrestata, accetta di usare un nuovo farmaco che l... Leggi tuttoIn una Francia del futuro con molti disoccupati, le grandi imprese gestiscono il paese. Ares è un pugile fallito e quando sua sorella viene arrestata, accetta di usare un nuovo farmaco che lo aiuterà a vincere.In una Francia del futuro con molti disoccupati, le grandi imprese gestiscono il paese. Ares è un pugile fallito e quando sua sorella viene arrestata, accetta di usare un nuovo farmaco che lo aiuterà a vincere.

  • Regia
    • Jean-Patrick Benes
  • Sceneggiatura
    • Benjamin Dupas
    • Jérémie Guez
    • Jean-Patrick Benes
  • Star
    • Ola Rapace
    • Micha Lescot
    • Thierry Hancisse
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,2/10
    4639
    LA TUA VALUTAZIONE
    • Regia
      • Jean-Patrick Benes
    • Sceneggiatura
      • Benjamin Dupas
      • Jérémie Guez
      • Jean-Patrick Benes
    • Star
      • Ola Rapace
      • Micha Lescot
      • Thierry Hancisse
    • 35Recensioni degli utenti
    • 22Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto31

    Visualizza poster
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    Interpreti principali45

    Modifica
    Ola Rapace
    Ola Rapace
    • Arès
    Micha Lescot
    Micha Lescot
    • Myosotis
    Thierry Hancisse
    Thierry Hancisse
    • Coach
    • (as Thierry Hancisse de la Comédie Française)
    Hélène Fillières
    Hélène Fillières
    • Altman
    Ruth Vega Fernandez
    • Anna
    Eva Lallier
    • Anouk
    Louis-Do de Lencquesaing
    Louis-Do de Lencquesaing
    • PDG Donevia
    Élina Solomon
    • Mae
    Yvon Martin
    • Tyro
    Pierre Perrier
    Pierre Perrier
    • Boris
    Emilie Gavois-Kahn
    • Carla
    Jo Prestia
    Jo Prestia
    • Zito
    David Migeot
    • DG Donevia
    Vincent Parisi
    Vincent Parisi
    • Eugénique n°67
    Philippe Paimblanc
    • Chef du Board
    Vincent Deniard
    • Mastar
    Nadir Louatib
    • Jeune Arener
    Laurent Zivy
    • Panzer
    • Regia
      • Jean-Patrick Benes
    • Sceneggiatura
      • Benjamin Dupas
      • Jérémie Guez
      • Jean-Patrick Benes
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti35

    6,24.6K
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    Recensioni in evidenza

    7thekarmicnomad

    Gritty dystopian character movie with a tiny slither of cyberpunk.

    In France of the future the corporations are all powerful. Despite owning pretty much everything they seem bent on ruining everyone's day for more profit. It is now legal to test chemicals and robotics on people, leading to some great gizmos and some very messed up test subjects.

    The title character is a boxer who ekes a living by getting his head kicked-in on cable TV. He is a quiet, moody pragmatist dedicating himself to survival.

    His sister and niece have much grander ideas.

    What follows is a great character study. It is the realist verses the idealist. If nobody tries to make a change then nothing changes - on the other hand you have to accept the cost that you and those around you are going to pay.

    The action is fairly light, there are some fisty-cuffs but nothing to get excited about. The characters are very interesting and well cast. The filming is purposely dark and grungy - don't expect too much of Sci- Fi this is mainly about a clash of ideals.

    Definitely worth a Netflix watch.
    9charles000

    Amazingly well done . . .

    Amazingly well done. An excellent example of what genuine quality writing and story telling can do, without having to rely on big budget CGI and cliché' gimmicks.

    The premise of the film is not at all implausible, and much of the precursor elements that are the core criteria of this story are readily observable in current times.

    If anything, this darkish glimpse into a foreboding near future realm may be a bit too realistic for some, who are already keenly aware of these precursor elements in their current form.

    Stylistically, it does have some hints of the original Blade Runner tone to it, though not nearly as far into the future realm that BR portrays. The premise of Ares is much more gritty, down to earth, immersed into the frailties and challenges of the human condition, extruded through the mandrill of a dystopian near future world of crushing economic disparity mapped against corporate intrigues and corruption with a particularly ironic twist, the relevancy of which becomes immediately apparent within the first few minutes of the film.

    This is one of those productions which could have turned out very badly, if mishandled with clumsy direction or cheesy cardboard characters, which has become all too common in typical Hollywood productions.

