La leggendaria Dolly Wilde

This film really charmed me. Though the main character's accent wandered a little, I forgave it very quickly because the story and the protagonist's journey was really engaging. There are plenty of laughs and heart breaking moments along the way and I left having been thoroughly entertained.

This film tells a bittersweet coming of age story. I am so glad she finds herself! The protagonist is really engaging, and you just can't help but be drawn to her story. I really liked it.

It's 90's England. Johanna Morrigan (Beanie Feldstein) is a 16 year old outcast at school. She talks to her imaginary famous mentors. Her poor family lives in Wolverhampton. Her father Pat (Paddy Considine) still dreams of being a 70's rock star. Her mother is worn out after having twins. She gets a magazine job and journeys to find herself as music reporter Dolly Wilde.

Of course, this reminds me of Almost Famous. There is a lot in common. This has some of the same autobiographic touches with a coming-of-age story within the music journalism industry. There is one thing that I can't get over. Beanie is trying to be British and it's freaking weird. It sets this off on a note which it does recover eventually. I can't see how there isn't a British teenage girl itching to play this part. Johanna does go full evil before learning her lesson. This is good although I kept thinking that this could have been a breakout performance for an unknown British teen.

It's true this is a "coming of age" film but why is that touted as being such a bad thing? This has an excellent cast and, although stretches the realms of belief at times, is very watchable with likeable characters. I nearly didn't watch it based on the reviews and was pleasantly surprised with how much I enjoyed it. It's not going to break any records but it's worth whiling away an afternoon to.

How To Build A Girl was an enjoyable, but uneven experience. The story focuses on Johanna, a teenage nerd coming from a Wolverhampton council estate, and gaining a spot at a top music magazine. As the film progresses, Johanna learns the lesson that all critics, editorial columnists, and feature writers must face - her opinions and words on the page have real life consequences.

The execution was a bit of a mixed bag, right down to the character development. While I personally related to the character of Johanna and her discovery of an interest in writing, I found her attempt at moral grandstanding in the middle of the film unsympathetic and off-putting. A good film for what it is, but it could've been better. 6/10.