L'ispettore John Marlott indaga su una serie di crimini nella Londra del XIX secolo, che potrebbero essere stati commessi da uno scienziato intenzionato a resuscitare i morti.L'ispettore John Marlott indaga su una serie di crimini nella Londra del XIX secolo, che potrebbero essere stati commessi da uno scienziato intenzionato a resuscitare i morti.L'ispettore John Marlott indaga su una serie di crimini nella Londra del XIX secolo, che potrebbero essere stati commessi da uno scienziato intenzionato a resuscitare i morti.
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Sean Bean, superb as usual, leads a fantastic supporting cast through this dark and gritty investigation of mutilated corpses and the possibility of galvanizing the dead back to life.
I cannot say enough about this 6 episode (what was originally supposed to be mini-series - but now renewed for a second run!) season. Everything from the costumes, the sets, and the music (oh, the great music!) is phenomenal! The opening credits and theme deserve some recognition as it was very well done (I had a Game of Thrones vibe watching it)!
This could have easily ended at episode 6, because it was a perfect way to end this story, but I am also excited to see where they take Sean Bean's character next!
I cannot say enough about this 6 episode (what was originally supposed to be mini-series - but now renewed for a second run!) season. Everything from the costumes, the sets, and the music (oh, the great music!) is phenomenal! The opening credits and theme deserve some recognition as it was very well done (I had a Game of Thrones vibe watching it)!
This could have easily ended at episode 6, because it was a perfect way to end this story, but I am also excited to see where they take Sean Bean's character next!
The Frankenstein Chronicles is a very dark interpretation of the novel Frankenstein by Mary Shelly.
Indeed, this work is far more bleak than the original book. Its mired in the misery, inequality and depravity of 19th century London. The focus in this case is not adults but missing children, making this already disturbing tale that much more troubling.
Sean Bean hands in an excellent performance as the lead detective who knows the case he has been tasked with solving, is not, in fact, the case he is really investigating. There's a dark underbelly to this stories dark underbelly.
This is a masterful work, but I would say its not for everyone. I personally found its heavy, sombre and at times downright depressing tones, a little too much to handle. No doubt its true to the awfulness of the times but that's in some ways little consolation. That said, if you are prepared to accept the dark tones of this series I have little doubt it represents an impressive watch. Eight out of ten from me.
Indeed, this work is far more bleak than the original book. Its mired in the misery, inequality and depravity of 19th century London. The focus in this case is not adults but missing children, making this already disturbing tale that much more troubling.
Sean Bean hands in an excellent performance as the lead detective who knows the case he has been tasked with solving, is not, in fact, the case he is really investigating. There's a dark underbelly to this stories dark underbelly.
This is a masterful work, but I would say its not for everyone. I personally found its heavy, sombre and at times downright depressing tones, a little too much to handle. No doubt its true to the awfulness of the times but that's in some ways little consolation. That said, if you are prepared to accept the dark tones of this series I have little doubt it represents an impressive watch. Eight out of ten from me.
The first season was amazing,exept botched finale...The dark, gothic detective story in the beginning ,unfortunately transformed in something unrecognizable...
Story became very slow, overly religious and plain,not in a good way,macabre.
All in all,decent one time watch.
I recently discovered this series and have thoroughly enjoyed it. I am also glad that I am not the only one to notice the references to the character Richard Sharpe. I have read every one of Bernard Cromwell's books and you can't ignore the constant references to John Marlott's past life that mirrors Richard Sharpe. The boy whistling "Over the Hill and Far Away." Marlott's reference of him being in the 95'th Rifles, and being at the Battle of Waterloo. The time when Marlott took his shirt off while bathing showing off scaring on his back (In the Shapre books, the main character was once punished by flogging), and in episode five when Marlott retrieved his pistol, it showed his old dark green army uniform, similar to the one Sharpe wore as a member of the 95th.. I wonder if all this was the doing of Sean Bean. if it was, then it compels the viewer to pay especially close attention to the story line. Great hook.
With the recent glut of Superhero TV series hitting our screens I found this show to be welcome relief. Sean bean as lead manages to play the inspector with the air of someone who just isn't quite right, with flashbacks to his troubled past becoming more frequent it helps to build on his mental breakdown.
I have found the story at times needing a little more "Umph", yes the characters are being fleshed out and the mystery appears to deepen with each step the inspector takes to catch his "Monster", but at the same time do we really need to spend so much time in the inspectors rooms, what do they add to the story?
The overall gloom of the setting does lend weight to the story, the divide between rich and poor, privilege and servitude is very apparent, with the inspector squarely in the middle of these differing worlds.
I have found the story at times needing a little more "Umph", yes the characters are being fleshed out and the mystery appears to deepen with each step the inspector takes to catch his "Monster", but at the same time do we really need to spend so much time in the inspectors rooms, what do they add to the story?
The overall gloom of the setting does lend weight to the story, the divide between rich and poor, privilege and servitude is very apparent, with the inspector squarely in the middle of these differing worlds.
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- QuizThe successful resurrection of "The Creature" doesn't happen (solely) through electricity in this series. During a stay at Lake Geneva in Switzerland from May to September 1816 (during which she laid the foundations for what would become Frankenstein, or: The Modern Prometheus, published in 1818), Mary Shelley described ideas of galvanism and the re-animation of corpses. Unlike virtually all later film adaptations, however, the original novel never precisely describes the use of electricity to successfully re-animate a body. In fact, in Frankenstein (1910), the very first silent film adaptation of the novel, the creature emerges from a bubbling cauldron in what appears to be alchemy rather than actual modern science. In this series, the exact circumstances of the first truly successful resurrection are also kept vague, except the use of a "tincture" and "tissue" is mentioned.
- ConnessioniFeatured in What Will I Watch? (Netflix Browsing) (2018)
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- Lingua
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- Crónicas de Frankenstein
- Luoghi delle riprese
- Armagh, County Armagh, Northern Ireland, Regno Unito(on location)
- Azienda produttrice
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