The Propaganda Game

This documentary is unlike any other documentary on the subject of North-Korea. Most documentaries have a negative undertone from the start of the beginning, but Alvaro Longoria is much more neutral in his "quest to seek out the truth". As one would expect of the communistic country, he is not to travel freely and is always accompanied by guides and state officers, but, unlike other documentaries, a lot of 'normal' North-Koreans (assuming that they aren't all actors) were interviewed in front of a camera. This gives us an insight in what goes through the minds of the North-Korean people and makes it clear that it is truly devoted to its leaders and convinced of their divinity. I have no doubt that there were staged situations, but it just cannot be possible that everything was. Even though the documentary is 90 minutes long, there are still many questions unanswered, for example about prison camps or the black market, but at least Longoria didn't make a suggestive documentary like the VICE documentary on North-Korea, in which they claim it is almost impossible to get in the country and make it look as if they are the only ones there.

In recent years, a few documentary makers have entered the otherwise closed country of North Korea--some of which covertly filmed the land and its people. All of the films like these that I've seen have been rather critical of the repressive North Korean regime and its human rights violations, but this new film is a bit different. While it features some interviews with folks who are very critical of North Korea, it also allows the North Korean propaganda machine ample time to present its well-scripted case that their land is a sort of nirvana and that they must maintain their military might and readiness to protect itself from capitalism and democratization. It's a bit of a confusing film, mostly because you see happy and well-fed North Koreans. But, it must be remembered that the Spanish film crew was led around with government officials and they simply couldn't go where they wanted. In particular, the strange ex- Spaniard and North Korean government official Alejandro Cao de Benós takes the crew about the country and there is no freedom of movement for the filmmakers. So, when they ask about concentration camps and starvation, you never really get to see much of the country other than a couple brief and scripted trip to the countryside and insistence from Benós that such places don't exist. Instead, you see almost exclusively views of the capital, Pyongyang and with loyal North Koreans who seem like model citizens. Overall, the effect is very strange. On one hand, the country looks nice and clean and BIG....but on the other, much of it also seems fake (such as the odd church service they attended). Worth seeing but I am really not that sure what the message is or what most folks will take from the film other than confusion. Because of this, I would recommend you see other films to get a more complete view of the state of the country and its people, such as "A State of Mind", "Crossing the Line" as well as "Seoul Train".

With all the ongoing debacles with North Korea in the news I figured this would be a fantastic time to watch The Propaganda Game.

A Spanish made documentary with very impressive and rare access to the country it pulls back the curtain (Or at least as far back as the officials would let it go) and shows both sides of this remarkable place.

The trouble is that both the west and North Korea seem to be playing the The Propaganda Game and it's extremely hard to know what is true and what isn't. My personal opinion is that it's a combination of both, but this documentary is quite unbias and gives you a chance to decide for yourself.

US government, the Korean government, ultimately the real victims in this appear to be the citizens of Korea themselves as I find their chosen lifestyle monstrous but again how much of it is true and how much is staged? The Propaganda Game is well worth a watch and though heartbreaking it is very eye opening and a fantastic piece of documentary film making.

Always wondered why Korea didn't kick off over Team America World Police (2004) but did regarding The Interview (2014). Perhaps a leader with less sense of humour explains it?

Film maker Álvaro Longoria managed to get permission to film inside the DPRK but it was a guided tour – that was to be expected. His tour was exclusively of the cosseted capital Pyongyang. However, Longoria knew that there would be restrictions on what he could and more importantly could not film.

His guides take him on a tour of all the new shiny buildings and installations and shows us all the shiny happy North Koreans enjoying the gifts of the benevolent Kim Jong-un. Everywhere there are statues and pictures of 'The Great Leaders' who must be constantly adored as some sort of deity and the people seem to have genuine emotions about these dictators. The film also interviews experts and defectors as well as human rights activists and strives to show both sides in the ever growing propaganda war.

The attempts to be balanced are credit worthy and Longoria himself missed his calling for the diplomatic mission. I was reminded of a Benny Hill sketch where an advertising board said 'People buy Smiths Pies because they don't know any better'; and I think that is why North Koreans seem to be so content with their lot in the World – they just do not know what they are missing. He did mention the markets and the hard currency shops which the regime has had to allow to exist as it was too troublesome to uninvent 'choice' as it were.

What is left out is equally important and any one who has studied this 'hermit kingdom' will know of some of the bizarre and cruel abuses of human rights, but the whole point of the film is to redress the more extreme distortions of propaganda and try to see if there is any unvarnished truth that would help us understand them. In the end I felt he did a rather good job and as such can recommend to anyone who has an interest in modern social history.

By turns disturbing, depressing and mildly annoying. This might have been better if it focussed on 'the Spanish soldier' and his motives. There is ultimately little depth (possibly due to the fast paced cutting to talking heads) and most subjects are glossed over. With only lip service being paid to balance this film doesn't 'sit on the fence' it 'sits on the DMZ'.