    Thankfully, however, this is not one of those examples, but rather a refreshingly rare example to the contrary.

    Aside from a couple of minor plot holes, which the viewer can discover for themselves, I give this production a very solid 9 out of 10 stars.
    8kk05-662-993784

    Suberb movie.

    So many crap movies out there get high ratings and movies like this one are down voted and buried. I saw this movie but accident on my cable TV an boy am glad I didn't change channel. Thumbs up to the makers.
    9lariba-19733

    Great cyberpunk also for non-fans of the genre

    Amazing. Dystopian vision encapsulated in fairly short, yet well served story. It's barebone, it's told consequently, characters are credible (even though stereotypes are used heavily) and the makers managed not only to fit into the story large, unpleasant vision of broken society but also how it influences ordinary people relationships, way of thinking and how burdensome simple decency might be. And the level of world-building details, all of them placed well and presented naturally - oh, it's really great.

    Sci-fi was always about warning and exploring possible futures of mankind and cyberpunk sub-genre dwells on particularly disillusioned assessment of human nature. Make no mistake, this is not William Gibson copy, it is original piece and has unique touch to it (Eiffel tower burdened with giant commercial displays is really a view to remember). Yet given how the western society looks like nowadays it continues to underline and repeat the vision of very pessimistic consequences down that path. We can get a glimpse on that terrifying future walking along with Ares, ex professional boxer, riot cop hired for hours whos dream of decent, peaceful life is a corner kiosk. Ares is forced to get back on the ring and well, things go south at some point.

    The crates and secured doors. The groceries bought through small slipping hole (so the shop robbery isn't that easy). The shop-keeper speaking through mic and pushing away regular customer, a total negative of still existing cozy small-shop topos with keeper knowing his regulars and chatting with them about their lives. Such details, small touches, consequently presented throughout the movie make this world terrifyingly alive and... possible.

    Must see for cyberpunk fans, should see for anyone who likes condensed, yet complete story with good visuals.
    7Evil_Herbivore

    Not bad at all

    Ares is a movie falling into the category of dystopian stories, which seem to be quite popular lately. In it, we find all traditional elements of a dystopia: super rich elite and starving, homeless masses, evil corporations willing to do whatever it takes to increase profits, violent entertainment - here in the shape of a particularly violent type of boxing in which everything goes - drugs, and general hopelessness. The protagonist is an ex-boxer, who helps the regime until he is forced to go back in the ring.

    Right up to this point I was certain this was going to be yet another movie about a brave individual beating the regime by taking part in its sick entertainment. And just when I was starting to feel truly bored, the movie became much grittier and much darker than I expected. This second part of the story is really well crafted and it is able to say a few important things about our modern society.

    The acting is really good and I would say it is one of the best aspects of the movie. I especially liked Ola Rapace as Ares, as he was able to convey both the character's love for his family and his violent nature. Also, it is quite refreshing to see actors who aren't Hollywood stars once in a while.

    Special effects, cinematography and editing may not be the best in the world, but they are quite good, especially for a European movie. The brightly-colored CGI generated skyscrapers not only look pretty good, but they also add a lot to the general atmosphere of the movie.

    To sum up, Ares may not be the best dystopian movie in the world, but it is a solid production nonetheless. It's quite ambitious and may surprise a viewer expecting another bloody and violent action movie. I know I was surprised by how good the movie is.

    Trama

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    Lo sapevi?

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    • Blooper
      There is a scene in the movie where the fight manager uses a blood test to indicate that the new drug will kill 3 others but not kill the main character. If there is a blood test to determine if the new drug will kill you, why did the corporation test it on and kill over 30,000 people? And, furthermore, there would be no risk that the company would test the drug on anyone else who is at risk because they could just run the blood test first.
    • Connessioni
      References Cabaret (1972)
    • Colonne sonore
      Mad World
      Written by Roland Orzabal

      Performed by Jasmine Thompson

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    Dettagli

    Modifica
    • Data di uscita
      • 23 novembre 2016 (Francia)
    • Paese di origine
      • Francia
    • Lingua
      • Francese
    • Celebre anche come
      • Арес
    • Aziende produttrici
      • Albertine Productions
      • Gaumont
      • Canal+
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo in tutto il mondo
      • 109.143 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 20 minuti
    • Colore
      • Color
    • Proporzioni
      • 2.35 : 1

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